Hopkins University, 
delivered in the winter and spring of 1881, was published in 1883 
under the title, `The English Novel and the Principles of Its 
Development'.* According to the author's statement, the purpose of the 
book is "first, to inquire what is the special relation of the novel to the 
modern man, by virtue of which it has become a paramount literary 
form; and, secondly, to illustrate this abstract inquiry, when completed, 
by some concrete readings in the greatest of modern English novelists" 
(p. 4). Addressing himself to the former, Lanier attempts to prove (1) 
that our time, when compared with that of Aeschylus, shows an 
"enormous growth in the personality of man" (p. 5); (2) that what we 
moderns call Physical Science, Music, and the Novel, all had their 
origin at practically the same time, about the middle of the seventeenth 
century (p. 9); and (3) "that the increase of personalities thus going on 
has brought about such complexities of relation that the older forms of 
expression were inadequate to them; and that the resulting necessity
has developed the wonderfully free and elastic form of the modern 
novel out of the more rigid Greek drama, through the transition form of 
the Elizabethan drama" (p. 10). In fulfilment of his second purpose, the 
author gives a detailed study of several of the novels of George Eliot, 
whom he takes to be the greatest modern English novelist. Even this 
brief synopsis of the book must indicate its broad and stimulating 
character, in which respect it is a worthy successor of `The Science of
English Verse'. Despite the limitations induced by failing life, which 
necessitated the cutting down of the course of lectures from twenty to 
twelve,** I know of few more life-giving books; and I venture to assert 
that it cannot safely be overlooked by any careful student of the subject. 
--
* Mrs. Lanier informs me that `The English Novel' will soon be 
issued in an amended form and with a new sub-title,
`Studies in the 
Development of Personality', which indicates precisely what Mr. Lanier 
intended to attempt, and relieves the book of its seeming 
incompleteness as to scope.
** `Spann'.
-- 
Among other prose works I may mention Lanier's early extravaganza, 
`Three Waterfalls'; `Bob', a happy account of a pet mocking-bird, 
worthy of being placed beside Dr. Brown's `Rab and his Friends'; his 
books for boys: `Froissart', `King Arthur', `Mabinogion', and `Percy', 
which have had, as they deserve, a large sale; and his posthumous 
`From Bacon to Beethoven', a highly instructive essay on music. 
III. Lanier's Poetry: Its Themes 
But it is chiefly as a poet that we wish to consider Lanier, and I turn to 
the posthumous edition of his `Poems' gotten out by his wife. At the 
outset let us ask, How did the poet look at the world? what problems 
engaged his attention and how were they solved? A careful 
investigation will show, I believe, that,
despite the brevity of his life 
and its consuming cares,
Lanier studied the chief questions of our age, 
and that in his poems he has offered us noteworthy solutions. 
What, for instance, is more characteristic of our age than its tendency to 
agnosticism? I pass by the manifestations of this spirit in the world of 
religion, of which so much has been heard,
and give an illustration or 
two from the field of history and politics. Picturesque Pocahontas, we 
are told, is no more to be believed in; moreover, the Pilgrim Fathers did 
not land at Plymouth Rock, nor did Jefferson write the Declaration of 
Independence. Which way we turn there is a big interrogation-point, 
often not for information but for negation. Of the good resulting from 
the inquisitive spirit, we all know; of the baneful influence of
inquisitiveness
that has become a mere intellectual pastime or 
amateurish agnosticism, we likewise have some knowledge; but the 
evil side of this tendency has seldom been put more forcibly, I think, 
than in this stanza from Lanier's `Acknowledgment': 
"O Age that half believ'st thou half believ'st,
Half doubt'st the 
substance of thine own half doubt,
And, half perceiving that thou half 
perceiv'st,
Stand'st at thy temple door, heart in, head out!
Lo! while 
thy heart's within, helping the choir,
Without, thine eyes range up and 
down the time,
Blinking at o'er-bright Science, smit with desire
To 
see and not to see. Hence, crime on crime.
Yea, if the Christ (called 
thine) now paced yon street, Thy halfness hot with his rebuke would 
swell;
Legions of scribes would rise and run and beat
His fair 
intolerable Wholeness twice to hell."* 
--
* `Acknowledgment', ll. 1-12.
-- 
More hurtful than agnosticism, because affecting larger masses of 
people, is the rapid growth of the mercantile spirit during the present 
century, especially in America. This evil the poet saw most clearly and 
felt most keenly, as every one may learn by reading `The Symphony', 
his great poem in which    
    
		
	
	
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