Sketches and Studies in Italy and 
Greece,
by John Symonds 
 
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Greece, 
Vol III., by John Symonds This eBook is for the use of anyone 
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Title: Sketches and Studies in Italy and Greece, Vol III. 
Author: John Symonds 
Release Date: July 22, 2006 [EBook #18892] 
Language: English 
Character set encoding: ISO-8859-1 
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SKETCHES AND STUDIES 
IN ITALY AND GREECE 
BY JOHN ADDINGTON SYMONDS 
AUTHOR OF "RENAISSANCE IN ITALY," "STUDIES OF THE 
GREEK POETS," ETC. 
THIRD SERIES 
WITH A FRONTISPIECE 
LONDON 
JOHN MURRAY, ALBEMARLE STREET, W. 
1910 
 
First Edition (Smith, Elder & Co.) December 1898 Reprinted 
December 1907 Reprinted October 1910 Taken Over by John Murray 
January 1917 
All rights reserved 
Printed in Great Britain by 
Spottiswoode, Ballantyne & Co. Ltd. 
London, Colchester & Eton 
 
CONTENTS 
FOLGORE DA SAN GEMIGNANO 
THOUGHTS IN ITALY ABOUT CHRISTMAS
SIENA 
MONTE OLIVETO 
MONTEPULCIANO 
PERUGIA 
ORVIETO 
LUCRETIUS 
ANTINOUS 
SPRING WANDERINGS 
AMALFI, PÆSTUM, CAPRI 
ETNA 
PALERMO 
SYRACUSE AND GIRGENTI 
ATHENS 
INDEX 
The Ildefonso Group Frontispiece 
 
SKETCHES AND STUDIES 
IN 
ITALY AND GREECE 
 
FOLGORE DA SAN GEMIGNANO
Students of Mr. Dante Gabriel Rossetti's translations from the early 
Italian poets (Dante and his Circle. Ellis & White, 1874) will not fail to 
have noticed the striking figure made among those jejune imitators of 
Provençal mannerism by two rhymesters, Cecco Angiolieri and Folgore 
da San Gemignano. Both belong to the school of Siena, and both detach 
themselves from the metaphysical fashion of their epoch by clearness 
of intention and directness of style. The sonnets of both are remarkable 
for what in the critical jargon of to-day might be termed realism. Cecco 
is even savage and brutal. He anticipates Villon from afar, and is 
happily described by Mr. Rossetti as the prodigal, or 'scamp' of the 
Dantesque circle. The case is different with Folgore. There is no poet 
who breathes a fresher air of gentleness. He writes in images, dealing 
but little with ideas. Every line presents a picture, and each picture has 
the charm of a miniature fancifully drawn and brightly coloured on a 
missal-margin. Cecco and Folgore alike have abandoned the mediæval 
mysticism which sounds unreal on almost all Italian lips but Dante's. 
True Italians, they are content to live for life's sake, and to take the 
world as it presents itself to natural senses. But Cecco is perverse and 
impious. His love has nothing delicate; his hatred is a morbid passion. 
At his worst or best (for his best writing is his worst feeling) we find 
him all but rabid. If Caligula, for instance, had written poetry, he might 
have piqued himself upon the following sonnet; only we must do Cecco 
the justice of remembering that his rage is more than half ironical and 
humorous:-- 
An I were fire, I would burn up the world; An I were wind, with 
tempest I'd it break; An I were sea, I'd drown it in a lake; An I were 
God, to hell I'd have it hurled; An I were Pope, I'd see disaster whirled 
O'er Christendom, deep joy thereof to take; An I were Emperor, I'd 
quickly make All heads of all folk from their necks be twirled; An I 
were death, I'd to my father go; An I were life, forthwith from him I'd 
fly; And with my mother I'd deal even so; An I were Cecco, as I am but 
I, Young girls and pretty for myself I'd hold, But let my neighbours 
take the plain and old. 
Of all this there is no trace in Folgore. The worst a moralist could say 
of him is that he sought out for himself a life of pure enjoyment. The
famous Sonnets on the Months give particular directions for pastime in 
a round of pleasure suited to each season. The Sonnets on the Days are 
conceived in a like hedonistic spirit. But these series are specially 
addressed to members of the Glad Brigades and Spending Companies, 
which were common in the great mercantile cities of mediæval Italy. 
Their tone is doubtless due to the occasion of their composition, as 
compliments to Messer Nicholò di Nisi and Messer Guerra Cavicciuoli. 
The mention of these names reminds me that a word need be said about 
the date of Folgore. Mr. Rossetti does not dispute the commonly 
assigned date of 1260, and takes for granted that the Messer Nicolò of 
the Sonnets on the Months was the Sienese gentleman referred to    
    
		
	
	
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