The Bed-Book of Happiness | Page 2

who truly knows himself, but will acknowledge and confess the enormous importance to physical recovery of mental well-being. The thing has become platitudinous, but remains as difficult as ever. If Christian Science on its physiological side had been an easy matter it would long ago have converted the world. The trouble is that obvious things are not always easy. It is obvious to the victim of alcoholic or nicotine poisoning that he would be infinitely better in health could he abjure alcohol or tobacco; he does not need to be philosophised or theologised into this conviction; he knows it better than his teachers. His necessity is a superadded force to the will within his soul which has lost the power of action. And so with the will of the sick person, who knows very well that if he could rid himself of dejection and heaviness his health would come back to him on swallows' wings. Obvious, palpable, more certain than to-morrow's sun; but how difficult, how hard, nay, sometimes how impossible! An honest man like Father Tyrrell confesses that in certain bouts with the flesh faith may desert us, even the religious faith of a life-time may fall in ruins round our naked soul.
I was once speaking on this subject to Sir Jesse Boot, telling him how hard I had found it to amuse and distract the mind of one of my children in the extreme weakness which fell upon her after an operation. I told him that I had searched my book-shelves for stories, histories, anthologies, and journeyings; that I had carried to the bedside piles of books which I thought the most suitable; and that I had read from these books day after day, succeeding for some few minutes at a time to interest the sick child, but ending almost in every case with failure and defeat. I found that humour could bore, that narrative could irritate, that essays could worry and perplex, that poetry could depress, and that wit could tease with its cleverness. Moreover, I found that one could not go straight to any anthology in existence without coming unexpectedly, and before one was aware of it, upon some passage so mournful or sad or pathetic that it undid at a sentence all the good which had been done by luckier reading. My friend, who is himself a great reader, and who has borne for some years a heavy burden of infirmity, agreed that cheerful reading is of immense help in sickness and also confessed that it is difficult to find any one book which ministers to a mind weakened by illness or tortured by insomnia.
The present volume is the outcome of that conversation. I determined to compile a book which from the first page to the last should be a happy book, a book which would come to be a friend of all those who share in any way the sickness of the world, a book to which everybody could go with the sure knowledge that they would find there nothing to depress, nothing to exacerbate irritable nerves, nothing to confirm the mind in dejection. And on its positive side I said that this book should be diverse and changeful in its happiness. I planned that while cheerfulness should be its soul, the expression of that cheerfulness should avoid monotony with as great an energy as the book itself avoided depression. My theory was a book whose pages should resemble rather an olla podrida of variety than a tautological joint of monotonous nutriment. And I sought to fill my wallet rather from the crumbs let fall by the happy feasters than from the too familiar table of the great masters.
"To muse, to dream, to conceive of fine works, is a delightful occupation." But one must go from conception to execution, crossing the gulf that separates "these two hemispheres of Art." "The man," says Balzac, "who can but sketch his purpose beforehand in words is regarded as a wonder, and every artist and writer possesses that faculty. But gestation, fruition, the laborious rearing of the offspring, putting it to bed every night full fed with milk, embracing it anew every morning with the inexhaustible affection of a mother's heart, licking it clean, dressing it a hundred times in the richest garb only to be instantly destroyed; then never to be cast down at the convulsions of this headlong life till the living masterpiece is perfected which in sculpture speaks to every eye, in literature to every intellect, in painting to every memory, in music to every heart!--this is the task of execution."
Even the compiler knows something of this passion of the artist, experiences some at least of the convulsions of this headlong life, makes acquaintance certainly with this task of execution. To conceive such a volume