Project Gutenberg's The Arte of English Poesie, by George Puttenham 
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Title: The Arte of English Poesie 
Author: George Puttenham 
Release Date: August 3, 2005 [EBook #16420] 
Language: English 
Character set encoding: ISO-8859-1 
0. START OF THIS PROJECT GUTENBERG EBOOK THE ARTE 
OF ENGLISH POESIE *** 
Produced by Bibliothèque nationale de France, Greg Lindahl, Charles 
Bidwell and the Online Distributed Proofreading
Team at 
http://www.pgdp.net
 
THE ARTE 
OF ENGLISH 
POESIE. 
Contriued into three Bookes: The first of Poets and Poesie, the second 
of Proportion, the third of Ornament. 
[Illustration: AN CHORA SPEI (shield with hand coming out of a 
cloud and holding onto an anchor entwined with vine)] 
AT LONDON 
Printed by Richard Field,
dwelling in the black-Friers, neere Ludgate.
1589.
TO THE RIGHT HONORABLE SIR WILLIAM CECILL 
KNIGHT,
LORD OF BVRGHLEY, LORD HIGH TREASVRER 
OF ENGLAND, R.F. 
Printer wisheth health and prosperitie, with the commandement and vse 
of his continuall seruice. 
_This Booke (right Honorable) coming to my handes, with his bare title 
without any Authours name or any other ordinarie addresse, I doubted 
how well it might become me to make you a present thereof, seeming 
by many expresse passages in the same at large, that it was by the 
Authour intended to our Soueraigne Lady the Queene, and for her 
recreation and seruice chiefly deuised, in which case to make any other 
person her highnes partener in the honour of his guift it could not stand 
with my dutie, nor be without some prejudice to her Maiesties interest 
and his merrite. Perceyuing besides the title to purport so slender a 
subiect, as nothing almost could be more discrepant from the grauitie of 
your yeeres and Honorable function, whose contemplations are euery 
houre more seriously employed upon the publicke administration and 
services: I thought it no condigne gratification, nor scarce any good 
satisfaction for such a person as you. Yet when I considered, that 
bestowing vpon your Lordship the first vewe of this mine impression (a 
feat of mine owne simple facultie) it could not scypher her Maiesties 
honour or prerogatiue in the guift, nor yet the Authour of his thanks: 
and seeing the thing it selfe to be a deuice of some noueltie (which 
commonly it giveth euery good thing a speciall grace) and a noueltie so 
highly tending to the most worthy prayses of her Maiesties most 
excellent name. So deerer to you I dare conceiue them any worldly 
thing besides love although I could not deuise to have presented your 
Lordship any gift more agreeable to your appetite, or fitter for my 
vocation and abilitie to bestow, your Lordship beyng learned and a 
louer of learning, my present a Book and my selfe a printer alwaies 
ready and desirous to be at your Honourable commaundement. And 
thus I humbly take my leave from the Black-friers, this xxvii of May, 
1589._ 
Your Honours most humble
at commaundement,
R.F. 
A colei 
[Illustration of Queen holding orb and sceptre.] 
Che se stessa rassomiglia & non altrui. 
THE FIRST BOOKE,
_Of Poets and Poesie. 
CHAP. I. 
_What a Poet and Poesie is, and who may be worthily sayd the most 
excellent Poet of our time._ 
A Poet is as much to say as a maker. And our English name well 
conformes with the Greeke word: for of [Greek: poiein] to make, they 
call a maker Poeta. Such as (by way of resemblance and reuerently) we 
may say of God: who without any trauell to his diuine imagination, 
made all the world of nought, nor also by any paterne or mould as the 
Platonicks with their Idees do phantastically suppose. Euen so the very 
Poet makes and contriues out of his owne braine both the verse and 
matter of his poeme, and not by any foreine copie or example, as doth 
the translator, who therefore may well be sayd a versifier, but not a 
Poet. The premises considered, it giueth to the name and profession no 
smal dignitie and preheminence aboue all other artificers, Scientificke 
or Mechanicall. And neuerthelesse without any repugnancie at all, a 
Poet may in some sort be said a follower or imitator, because he can 
expresse the true and liuely of euery thing is set before him, and which 
he taketh in hand to describe: and so in that respect is both a maker and 
a counterfaitor: and Poesiean art not only of making, but also of 
imitation. And this science in his perfection, can not grow, but by some 
diuine instinct, the Platonicks call it furor: or by excellencie of nature 
and complexion: or by great subtiltie of the spirits &    
    
		
	
	
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