own time is superficial in proportion to the
thickness of the ages. But neither the genius of man, nor his length of 
days, has had an increase corresponding to that of the realm of 
knowledge, the requirements of reading, and the conditions of 
intelligence. The multiplied attractions only crowd and obstruct the 
necessarily narrow line of duty, possibility, and destiny. Life threatens 
to be extinguished by its own shadow, by the débris kept in the current 
by countless tenacious records. Its essence escapes to heaven or into 
new forms, but its ghosts still walk the earth in print. Like that mythical 
serpent which advanced only as it grew in length, so knowledge spans 
the whole length of the ages. Some philosopher conceived of history as 
the migration and growth of reason throughout time, culminating in 
successive historical ideas. He, however, supposed that the idea of 
every age had nothing to do with any preceding age; it had passed 
through whatsoever previous stages, had been somewhat modified by 
them, contained in itself all that was best in them, was improved and 
elevated at every new epoch; but it had no memory, never looked 
backward, and was an ever rolling sphere, complete in itself, leaving no 
trail behind. Human life, under the discipline of letters and common 
schools, is not thus Hegelian, but advances under the boundless 
retrospection of literature. And yet this is probably divine philosophy. 
It is probable that the faculty of memory belongs to man only in an 
immature state of development, and that in some future and happier 
epoch the past will be known to us only as it lives in the present; and 
then for the first time will Realism in life take the place of Nominalism. 
The largest library in the world, the Bibliothèque Impériale of Paris, (it 
has been successively, like the adventurous and versatile throne of 
France, Royale, Nationale, and Impériale,) contains very nearly one 
million of books, the collected fruits of all time. Consider an average 
book in that collection: how much human labor does it stand for? How 
much capital was invested originally in its production, and how much 
tribute of time and toil does it receive per annum? Regarding books as 
intellectual estate, how much does it cost mankind to procure and keep 
up an average specimen? What quantity of human resources has been 
originally and consecutively sunk in the Parisian library? How much of 
human time, which is but a span, and of human emotion and thought, 
which are sacred and not to be carelessly thrown away, lie latent
therein? 
The estimate must be highly speculative. Some books have cost a 
lifetime and a heartbreak; others have been written at leisure in a week, 
and without an emotion. Some are born from the martyrdom of a 
thinker to fire the genius of a populace; others are the coruscations of 
joy, and have a smile for their immortal heir. Some have made but the 
slightest momentary ripple in human affairs; others, first gathering 
eddies about themselves, have swept forward in grand currents, 
engrossing for centuries whole departments of human energy. 
Thousands publish and are forgotten before they die. Spinoza published 
after his death and is not yet understood. 
We will begin with the destined bibliomacher at the time of his 
assumption of short clothes. The alphabet is his first professional 
torture, and that only ushers him upon the gigantic task of learning to 
read and write his own language. Experience shows that this miracle of 
memory and associative reason may be in the main accomplished by 
the time he is eight years old. Thus far in his progress towards 
book-making he has simply got his fingers hold of the pen. He has next 
to run the gauntlet of the languages, sciences, and arts, to pass through 
the epoch of the scholar, with satchel under his arm, with pale cheek, 
an eremite and ascetic in the religion of Cadmus. At length, at about 
twenty years of age, he leaves the university, not a master, but a 
bachelor of liberal studies. But thus far he has laid only the foundation, 
has acquired only rudiments and generalities, has only served his 
apprenticeship to letters. God gave mind and nature, but art has 
furnished him a new capacity and a new world,--the capacity to read, 
and the world of books. He has simply acquired a new nature, a 
psychological texture of letters, but the artificial tabula rasa has yet to 
be filled. Twenty obstetrical years have at last made him a literary 
animal, have furnished him the abstract conditions of authorship; but he 
has yet his life to save, and his fortune to make in literature. He is born 
into the mystic fraternity of readers and writers, but the special studies 
and experiences which fit him for    
    
		
	
	
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