the failing fire. . . .
You are 
restless:--I presume
There's a dampness in the room.--
Much of 
warmth our nature begs,
With rheumatics in our legs! . . . 
Humph! the legs we used to fling
Limber-jointed in the dance,
When we heard the fiddle ring
Up the curtain of Romance,
And in 
crowded public halls
Played with hearts like jugglers' balls.--
_Feats 
of mountebanks, depend!_--
Tom Van Arden, my old friend. 
Tom Van Arden, my old friend,
Pardon, then, this theme of mine:
While the firelight leaps to lend
Higher color to the wine,--
I 
propose a health to those
Who have _homes_, and home's repose,
Wife- and child-love without end!
. . . Tom Van Arden, my old 
friend. 
{72} 
[Illustration: Our old friend Neverfail--headpiece] 
OUR OLD FRIEND NEVERFAIL 
O it's good to ketch a relative 'at's richer and don't run When you holler 
out to hold up, and'll joke and have his fun; It's good to hear a man 
called bad and then find out he's not, Er strike some chap they call 
lukewarm 'at's really red-hot; 
{73} 
It's good to know the Devil's painted jes' a leetle black, And it's good to 
have most anybody pat you on the back;-- But jes' the best thing in the 
world's our old friend Neverfail, When he wags yer hand as honest as 
an old dog wags his tail! 
I like to strike the man I owe the same time I can pay,
And take back 
things I've borried, and su'prise folks thataway; I like to find out that 
the man I voted fer last fall,
That didn't git elected, was a scoundrel 
after all;
I like the man that likes the pore and he'ps 'em when he can; 
I like to meet a ragged tramp 'at's still a gentleman;
But most I 
like--with you, my boy--our old friend Neverfail, When he wags yer 
hand as honest as an old dog wags his tail! 
{74}
MY BACHELOR CHUM 
A corpulent man is my bachelor chum,
With a neck apoplectic and 
thick--
An abdomen on him as big as a drum,
And a fist big enough 
for the stick;
With a walk that for grace is clear out of the case,
And 
a wobble uncertain--as though
His little bow-legs had forgotten the 
pace
That in youth used to favor him so. 
He is forty, at least; and the top of his head
Is a bald and a glittering 
thing;
And his nose and his two chubby cheeks are as red
As three 
rival roses in spring; 
{75} 
[Illustration: His mouth is a grin with the corners tucked in] 
{77} 
His mouth is a grin with the corners tucked in,
And his laugh is so 
breezy and bright
That it ripples his features and dimples his chin
With a billowy look of delight. 
He is fond of declaring he "don't care a straw"--
That "the ills of a 
bachelor's life
Are blisses, compared with a mother-in-law
And a 
boarding-school miss for a wife!"
So he smokes and he drinks, and he 
jokes and he winks,
And he dines and he wines, all alone,
With a 
thumb ever ready to snap as he thinks
Of the comforts he never has 
known. 
But up in his den--(Ah, my bachelor chum!)--
I have sat with him 
there in the gloom,
When the laugh of his lips died away to become
But a phantom of mirth in the room.
And to look on him there you 
would love him, for all
His ridiculous ways, and be dumb
As the 
little girl-face that smiles down from the wall
On the tears of my 
bachelor chum.
{78} 
[Illustration: Art and poetry--headpiece] 
ART AND POETRY 
TO HOMER DAVENPORT 
Wess he says, and sort o' grins,
"Art and Poetry is twins! 
"Yit, if I'd my pick, I'd shake
Poetry, and no mistake! 
"Pictures, allus, 'peared to _me_,
Clean laid over Poetry! 
{79} 
"Let me _draw_, and then, i jings,
I'll not keer a straw who sings. 
"'F I could draw as you have drew,
Like to jes' swop pens with you! 
"Picture-drawin' 's my pet vision
Of Life-work in Lands Elysian. 
"Pictures is first language we
Find hacked out in History. 
"Most delight we ever took
Was in our first Picture-book. 
"'Thout the funny picture-makers,
They'd be lots more undertakers! 
"Still, as I say, Rhymes and Art
'Smighty hard to tell apart. 
"Songs and pictures go together
Same as birds and summer weather." 
So Wess says, and sort o' grins,
"Art and Poetry is twins." 
{80} 
[Illustration: Down to the Capital--headpiece]
DOWN TO THE CAPITAL 
I' be'n down to the Capital at Washington, D. C.,
Where Congerss 
meets and passes on the pensions ort to be Allowed to old one-legged 
chaps, like me, 'at sence the war Don't wear their pants in pairs at 
all--and yit how proud we are! 
{81} 
Old Flukens, from our deestrick, jes' turned in and tuck and made Me 
stay with him whilse I was there; and longer 'at I stayed The more I 
kep' a-wantin' jes' to kind o' git away,
And yit a-feelin' sociabler with 
Flukens ever' day. 
You see I'd got the idy--and I guess most    
    
		
	
	
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