The Advance of English Poetry in the Twentieth Century

쫒The Project Gutenberg EBook of The Advance of English Poetry in the Twentieth Century, by William Lyon Phelps?#2 in our series by William Lyon Phelps
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Advance of English Poetry in the Twentieth Century
Author: William Lyon Phelps
Release Date: April, 2005 [EBook #7930]?[Yes, we are more than one year ahead of schedule]?[This file was first posted on June 2, 2003]
Edition: 10
Language: English
Character set encoding: ACII, with some ISO-8859-1 characters
? START OF THE PROJECT GUTENBERG EBOOK ADVANCE OF ENGLISH POETRY ***
Tiffany Vergon, Cam Venezuela and the Online Distributed Proofreading Team.
THE ADVANCE OF ENGLISH POETRY IN THE TWENTIETH CENTURY
BY
WILLIAM LYON PHELPS
Lampson Professor of English Literature at Yale
Member of the National Institute of Arts and Letters
_O! 't is an easy thing
To write and sing;?But to write true, unfeigned verse?Is very hard!_
--HENRY VAUGHAN, 1655
TO?MY FRIEND FOR FORTY YEARS
FRANK W. HUBBARD
ACKNOWLEDGMENT
The publishers of the works of the poets from whom illustrative passages are cited in this volume, have courteously and generously given permission, and I take this opportunity of expressing my thanks to The Macmillan Company, who publish the poems of Thomas Hardy, William Watson, John Masefield, W. W. Gibson, Ralph Hodgson, W. B. Yeats, "A. E.," James Stephens, E. A. Robinson, Vachel Lindsay, Amy Lowell, Edgar Lee Masters, Sara Teasdale, J. C. Underwood, Fannie Stearns Davis; to Henry Holt and Company, who publish the poems of Walter De La Mare, Edward Thomas, Padraic Colum, Robert Frost, Louis Untermeyer, Sarah N. Cleghorn, Margaret Widdemer, Carl Sandburg, and the two poems by Henry A. Beers quoted in this book, which appeared in The Ways of Yale; to Charles Scribner's Sons, publishers of the poems of George Santayana, Henry Van Dyke, Corinne Roosevelt Robinson, Alan Seeger; to Houghton, Mifflin and Company, publishers of the poems of Josephine Peabody, Anna Hempstead Branch, and W. A. Bradley's Old Christmas; to The John Lane Company, publishers of the poems of Stephen Phillips, Rupert Brooke, Benjamin R. C. Low; to the Frederick A. Stokes Company, publishers of the poems of Alfred Noyes, Robert Nichols, Thomas MacDonagh, Witter Bynner; to the Yale University Press, publishers of the poems of W. A. Percy, Brian Hooker, W. E. Benét, C. M. Lewis, E. B. Reed, F. E. Pierce, R. B. Glaenzer, L. W. Dodd; to the Oxford University Press, publishers of the poems of Robert Bridges; to Alfred A. Knopf, publisher of the poems of W. H. Davies; to John W. Luce and Company, publishers of the poems of John M. Synge; to Harper and Brothers, publishers of William Watson's The Man Who Saw; to Longmans, Green and Company, publishers of the poems of Willoughby Weaving; to Doubleday, Page and Company, publishers of the poems of James Elroy Flecker; to the Bobbs-Merrill Company, publishers of the poems of W. D. Foulke; to Thomas B. Mosher, publisher of the poems of W. A. Bradley, W. E. Henley; to James T. White and Company, publishers of William Griffiths; Francis Thompson's In No Strange Land appeared in the Athenaeum_ and _Lilium Regis_ in the Dublin?Review_; the poem by Scudder Middleton appeared in _Contemporary Verse_, that by Allan Updegraff in the Forum, and that by D. H. Lawrence in Georgian Poetry 1913-15, published by The Poetry Bookshop, London.
The titles of the several volumes of poems with dates of publication are given in my text.
I am grateful to the Yale University Librarians for help on bibliographical matters, and to Professor Charles Bennett and Byrne Hackett, Esquire, for giving some facts about the Irish poets.
W. L. P.
PREFACE
The material in this volume originally appeared in The Bookman, 1917-1918. It is now published with much addition and revision.
The Great War has had a stimulating effect on the production of poetry. Professional poets have been spokesmen for the inarticulate, and a host of hitherto unknown writers have acquired reputation. An immense amount of verse has been written by soldiers in active service. The Allies are fighting for human liberty, and this Idea is an inspiration. It is comforting to know that some who have made the supreme sacrifice