The Caxtons

Edward Bulwer Lytton
Caxtons, The

The Project Gutenberg EBook The Caxtons, by Bulwer-Lytton,
Complete #33 in our series by Edward Bulwer-Lytton
Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project
Gutenberg file. Please do not remove it. Do not change or edit the
header without written permission. Please read the "legal small print,"
and other information about the eBook and Project Gutenberg at the
bottom of this file. Included is important information about your
specific rights and restrictions in how the file may be used. You can
also find out about how to make a donation to Project Gutenberg, and
how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**EBooks Readable By Both Humans and By Computers, Since
1971**
*****These EBooks Were Prepared By Thousands of Volunteers*****
Title: The Caxtons, Complete
Author: Edward Bulwer-Lytton
Release Date: March 2005 [EBook #7605] [Yes, we are more than one
year ahead of schedule] [This file was first posted on January 10, 2003]

Edition: 10
Language: English
Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK THE
CAXTONS, BY LYTTON, COMPLETE ***

This eBook was produced by Pat Castevens and David Widger


THE CAXTONS (Complete)
A FAMILY PICTURE
By Edward Bulwer Lytton (Lord Lytton)

PREFACE.
If it be the good fortune of this work to possess any interest for the
Novel reader, that interest, perhaps, will be but little derived from the
customary elements of fiction. The plot is extremely slight, the
incidents are few, and with the exception of those which involve the
fate of Vivian, such as may be found in the records of ordinary life.
Regarded as a Novel, this attempt is an experiment somewhat apart
from the previous works of the author. It is the first of his writings in
which Humor has been employed, less for the purpose of satire than in
illustration of amiable characters; it is the first, too, in which man has
been viewed, less in his active relations with the world, than in his
repose at his own hearth,--in a word, the greater part of the canvas has
been devoted to the completion of a simple Family Picture. And thus,

in any appeal to the sympathies of the human heart, the common
household affections occupy the place of those livelier or larger
passions which usually (and not unjustly) arrogate the foreground in
Romantic composition.
In the Hero whose autobiography connects the different characters and
events of the work, it has been the Author's intention to imply the
influences of Home upon the conduct and career of youth; and in the
ambition which estranges Pisistratus for a time from the sedentary
occupations in which the man of civilized life must usually serve his
apprenticeship to Fortune or to Fame, it is not designed to describe the
fever of Genius conscious of superior powers and aspiring to high
destinies, but the natural tendencies of a fresh and buoyant mind, rather
vigorous than contemplative, and in which the desire of action is but
the symptom of health.
Pisistratus in this respect (as he himself feels and implies) becomes the
specimen or type of a class the numbers of which are daily increasing
in the inevitable progress of modern civilization. He is one too many in
the midst of the crowd; he is the representative of the exuberant
energies of youth, turning, as with the instinct of nature for space and
development, from the Old World to the New. That which may be
called the interior meaning of the whole is sought to be completed by
the inference that, whatever our wanderings, our happiness will always
be found within a narrow compass, and amidst the objects more
immediately within our reach, but that we are seldom sensible of this
truth (hackneyed though it be in the Schools of all Philosophies) till our
researches have spread over a wider area. To insure the blessing of
repose, we require a brisker excitement than a few turns up and down
our room. Content is like that humor in the crystal, on which Claudian
has lavished the wonder of a child and the fancies of a Poet,--
"Vivis gemma tumescit aquis."
E. B. L.
October, 1849.

THE CAXTONS.


PART I.


CHAPTER I.
"Sir--sir, it is a boy!"
"A boy," said my father, looking up from his book, and evidently much
puzzled: "what is a boy?"
Now my father did not mean by that interrogatory to challenge
philosophical inquiry, nor to demand of the honest but unenlightened
woman who had just rushed into his study, a solution of that mystery,
physiological
Continue reading on your phone by scaning this QR Code

 / 247
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.