The Christmas Miracle, by 
 
Charles Egbert Craddock (AKA Mary Noailles Murfree) This eBook is 
for the use of anyone anywhere at no cost and with almost no 
restrictions whatsoever. You may copy it, give it away or re-use it 
under the terms of the Project Gutenberg License included with this 
eBook or online at www.gutenberg.org 
Title: The Christmas Miracle 1911 
Author: Charles Egbert Craddock (AKA Mary Noailles Murfree) 
Release Date: November 19, 2007 [EBook #23553] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK THE 
CHRISTMAS MIRACLE *** 
 
Produced by David Widger 
 
THE CHRISTMAS MIRACLE 
By Charles Egbert Craddock 
1911 
He yearned for a sign from the heavens. Could one intimation be
vouchsafed him, how it would confirm his faltering faith! Jubal 
Kennedy was of the temperament impervious to spiritual subtleties, 
fain to reach conclusions with the line and rule of mathematical 
demonstration. Thus, all unreceptive, he looked through the mountain 
gap, as through some stupendous gateway, on the splendors of autumn; 
the vast landscape glamorous in a transparent amethystine haze; the 
foliage of the dense primeval wilderness in the October richness of red 
and russet; the "hunter's moon," a full sphere of illuminated pearl, high 
in the blue east while yet the dull vermilion sun swung westering above 
the massive purple heights. He knew how the sap was sinking; that the 
growths of the year had now failed; presently all would be shrouded in 
snow, but only to rise again in the reassurance of vernal quickening, to 
glow anew in the fullness of bloom, to attain eventually the perfection 
of fruition. And still he was deaf to the reiterated analogy of death, and 
blind to the immanent obvious prophecy of resurrection and the life to 
come. His thoughts, as he stood on this jutting crag in Sunrise Gap, 
were with a recent "experience meeting" at which he had sought to 
canvass his spiritual needs. His demand of a sign from the heavens as 
evidence of the existence of the God of revelation, as assurance of the 
awakening of divine grace in the human heart, as actual proof that 
wistful mortality is inherently endowed with immortality, had 
electrified this symposium. Though it was fashionable, so to speak, in 
this remote cove among the Great Smoky Mountains, to be repentant in 
rhetorical involutions and a self-accuser in finespun interpretations of 
sin, doubt, or more properly an eager questioning, a desire to possess 
the sacred mysteries of religion, was unprecedented. Kennedy was a 
proud man, reticent, reserved. Although the old parson, visibly 
surprised and startled, had gently invited his full confidence, Kennedy 
had hastily swallowed his words, as best he might, perceiving that the 
congregation had wholly misinterpreted their true intent and that 
certain gossips had an unholy relish of the sensation they had caused. 
Thereafter he indulged his poignant longings for the elucidation of the 
veiled truths only when, as now, he wandered deep in the woods with 
his rifle on his shoulder. He could not have said to-day that he was 
nearer an inspiration, a hope, a "leading," than heretofore, but as he 
stood on the crag it was with the effect of a dislocation that he was torn
from the solemn theme by an interruption at a vital crisis. 
The faint vibrations of a violin stirred the reverent hush of the 
landscape in the blended light of the setting sun and the "hunter's 
moon." Presently the musician came into view, advancing slowly 
through the aisles of the red autumn forest. A rapt figure it was, 
swaying in responsive ecstasy with the rhythmic cadence. The head, 
with its long, blowsy yellow hair, was bowed over the dark polished 
wood of the instrument; the eyes were half closed; the right arm, 
despite the eccentric patches on the sleeve of the old brown-jeans coat, 
moved with free, elastic gestures in all the liberties of a practiced 
bowing. If he saw the hunter motionless on the brink of the crag, the 
fiddler gave no intimation. His every faculty was as if enthralled by the 
swinging iteration of the sweet melancholy melody, rendered with a 
breadth of effect, an inspiration, it might almost have seemed, 
incongruous with the infirmities of the crazy old fiddle. He was like a 
creature under the sway of a spell, and apparently drawn by this dulcet 
lure of the enchantment of sound was the odd procession that trailed 
silently after him through these deep mountain fastnesses. 
A woman came first, arrayed in a ragged purple skirt and a yellow 
blouse open at the throat, displaying a slender white neck which upheld 
a face of pensive, inert beauty. She clasped in her arms a delicate infant, 
ethereal of aspect with its flaxen hair, transparently pallid complexion, 
and wide blue eyes. It was absolutely quiescent, save    
    
		
	
	
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