Stories by American Authors 
(Volume 4), by 
 
The Project Gutenberg EBook of Stories by American Authors 
(Volume 4), by Constance Fenimore Woolson and H. C. Bunner and N. 
P. Willis and Mary Hallock Foote and J. W. De Forest 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
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Title: Stories by American Authors (Volume 4) 
Author: Constance Fenimore Woolson H. C. Bunner N. P. Willis Mary 
Hallock Foote J. W. De Forest 
Release Date: August 25, 2007 [EBook #22401] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK STORIES 
BY AMERICAN AUTHORS *** 
 
Produced by Barbara Tozier, Bill Tozier and the Online Distributed 
Proofreading Team at http://www.pgdp.net
STORIES BY AMERICAN AUTHORS. 
VOLUME 4 
 
The Stories in this Volume are protected by copyright, and are printed 
here by authority of the authors or their representatives. 
[Illustration: Noah Brooks] 
 
Stories by American Authors 
VOLUME IV 
MISS GRIEF By CONSTANCE FENIMORE WOOLSON 
LOVE IN OLD CLOATHES By H. C. BUNNER 
TWO BUCKETS IN A WELL By N. P. WILLIS 
FRIEND BARTON'S CONCERN By MARY HALLOCK FOOTE 
AN INSPIRED LOBBYIST By J. W. DE FOREST 
LOST IN THE FOG By NOAH BROOKS 
 
NEW YORK CHARLES SCRIBNER'S SONS 1897 
Copyright, 1884, by CHARLES SCRIBNER'S SONS 
 
Transcriber's Note: In the story LOVE IN OLD CLOATHES, the 
circumflex (^) is used to indicate that the letters following it are printed 
in superscript type.
MISS GRIEF. 
By Constance Fenimore Woolson. 
(Lippincott's Magazine, May, 1880.) 
"A conceited fool" is a not uncommon expression. Now, I know that I 
am not a fool, but I also know that I am conceited. But, candidly, can it 
be helped if one happens to be young, well and strong, passably 
good-looking, with some money that one has inherited and more that 
one has earned--in all, enough to make life comfortable--and if upon 
this foundation rests also the pleasant superstructure of a literary 
success? The success is deserved, I think: certainly it was not 
lightly-gained. Yet even with this I fully appreciate its rarity. Thus, I 
find myself very well entertained in life: I have all I wish in the way of 
society, and a deep, though of course carefully concealed, satisfaction 
in my own little fame; which fame I foster by a gentle system of 
non-interference. I know that I am spoken of as "that quiet young 
fellow who writes those delightful little studies of society, you know;" 
and I live up to that definition. 
A year ago I was in Rome, and enjoying life particularly. I had a large 
number of my acquaintances there, both American and English, and no 
day passed without its invitation. Of course I understood it: it is seldom 
that you find a literary man who is good-tempered, well-dressed, 
sufficiently provided with money, and amiably obedient to all the rules 
and requirements of "society." "When found, make a note of it;" and 
the note was generally an invitation. 
One evening, upon returning to my lodgings, my man Simpson 
informed me that a person had called in the afternoon, and upon 
learning that I was absent had left not a card, but her name--"Miss 
Grief." The title lingered--Miss Grief! "Grief has not so far visited me 
here," I said to myself, dismissing Simpson and seeking my little 
balcony for a final smoke, "and she shall not now. I shall take care to 
be 'not at home' to her if she continues to call." And then I fell to
thinking of Isabel Abercrombie, in whose society I had spent that and 
many evenings: they were golden thoughts. 
The next day there was an excursion; it was late when I reached my 
rooms, and again Simpson informed me that Miss Grief had called. 
"Is she coming continuously?" I said, half to myself. 
"Yes, sir: she mentioned that she should call again." 
"How does she look?" 
"Well, sir, a lady, but not so prosperous as she was, I should say," 
answered Simpson, discreetly. 
"Young?" 
"No, sir." 
"Alone?" 
"A maid with her, sir." 
But once outside in my little high-up balcony with my cigar, I again 
forgot Miss Grief and whatever she might represent. Who would not 
forget in that moonlight, with Isabel Abercrombie's face to remember? 
The stranger came a third time, and I was absent; then she let two days 
pass, and began again. It grew to be a regular dialogue between 
Simpson and myself when I came in at night: "Grief to-day?" 
"Yes, sir." 
"What time?" 
"Four, sir." 
"Happy the man," I thought, "who can keep her confined to a particular 
hour!"
But I should not have treated my    
    
		
	
	
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