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Title: The Antiquary, Complete 
Author: Sir Walter Scott 
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THE ANTIQUARY 
BY SIR WALTER SCOTT, BART. 
I knew Anselmo. He was shrewd and prudent, Wisdom and cunning 
had their shares of him; But he was shrewish as a wayward child, And 
pleased again by toys which childhood please; As---book of fables, 
graced with print of wood, Or else the jingling of a rusty medal, Or the 
rare melody of some old ditty, That first was sung to please King 
Pepin's cradle 
 
INTRODUCTION 
The present work completes a series of fictitious narratives, intended to 
illustrate the manners of Scotland at three different periods. Waverley 
embraced the age of our fathers, Guy Mannering that of our own youth, 
and the Antiquary refers to the last ten years of the eighteenth century. I 
have, in the two last narratives especially, sought my principal 
personages in the class of society who are the last to feel the influence 
of that general polish which assimilates to each other the manners of 
different nations. Among the same class I have placed some of the 
scenes in which I have endeavoured to illustrate the operation of the 
higher and more violent passions; both because the lower orders are 
less restrained by the habit of suppressing their feelings, and because I 
agree, with my friend Wordsworth, that they seldom fail to express 
them in the strongest and most powerful language. This is, I think,
peculiarly the case with the peasantry of my own country, a class with 
whom I have long been familiar. The antique force and simplicity of 
their language, often tinctured with the Oriental eloquence of Scripture, 
in the mouths of those of an elevated understanding, give pathos to 
their grief, and dignity to their resentment. 
I have been more solicitous to describe manners minutely than to 
arrange in any case an artificial and combined narrative, and have but 
to regret that I felt myself unable to unite these two requisites of a good 
Novel. 
The knavery of the adept in the following sheets may appear forced and 
improbable; but we have had very late instances of the force of 
superstitious credulity to a much greater extent, and the reader may be 
assured, that this part of the narrative is founded on a fact of actual 
occurrence. 
I have now only to express my gratitude to the Public for the 
distinguished reception which, they have given to works, that have little 
more than some truth of colouring to recommend them, and to take my 
respectful leave, as one who is not likely again to solicit their favour. 
. . . . . . . . . . . . . . . 
To the above advertisement, which was prefixed to the first edition of 
the Antiquary, it is necessary in the present edition to add a few words, 
transferred from the Introduction to the Chronicles of the Canongate, 
respecting the character of Jonathan Oldbuck. 
"I may here state generally, that although I have deemed historical 
personages free subjects of delineation, I have never on any occasion 
violated the respect due to private life. It was indeed impossible that 
traits proper to persons, both living and dead, with whom I have had 
intercourse in society, should not have risen to my pen in such works as 
Waverley, and those which, followed it. But I have always studied to 
generalise the portraits, so that they should still seem, on the whole, the