Sartor Resartus, and On Heroes,
by Thomas Carlyle 
 
The Project Gutenberg EBook of Sartor Resartus, and On Heroes, 
Hero-Worship, and the Heroic in History, by Thomas Carlyle This 
eBook is for the use of anyone anywhere at no cost and with almost no 
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Title: Sartor Resartus, and On Heroes, Hero-Worship, and the Heroic in 
History 
Author: Thomas Carlyle 
Contributor: W. H. Hudson 
Release Date: February 15, 2007 [EBook #20585] 
Language: English 
Character set encoding: ISO-8859-1 
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RESARTUS *** 
 
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EVERYMAN'S LIBRARY 
Founded 1906 by J. M. Dent (d. 1926) Edited by Ernest Rhys (d. 1946) 
ESSAYS & BELLES-LETTRES 
SARTOR RESARTUS and ON HEROES 
BY THOMAS CARLYLE · INTRODUCTION 
BY PROFESSOR W. H. HUDSON 
 
THOMAS CARLYLE, born in 1795 at Ecclefechan, the son of a 
stonemason. Educated at Edinburgh University. Schoolmaster for a 
short time, but decided on a literary career, visiting Paris and London. 
Retired in 1828 to Dumfriesshire to write. In 1834 moved to Cheyne 
Row, Chelsea, and died there in 1881. 
 
SARTOR RESARTUS 
ON HEROES 
HERO WORSHIP 
THOMAS CARLYLE 
LONDON: J. M. DENT & SONS LTD. NEW YORK: E. P. DUTTON 
& CO. INC. 
 
All rights reserved Made in Great Britain at The Temple Press 
Letchworth for J. M. Dent & Sons Ltd. Aldine House Bedford St. 
London First published in this edition 1908 Last reprinted 1948
INTRODUCTION 
One of the most vital and pregnant books in our modern literature, 
"Sartor Resartus" is also, in structure and form, one of the most 
daringly original. It defies exact classification. It is not a philosophic 
treatise. It is not an autobiography. It is not a romance. Yet in a sense it 
is all these combined. Its underlying purpose is to expound in broad 
outline certain ideas which lay at the root of Carlyle's whole reading of 
life. But he does not elect to set these forth in regular methodic fashion, 
after the manner of one writing a systematic essay. He presents his 
philosophy in dramatic form and in a picturesque human setting. He 
invents a certain Herr Diogenes Teufelsdröckh, an erudite German 
professor of "Allerley-Wissenschaft," or Things in General, in the 
University of Weissnichtwo, of whose colossal work, "Die Kleider, Ihr 
Werden und Wirken" (On Clothes: Their Origin and Influence), he 
represents himself as being only the student and interpreter. With 
infinite humour he explains how this prodigious volume came into his 
hands; how he was struck with amazement by its encyclopædic 
learning, and the depth and suggestiveness of its thought; and how he 
determined that it was his special mission to introduce its ideas to the 
British public. But how was this to be done? As a mere bald abstract of 
the original would never do, the would-be apostle was for a time in 
despair. But at length the happy thought occurred to him of combining 
a condensed statement of the main principles of the new philosophy 
with some account of the philosopher's life and character. Thus the 
work took the form of a "Life and Opinions of Herr Teufelsdröckh," 
and as such it was offered to the world. Here, of course, we reach the 
explanation of its fantastic title--"Sartor Resartus," or the Tailor 
Patched: the tailor being the great German "Clothes-philosopher," and 
the patching being done by Carlyle as his English editor. 
As a piece of literary mystification, Teufelsdröckh and his treatise 
enjoyed a measure of the success which nearly twenty years before had 
been scored by Dietrich Knickerbocker and his "History of New York." 
The question of the professor's existence was solemnly discussed in at 
least one important review; Carlyle was gravely taken to task for
attempting to mislead the public; a certain interested reader actually 
wrote to inquire where the original German work was to be obtained. 
All this seems to us surprising; the more so as we are now able to 
understand the purposes which Carlyle had in view in devising his 
dramatic scheme. In the first place, by associating the 
clothes-philosophy with the personality of its alleged author (himself 
one of Carlyle's splendidly living pieces of characterisation), and by 
presenting it as the product and expression of his spiritual experiences, 
he made the mystical creed intensely human. Stated in the abstract, it 
would have been a mere blank -ism; developed in its intimate relations 
with Teufelsdröckh's character and career, it is filled with the hot 
life-blood of natural thought and feeling. Secondly, by fathering his 
own philosophy upon a German professor Carlyle indicates his own 
indebtedness to German idealism, the ultimate source of much of    
    
		
	
	
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