Seen and Unseen, by E. 
Katharine Bates 
 
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Title: Seen and Unseen 
Author: E. Katharine Bates 
Release Date: April 12, 2007 [EBook #21041] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK SEEN AND 
UNSEEN *** 
 
Produced by Anne Storer, Suzanne Shell and the Online Distributed 
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Transcriber's Note: Inconsistency between TOC and Chapter headings 
have been retained as in the original.
SEEN AND UNSEEN 
BY E. KATHARINE BATES 
NEW YORK DODGE PUBLISHING COMPANY 214-220 EAST 
23RD STREET 
1908 
 
First Published July 1907 
Second Impression October 1907 
Third Impression March 1908 
---------- 
Popular Edition 1908 
 
To 
C. E. B. 
IN MEMORY OF 
ONE WHO LOVED AND SUFFERED 
AND IN THE SURE AND CERTAIN HOPE 
OF A JOYFUL MEETING WITH 
HIM, AND WITH OTHERS 
WHO HAVE CROSSED 
THE BAR
CONTENTS 
CHAPTER PAGE 
INTRODUCTION ix I. EARLY RECOLLECTIONS 1 II. 
INVESTIGATIONS IN AMERICA, 1885-1886 13 III. AUSTRALIA 
AND NEW ZEALAND 49 IV. HONG KONG, ALASKA, AND NEW 
YORK 71 V. INDIA, 1890-1891 80 VI. SWEDEN AND RUSSIA, 
1892 97 AN INTERLUDE 129 VII. LADY CAITHNESS AND THE 
AVENUE WAGRAM 144 VIII. FROM OXFORD TO WIMBLEDON 
161 IX. 1896, HAUNTINGS BY THE LIVING AND THE DEAD 176 
X. FURTHER EXPERIENCES IN AMERICA 195 XI. A HAUNTED 
CASTLE IN IRELAND 218 XII. 1900-1901, ODDS AND ENDS 232 
XIII. 1903, A SECOND VISIT TO INDIA 260 XIV. A FAMILY 
PORTRAIT AND PSYCHIC PHOTOGRAPHY 274 APPENDIX 298 
 
INTRODUCTION 
Many years ago, whilst living at Oxford, I was invited by a very old 
friend, who had recently taken his degree, to a river picnic; with 
Nuneham, I think, as its alleged object. 
Unfortunately, the day proved unfavourable, and we returned in open 
boats, also with open umbrellas; a generally drenched and bedraggled 
appearance, and nothing to cheer us on the physical plane except a 
quantity of iced coffee which had been ordered in anticipation of a 
tropical day. 
Under these rather trying conditions I can remember getting a good 
deal of amusement out of the companions in the special boat which 
proved to be my fate. Our host, being a clever and interesting man 
himself, had collected clever and interesting people round him, on the 
"Birds of a Feather" principle, and I happened to sit between two ladies, 
one the wife (now, alas! the widow) of a man who was to become later 
on one of our most famous bishops; the other--her bosom friend and
deadly rival--the wife of an equally distinguished Oxford don. 
The iced coffee combined with the pouring rain may have been partly 
to blame, but certainly the conversation that went on between the two 
ladies, across my umbrella, was decidedly Feline. 
To pass the time we were valiantly endeavouring to play "Twenty 
Questions" from the bottom of the boat, and the Bishop's widow was 
asking the questions. She had triumphantly elicited the fact that we had 
thought of a cinder--and an historical cinder--and the twentieth and last 
permissible question was actually hovering on her lips. "It was the 
cinder that Richard Coeur de Lion's horse fell upon," she said eagerly. 
Of course, we all realised that this was a most obvious "slip" in the case 
of so highly educated a woman; but the Bosom Friend could not resist 
putting out the velvet paw: "A little confusion in the centuries, I think, 
dear," she said sweetly. The unfortunate questioner practically "never 
smiled again" during that expedition. But a still more crushing blow 
was in store for her. 
The conversation turned later upon questions of style in writing or 
speaking, and with perhaps pardonable revenge, she said to her rival: 
"I always notice that you say 'one' so often--'one does this or that,' and 
so forth." 
"Really, dear? That is curious. Now I always notice that you say 'I' so 
continually!" 
The cut and thrust came with the rapidity of expert fencers. 
And this brings me to the real gist of my story. 
It is considered the most heinous offence "to say I," and every 
conceivable device is resorted to, no matter how clumsy, in order to 
prevent the catastrophe of a writer being forced to speak of himself in 
the first person. 
To my mind, there is a good deal of affectation and pose about this, and
in anything of an autobiography it becomes insupportable. 
"The writer happened upon one occasion to be present, etc." "He who 
pens these unworthy pages was once travelling to Scotland, etc. etc." 
Which of    
    
		
	
	
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