Round the Block 
 
The Project Gutenberg eBook, Round the Block, by John Bell Bouton 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
re-use it under the terms of the Project Gutenberg License included 
with this eBook or online at www.gutenberg.net 
 
Title: Round the Block 
Author: John Bell Bouton 
Release Date: May 3, 2004 [eBook #12243] 
Language: English 
Character set encoding: iso-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK ROUND 
THE BLOCK*** 
E-text prepared by Curtis Weyant, Charlie Kirschner, and the Project 
Gutenberg Online Distributed Proofreading Team 
 
Note: Project Gutenberg also has an HTML version of this file which 
includes the original illustrations. See 12243-h.htm or 12243-h.zip: 
(http://www.gutenberg.net/1/2/2/4/12243/12243-h/12243-h.htm) or 
(http://www.gutenberg.net/1/2/2/4/12243/12243-h.zip)
ROUND THE BLOCK 
An American Novel 
WITH ILLUSTRATIONS 
by 
JOHN BELL BOUTON 
1864 
 
[Illustration: MRS. SLAPMAN AT HOME--(Book First, Chap. IX.)] 
 
CONTENTS. 
BOOK FIRST. 
NEW YEAR'S DAY. 
I. THE BLOCK. II. THREE BACHELORS. III. PEEPS. IV. QUIGG. 
V. PLEASURE AS BUSINESS. VI. SOMETHING HIDDEN. VII. 
THE BOY BOG. VIII. MALTBOY'S TWENTIETH AFFAIR. IX. 
MRS. SLAPMAN AT HOME. X. INFIRMITIES OF GENIUS. 
BOOK SECOND. 
POLISHING. 
I. THE ENIGMA. II. A DELICATE PROPOSITION. III. AN 
AUXILIARY OF MODERN CIVILIZATION. IV. MISS PILLBODY. 
V. A FRIEND IN NEED. VI. BRANCHING OUT. VII. THE LITTLE 
PUPIL. 
BOOK THIRD.
TRAIL OF THE SERPENT. 
I. "ONE--TWO--THREE--FOUR." II. THE FALLING BOARD. III. 
SNEAKING JUSTIFIED. IV. UP IN THE AIR. V. TONGUES OF 
FIRE. 
BOOK FOURTH. 
CHILDREN OF THE WORLD. 
I. MENDERT VAN QUINTEM AND SON. II. BUYING GOOD 
BEHAVIOR. III. THE YOUNG MONSTER. IV. WESLEY TIFFINS. 
V. THE PANORAMA OF AFRICA. 
BOOK FIFTH. 
MANOEUVRES. 
I. STOLEN--MORE THAN A PURSE. II. CONSOLATIONS OF 
HIGH ART. III. LOVING AFAR OFF. IV. LEGERDEMAIN. 
BOOK SIXTH. 
MYSTERIES OF THE NIGHT. 
I. THE UNKNOWN HAND. II. IN VAIN--IN VAIN. III. THE 
CLASHING ORBS. IV. A VISION OP HORRORS. V. WHAT THE 
MORNING BROUGHT. 
BOOK SEVENTH. 
JOURNEYINGS AGAINST FATE. 
I. PEA-SHOOTING AS A SCIENCE. II. BY STEAM. III. 
PIGWORTH, J.P. IV. STOOP. V. AN AUDIENCE ANALYZED. VI. 
HUMORS OF THE MANY-HEADED. VII. SCENES NOT IN THE 
BILLS. 
BOOK EIGHTH.
A DRAMATIC INTERLUDE. 
I. THE OVERTURE. II. CURTAIN UP. III. ACT SECOND. IV. HOW 
THE PLAY ENDED. 
BOOK NINTH. 
THE INQUEST. 
I. CORONER AND JURY. II. STATEMENT OF THE PRISONER. III. 
JUSTICE GOES TO DINNER. IV. LIGHT IN THE PRISON. V. THE 
SORROW OF WHITE HAIRS. VI. WHAT PAPER, TYPES, AND 
INK CAN DO. VII. PET AS A WITNESS. VIII. THE BENEFICENCE 
OF FIRE BELLS. IX. AN OLD MAN'S OFFERING. 
BOOK TENTH. 
DONE ON BOTH SIDES. 
I. A FISHER OF MEN. II. PLAYING WITH THE LINE. III. 
PULLING IN. IV. THE FIRST OF MAY. V. DEMOLITION OF 
CERTAIN AIR CASTLES. VI. MR. WHEDELL'S CREDIT 
ORS IN CONVENTION ASSEMBLED. VII. DEUS EX MACHINA. 
BOOK ELEVENTH. 
DISCOVERIES. 
I. THE OLD HOUSE REVISITED. II. A POSTHUMOUS SECRET. 
III. OVERTOP FINDS A SENSIBLE WOMAN. IV. INNOCENCE 
ON A SLIPPERY ROAD. V. BOG'S OPEN SESAME. VI. TRACKED. 
VII. FOUND AND LOST. 
BOOK TWELFTH. 
SPECULATIONS--PECUNIARY AND MATRIMONIAL. 
I. THE "COSMOPOLITAN WINDOW FASTENER." II.
MIDDLE-AGED CUPID. III. SLAPMAN vs. SLAPMAN. IV. HOW 
OVERTOP SEALED A CONTRACT IN A WAY UNKNOWN TO 
CHITTY. V. A RETURNED CALIFORNIAN. VI. REVELATIONS 
OF A LAUGH. 
BOOK THIRTEENTH. 
THE STRANGE LADY. 
I. A STORY OP THE PAST. II. POSSIBLE LOVE. III. UNCLE AND 
NIECE. 
BOOK FOURTEENTH. 
HAPPY DAYS. 
I. OWNERS OF THE BEAUTIFUL. II. THE LAST OF A MYSTERY. 
III. LOVE CROWNED. IV. FIVE YEARS. 
 
BOOK FIRST. 
NEW YEAR'S DAY 
CHAPTER I. 
THE BLOCK. 
On the east side of the block were four brownstone houses, wide, tall, 
and roomy. Seen from the street, they had the appearance of not being 
inhabited. In the upper stories, all the curtains or blinds were closely 
drawn. In the lower story, the heavy lace that hung in carefully careless 
folds on each side of the window, seemed never to have been disturbed 
since it left the upholsterer's hands. Whatever life and motion there 
might have been in the basement, were sheltered from observation by 
conical firs or square-clipped box borders, set out on strictly 
geometrical principles in each of the four front yards. The doors were 
ponderous and tight fitting, as if they were never meant to be opened;
and the vivid polish of their surfaces showed no trace of human 
handling. No marks of feet could be detected on the smooth, heavy 
flagstones which led up from the sidewalk, or on the great steps flanked 
by massive balustrades. The four mansions, in their new, lofty, and 
apparently tenantless state, looked, like the occasional residences of 
people for some purpose of ceremony, rather than the dear homes of the 
small, loving, domestic circles that really lived there. 
Such was the outer view of the east side of the block, and it is the    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
