the other hand, religion has become more spiritual. 
Olympus is no longer the mountain of that name, but a vague term, like 
our "heaven," denoting a place remote from all earthly cares and 
passions, a far-off abode in the stainless ether, where the gods dwell in 
everlasting peace, and from which they occasionally descend, to give 
an eye to the righteous and unrighteous deeds of men. 
In his conception of the state of the soul after death Homer is very 
interesting. His Hades, or place of departed spirits, is a dim, shadowy 
region beyond the setting of the sun, where, after life's trials are over, 
the souls of men keep up a faint and feeble being. It is highly 
significant that the word which in Homer means "self" has also the 
meaning of "body"--showing how intimately the sense of personal 
identity was associated with the condition of bodily existence. The 
disembodied spirit is compared to a shadow, a dream, or a waft of 
smoke. "Alas!" cries Achilles, after a visit from the ghost of Patroclus, 
"I perceive that even in the halls of Hades there is a spirit and a 
phantom, but understanding none at all"; for the mental condition of 
these cold, uncomfortable ghosts is as feeble as their bodily form is 
shadowy and unsubstantial. They hover about with a fitful motion, 
uttering thin, gibbering cries, like the voice of a bat, and before they 
can obtain strength to converse with a visitor from the other world, they 
have to be fortified by a draught of fresh blood. The subject is summed 
up by Achilles, when Odysseus felicitates him on the honour which he 
enjoys, even in Hades: "Tell me not of comfort in death," he says: "I 
had rather be the thrall of the poorest wight that ever tilled a thankless 
soil for bread, than rule as king over all the shades of the departed." 
III 
Homeric society is essentially aristocratic. At its head stands the king, 
who may be a great potentate, like Agamemnon, ruling over a wide 
extent of territory, or a petty prince, like Odysseus, who exercises a sort 
of patriarchal authority within the limits of a small island. The person 
of the king is sacred, and his office is hereditary. He bears the title of
Diogenes, "Jove-born," and is under the especial protection of the 
supreme ruler of Olympus. He is leader in war, chief judge, president of 
the council of elders, and representative of the state at the public 
sacrifices. The symbol of his office is the sceptre, which in some cases 
is handed down as an heirloom from father to son. 
Next to the king stand the elders, a title which has no reference to age, 
but merely denotes those of noble birth and breeding. The elders form a 
senate, or deliberative body, before which all questions of public 
importance are laid by the king. Their decisions are afterwards 
communicated to the general assembly of the people, who signify their 
approval or dissent by tumultuous cries, but have no power of altering 
or reversing the measures proposed by the nobles. Thus we have 
already the three main elements of political life: king, lords, and 
commons--though the position of the last is at present almost entirely 
passive. 
IV 
The morality of the Homeric age is such as we may expect to find 
among a people which has only partially emerged from barbarism. 
Crimes of violence are very common, and a familiar figure in the 
society of this period is that of the fugitive, who "has slain a man," and 
is flying from the vengeance of his family. Patroclus, when a mere boy, 
kills his youthful playmate in a quarrel over a game of 
knucklebones--an incident which may be seen illustrated in one of the 
statues in the British Museum. One of the typical scenes of Hellenic 
life depicted on the shield of Achilles is a trial for homicide; and such 
cases were of so frequent occurrence that they afford materials for a 
simile in the last book of the Iliad. 
Where life is held so cheap, opinion is not likely to be very strict in 
matters of property. And we find accordingly a general acquiescence in 
"the good old rule, the ancient plan, that they may take who have the 
power, and they may keep who can." Cattle-lifting is as common as it 
formerly was on the Scottish border. The bold buccaneer is a character 
as familiar as in the good old days when Drake and Raleigh singed the 
Spanish king's beard, with this important difference, that the buccaneer 
of ancient Greece plundered Greek and barbarian with fine impartiality. 
A common question addressed to persons newly arrived from the sea is, 
"Are you a merchant, a traveller, or a pirate?" And this curious query
implies    
    
		
	
	
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