Renaissance in Italy, Volume 1 
(of 7), by 
 
John Addington Symonds 
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Title: Renaissance in Italy, Volume 1 (of 7) 
Author: John Addington Symonds 
Release Date: March 18, 2005 [eBook #15400] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK 
RENAISSANCE IN ITALY, VOLUME 1 (OF 7)*** 
E-text prepared by Ted Garvin, Turgut Dincer, Leonard Johnson, and 
the Project Gutenberg Online Distributed Proofreading Team 
(http://www.pgdp.net) 
 
RENAISSANCE IN ITALY 
The Age of the Despots 
by 
JOHN ADDINGTON SYMONDS 
Author of _Studies of the Greek Poets_, _Sketches in Italy and Greece_, 
etc. 
 
'Di questi adunque oziosi principi, e di queste vilissime armi, sarà piena 
la mia Istoria' 
Mach. 1st. Fior. lib. i.
New York Henry Holt and Company 
1888 
 
TO 
MY FRIEND 
JOHN BEDDOE, M.D., F.R.S., 
I DEDICATE MY WORK 
ON 
THE ITALIAN RENAISSANCE. 
AUTHOR'S EDITION 
 
AUTHOR'S NOTE TO THE AMERICAN EDITION. 
Though these books taken together and in the order planned by the 
author form one connected study of Italian culture at a certain period of 
history, still each aims at a completeness of its own, and each can be 
read independently of its companions. That the author does not regard 
acquaintance with any one of them as essential to a profitable reading 
of any other has been shown by the publication of each with a separate 
title-page and without numeration of the volumes, while all three bear 
the same general heading of "Renaissance in Italy." 
 
PREFACE. 
This volume is the First Part of a work upon the 'Renaissance in Italy.' 
The Second Part treats of the Revival of Learning. The Third, of the 
Fine Arts. The Fourth Part, in two volumes, is devoted to Italian 
Literature. 
Owing to the extent of the ground I have attempted to traverse, I feel 
conscious that the students of special departments will find much to be 
desired in my handling of each part. In some respects I hope that the 
several portions of the work may complete and illustrate each other. 
Many topics, for example, have been omitted from 
Chapter VIII 
. in this volume because they seemed better adapted to treatment in the 
future. 
One of the chief difficulties which the critic has to meet in dealing with
the Italian Renaissance is the determination of the limits of the epoch. 
Two dates, 1453 and 1527, marking respectively the fall of 
Constantinople and the sack of Rome, are convenient for fixing in the 
mind that narrow space of time during which the Renaissance 
culminated. But in order to trace its progress up to this point, it is 
necessary to go back to a far more remote period; nor, again, is it 
possible to maintain strict chronological consistency in treating of the 
several branches of the whole theme. 
The books of which the most frequent use has been made in this first 
portion of the work are Sismondi's 'Républiques Italiennes'; Muratori's 
'Rerum Italicarum Scriptores'; the 'Archivio Storico Italiano'; the 
seventh volume of Michelet's 'Histoire de France'; the seventh and 
eighth volumes of Gregorovius' 'Geschichte der Stadt Rom'; Ferrari's 
'Rivoluzioni d' Italia'; Alberi's series of Despatches; Gino Capponi's 
'Storia della Repubblica di Firenze'; and Burckhardt's 'Cultur der 
Renaissance in Italien.' To the last-named essay I must acknowledge 
especial obligations. It fell under my notice when I had planned, and in 
a great measure finished, my own work. But it would be difficult for 
me to exaggerate the profit I have derived from the comparison of my 
opinions with those of a writer so thorough in his learning and so 
delicate in his perceptions as Jacob Burckhardt, or the amount I owe to 
his acute and philosophical handling of the whole subject. I must also 
express a special debt to Ferrari, many of whose views I have adopted 
in the 
Chapter on 
'Italian History.' With regard to the alterations introduced into the 
substance of the book in this edition, it will be enough to say that I have 
endeavored to bring each chapter up to the level of present knowledge. 
In conclusion, I once more ask indulgence for a volume which, though 
it aims at a completeness of its own, is professedly but one part of a 
long inquiry. 
 
CONTENTS. 
 
CHAPTER I
. 
THE SPIRIT OF THE RENAISSANCE. 
Difficulty of fixing Date--Meaning of Word Renaissance--The 
Emancipation of the Reason--Relation of Feudalism to the 
Renaissance--Mediæval Warnings of the Renaissance--Abelard, Bacon, 
Joachim of Flora, the Provencals, the Heretics, Frederick II.--Dante, 
Petrarch, Boccaccio--Physical Energy of the Italians--The Revival of 
Learning--The Double Discovery of the World and of 
Man--Exploration    
    
		
	
	
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