flute in order to earn a 
meal by the way, old Mr. Scott, catching grumpily at the idea, replied, 
"I greatly doubt, sir, you were born for nae better then a gangrel 
scrape-gut,"--a speech which very probably suggested his son's 
conception of Darsie Latimer's adventures with the blind fiddler, 
"Wandering Willie," in Redgauntlet. And, it is true that these were the 
days of mental and moral fermentation, what was called in Germany 
the Sturm-und-Drang, the "fret-and-fury" period of Scott's life, so far as 
one so mellow and genial in temper ever passed through a period of fret 
and fury at all. In other words these were the days of rapid motion, of 
walks of thirty miles a day which the lame lad yet found no fatigue to 
him; of mad enterprises, scrapes and drinking-bouts, in one of which 
Scott was half persuaded by his friends that he actually sang a song for 
the only time in his life. But even in these days of youthful sociability, 
with companions of his own age, Scott was always himself, and his 
imperious will often asserted itself. Writing of this time, some 
thirty-five years or so later, he said, "When I was a boy, and on foot 
expeditions, as we had many, no creature could be so indifferent which 
way our course was directed, and I acquiesced in what any one 
proposed; but if I was once driven to make a choice, and felt piqued in 
honour to maintain my proposition, I have broken off from the whole 
party, rather than yield to any one." No doubt, too, in that day of what 
he himself described as "the silly smart fancies that ran in my brain like 
the bubbles in a glass of champagne, as brilliant to my thinking, as 
intoxicating, as evanescent," solitude was no real deprivation to him; 
and one can easily imagine him marching off on his solitary way after a 
dispute with his companions, reciting to himself old songs or ballads, 
with that "noticeable but altogether indescribable play of the upper lip," 
which Mr. Lockhart thinks suggested to one of Scott's most intimate 
friends, on his first acquaintance with him, the grotesque notion that he 
had been "a hautboy-player." This was the first impression formed of 
Scott by William Clerk, one of his earliest and life-long friends. It
greatly amused Scott, who not only had never played on any instrument 
in his life, but could hardly make shift to join in the chorus of a popular 
song without marring its effect; but perhaps the impression suggested 
was not so very far astray after all. Looking to the poetic side of his 
character, the trumpet certainly would have been the instrument that 
would have best symbolized the spirit both of Scott's thought and of his 
verses. Mr. Lockhart himself, in summing up his impressions of Sir 
Walter, quotes as the most expressive of his lines:-- 
"Sound, sound the clarion! fill the fife! To all the sensual world 
proclaim, One crowded hour of glorious life Is worth a world without a 
name." 
And undoubtedly this gives us the key-note of Scott's personal life as 
well as of his poetic power. Above everything he was high-spirited, a 
man of noble, and, at the same time, of martial feelings. Sir Francis 
Doyle speaks very justly of Sir Walter as "among English singers the 
undoubted inheritor of that trumpet-note, which, under the breath of 
Homer, has made the wrath of Achilles immortal;" and I do not doubt 
that there was something in Scott's face, and especially in the 
expression of his mouth, to suggest this even to his early college 
companions. Unfortunately, however, even "one crowded hour of 
glorious life" may sometimes have a "sensual" inspiration, and in these 
days of youthful adventure, too many such hours seem to have owed 
their inspiration to the Scottish peasant's chief bane, the Highland 
whisky. In his eager search after the old ballads of the Border, Scott 
had many a blithe adventure, which ended only too often in a carouse. 
It was soon after this time that he first began those raids into 
Liddesdale, of which all the world has enjoyed the records in the 
sketches--embodied subsequently in Guy Mannering--of Dandie 
Dinmont, his pony Dumple, and the various Peppers and Mustards 
from whose breed there were afterwards introduced into Scott's own 
family, generations of terriers, always named, as Sir Walter expressed it, 
after "the cruet." I must quote the now classic record of those youthful 
escapades:-- 
"Eh me," said Mr. Shortreed, his companion in all these Liddesdale
raids, "sic an endless fund of humour and drollery as he had then wi' 
him. Never ten yards but we were either laughing or roaring and 
singing. Wherever we stopped, how brawlie he suited himsel' to 
everybody! He aye did as the lave    
    
		
	
	
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