Red Pottage | Page 4

Mary Cholmondeley
with a shade more listlessness than before, "Society has become accustomed to do without them, and does ill without them, but we must conform to her." Hugh started slightly, and then remained motionless. "You observe these two paper lighters, Scarlett? One is an inch shorter than the other. They have been waiting on the mantel-shelf for the last month, till I had an opportunity of drawing your attention to them. I am sure we perfectly understand each other. No name need be mentioned. All scandal is avoided. I feel confident you will not hesitate to make me the only reparation one man can make another in the somewhat hackneyed circumstances in which we find ourselves."
Lord Newhaven took the lighters out of the glass. He glanced suddenly at Hugh's stunned face and went on:
"I am sorry the idea is not my own. I read it in a magazine. Though comparatively modern, it promises soon to become as customary as the much-to-be-regretted pistols for two and coffee for four. I hold the lighters thus, and you draw. Whoever draws or keeps the short one is pledged to leave this world within four months, or shall we say five, on account of the pheasant shooting? Five be it. Is it agreed? Just so! Will you draw?"
A swift spasm passed over Hugh's face, and a tiger glint leaped into Lord Newhaven's eyes, fixed intently upon him.
There was a brief second in which Hugh's mind wavered, as the flame of a candle wavers in a sudden draught. Lord Newhaven's eyes glittered. He advanced the lighters an inch nearer.
If he had not advanced them that inch Hugh thought afterwards that he would have refused to draw.
He backed against the mantel-piece, and then put out his hand suddenly and drew. It seemed the only way of escape.
The two men measured the lighters on the table under the electric light.
Lord Newhaven laughed.
Hugh stood a moment, and then went out.
CHAPTER III
"Is it well with thee? Is it well with thy husband?"
When Lady Newhaven slipped out of the supper-room after her husband and Hugh, and lingered at the door of the study, she did not follow them with the deliberate intention of eavesdropping, but from a vague impulse of suspicious anxiety. Yet she crouched in her white satin gown against the door listening intently.
Neither man moved within, only one spoke. There was no other sound to deaden her husband's distinct, low voice. The silence that followed his last words, "Will you draw?" was broken by his laugh, and she had barely time to throw herself back from the door into a dark recess under the staircase before Hugh came out. He almost touched her as he passed. He must have seen her, if he had been capable of seeing anything; but he went straight on unheeding. And as she stole a few steps to gaze after him, she saw him cross the hall and go out into the night without his hat and coat, the amazed servants staring after him.
She drew back to go up-stairs, and met her husband coming slowly out of the study. He looked steadily at her, as she clung trembling to the banisters. There was no alteration in his glance, and she suddenly perceived that what he knew now he had always known. She put her hand to her head.
"You look tired," he said, in the level voice to which she was accustomed. "You had better go to bed."
She stumbled swiftly up-stairs, catching at the banisters, and went into her own room.
Her maid was waiting for her by the dressing-table with its shaded electric lights. And she remembered that she had given a party, and that she had on her diamonds.
It would take a long time to unfasten them. She pulled at the diamond sun on her breast with a shaking hand. Her husband had given it to her when her eldest son was born. Her maid took the tiara gently out of her hair, and cut the threads that sewed the diamonds on her breast and shoulders. Would it never end? The lace of her gown, cautiously withdrawn through its hundred eyelet-holes, knotted itself.
"Cut it," she said, impatiently. "Cut it."
At last she was in her dressing-gown and alone. She flung herself face downwards on the sofa. Her attitude had the touch of artificiality which was natural to her.
The deluge had arrived, and unconsciously she met it, as she would have made a heroine meet it had she been a novelist, in a white dressing-gown and pink ribbons in a stereotyped attitude of despair on a divan.
Conscience is supposed to make cowards of us all, but it is a matter of common experience that the unimaginative are made cowards of only by being found out.
Had David qualms of conscience when Uriah fell before the besieged city?
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