Summer on the Lakes, in 1843 | Page 4

Sarah Margaret Fuller
different minds, each in "its own particular kind," and the variations of testimony mark the truth of feeling.
I will add a brief narrative of the experience of another here, as being much better than anything I could write, because more simple and individual.
"Now that I have left this 'Earth-wonder,' and the emotions it excited are past, it seems not so much like profanation to analyze my feelings, to recall minutely and accurately the effect of this manifestation of the Eternal. But one should go to such a scene prepared to yield entirely to its influences, to forget one's little self and one's little mind. To see a miserable worm creep to the brink of this falling world of waters, and watch the trembling of its own petty bosom, and fancy that this is made alone, to act upon him excites--derision?--No,--pity."
As I rode up to the neighborhood of the falls, a solemn awe imperceptibly stole over me, and the deep sound of the ever-hurrying rapids prepared my mind for the lofty emotions to be experienced. When I reached the hotel, I felt a strange indifference about seeing the aspiration of my life's hopes. I lounged about the rooms, read the stage bills upon the walls, looked over the register, and, finding the name of an acquaintance, sent to see if he was still there. What this hesitation arose from, I know not; perhaps it was a feeling of my unworthiness to enter this temple which nature has erected to its God.
At last, slowly and thoughtfully I walked down to the bridge leading to Goat Island, and when I stood upon this frail support, and saw a quarter of a mile of tumbling, rushing rapids, and heard their everlasting roar, my emotions overpowered me, a choaking sensation rose to my throat, a thrill rushed through my veins, "my blood ran rippling to my finger's ends." This was the climax of the effect which the falls produced upon me--neither the American nor the British fall moved me as did these rapids. For the magnificence, the sublimity of the latter I was prepared by descriptions and by paintings. When I arrived in sight of them I merely felt, "ah, yes, here is the fall, just as I have seen it in picture." When I arrived at the terrapin bridge, I expected to be overwhelmed, to retire trembling from this giddy eminence, and gaze with unlimited wonder and awe upon the immense mass rolling on and on, but, somehow or other, I thought only of comparing the effect on my mind with what I had read and heard. I looked for a short time, and then with almost a feeling of disappointment, turned to go to the other points of view to see if I was not mistaken in not feeling any surpassing emotion at this sight. But from the foot of Biddle's stairs, and the middle of the river, and from below the table rock, it was still "barren, barren all." And, provoked with my stupidity in feeling most moved in the wrong place, I turned away to the hotel, determined to set off for Buffalo that afternoon. But the stage did not go, and, after nightfall, as there was a splendid moon, I went down to the bridge, and leaned over the parapet, where the boiling rapids came down in their might. It was grand, and it was also gorgeous; the yellow rays of the moon made the broken waves appear like auburn tresses twining around the black rocks. But they did not inspire me as before. I felt a foreboding of a mightier emotion to rise up and swallow all others, and I passed on to the terrapin bridge. Everything was changed, the misty apparition had taken off its many-colored crown which it had worn by day, and a bow of silvery white spanned its summit. The moonlight gave a poetical indefiniteness to the distant parts of the waters, and while the rapids were glancing in her beams, the river below the falls was black as night, save where the reflection of the sky gave it the appearance of a shield of blued steel. No gaping tourists loitered, eyeing with their glasses, or sketching on cards the hoary locks of the ancient river god. All tended to harmonize with the natural grandeur of the scene. I gazed long. I saw how here mutability and unchangeableness were united. I surveyed the conspiring waters rushing against the rocky ledge to overthrow it at one mad plunge, till, like toppling ambition, o'erleaping themselves, they fall on t'other side, expanding into foam ere they reach the deep channel where they creep submissively away.
Then arose in my breast a genuine admiration, and a humble adoration of the Being who was the architect of this and of all.
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