The Bell in the Fog 
 
The Project Gutenberg EBook of The Bell in the Fog and Other Stories 
by Gertrude Atherton This eBook is for the use of anyone anywhere at 
no cost and with almost no restrictions whatsoever. You may copy it, 
give it away or re-use it under the terms of the Project Gutenberg 
License included with this eBook or online at www.gutenberg.net 
Title: The Bell in the Fog and Other Stories 
Author: Gertrude Atherton 
Release Date: December 4, 2004 [EBook #14256] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK BELL IN 
THE FOG *** 
 
Produced by Suzanne Shell, Andrea Ball and the Online Distributed 
Proofreading Team. 
 
[Illustration: GERTRUDE ATHERTON] 
The 
Bell in the Fog
And Other Stories 
By Gertrude Atherton 
Author of "Rulers of Kings" "The Conqueror" etc. 
New York and London Harper & Brothers Publishers :: 1905 
To The Master 
Henry James 
 
Contents 
I. THE BELL IN THE FOG 
II. THE STRIDING PLACE 
III. THE DEAD AND THE COUNTESS 
IV. THE GREATEST GOOD OF THE GREATEST NUMBER 
V. A MONARCH OF A SMALL SURVEY 
VI. THE TRAGEDY OF A SNOB 
VII. CROWNED WITH ONE CREST 
VIII. DEATH AND THE WOMAN 
IX. A PROLOGUE (TO AN UNWRITTEN PLAY) 
X. TALBOT OF URSULA 
 
I 
The Bell in the Fog
I 
The great author had realized one of the dreams of his ambitious youth, 
the possession of an ancestral hall in England. It was not so much the 
good American's reverence for ancestors that inspired the longing to 
consort with the ghosts of an ancient line, as artistic appreciation of the 
mellowness, the dignity, the aristocratic aloofness of walls that have 
sheltered, and furniture that has embraced, generations and generations 
of the dead. To mere wealth, only his astute and incomparably modern 
brain yielded respect; his ego raised its goose-flesh at the sight of 
rooms furnished with a single check, conciliatory as the taste might be. 
The dumping of the old interiors of Europe into the glistening shells of 
the United States not only roused him almost to passionate protest, but 
offended his patriotism--which he classified among his unworked 
ideals. The average American was not an artist, therefore he had no 
excuse for even the affectation of cosmopolitanism. Heaven knew he 
was national enough in everything else, from his accent to his lack of 
repose; let his surroundings be in keeping. 
Orth had left the United States soon after his first successes, and, his art 
being too great to be confounded with locality, he had long since 
ceased to be spoken of as an American author. All civilized Europe 
furnished stages for his puppets, and, if never picturesque nor 
impassioned, his originality was as overwhelming as his style. His 
subtleties might not always be understood--indeed, as a rule, they were 
not--but the musical mystery of his language and the penetrating charm 
of his lofty and cultivated mind induced raptures in the initiated, 
forever denied to those who failed to appreciate him. 
His following was not a large one, but it was very distinguished. The 
aristocracies of the earth gave to it; and not to understand and admire 
Ralph Orth was deliberately to relegate one's self to the ranks. But the 
elect are few, and they frequently subscribe to the circulating libraries; 
on the Continent, they buy the Tauchnitz edition; and had not Mr. Orth 
inherited a sufficiency of ancestral dollars to enable him to keep rooms 
in Jermyn Street, and the wardrobe of an Englishman of leisure, he 
might have been forced to consider the tastes of the middle-class at a
desk in Hampstead. But, as it mercifully was, the fashionable and 
exclusive sets of London knew and sought him. He was too wary to 
become a fad, and too sophisticated to grate or bore; consequently, his 
popularity continued evenly from year to year, and long since he had 
come to be regarded as one of them. He was not keenly addicted to 
sport, but he could handle a gun, and all men respected his dignity and 
breeding. They cared less for his books than women did, perhaps 
because patience is not a characteristic of their sex. I am alluding, 
however, in this instance, to men-of-the-world. A group of young 
literary men--and one or two women--put him on a pedestal and kissed 
the earth before it. Naturally, they imitated him, and as this flattered 
him, and he had a kindly heart deep among the cere-cloths of his 
formalities, he sooner or later wrote "appreciations" of them all, which 
nobody living could understand, but which owing to the sub-title and 
signature answered every purpose. 
With all this, however, he was not utterly content. From the 12th of 
August until late in the winter--when he did not go to Homburg and the 
Riviera--he visited    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
