| | TERMS OF MEMBERSHIP: | | | | TO 
CLERKS, | | | | $1 Initiation, $3 Annual Dues. | | | | TO OTHERS, $5 a 
year. | | | | SUBSCRIPTIONS TAKEN FOR SIX MONTHS. | | | | 
BRANCH OFFICES | | | | NO. 76 CEDAR STREET, NEW-YORK, | | | 
| AND AT | | | | Yonkers, Norwalk, Stamford, and Elizabeth. | | | 
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+-----------------------------------------------------------+ 
THE PLAYS AND SHOWS. 
[Illustration:] 
Booth's Theatre has become famous as the place where Mr. 
MOLLENHAUER nightly leads his admirable orchestra, and plays 
with exquisite skill and infinite tenderness his unrivalled violin solos. 
Since this theatre opened, there have been several attempts to add 
dramatic entertainments to the attractive concerts given by Mr. 
MOLLENHAUER. Two great actors, Mr. JEFFERSON and Mr. 
BOOTH, have at different times appeared at this house, and in Rip Van 
Winkle and Hamlet have given us the most perfect specimens of 
dramatic monologue. Lately, there was an attempt made to present 
Macbeth during the intermissions in the performance of the orchestra. 
Had an actor been engaged who was capable of playing Macbeth, and 
had a company been engaged to support him, the tragedy would 
doubtless have been well played. There was really little else wanting to 
make it a meritorious Shakespearean revival. 
To visit this theatre is held to be a solemn duty by a large class of 
respectable and serious people. They don't go for amusement--they are 
far too sensible for that--but they go to support the legitimate drama, to 
testify their respect for SHAKESPEARE and for Mr. BOOTH'S classic 
brow. The Worldly-Minded Persons who attended the representations 
of Macbeth, found themselves assisting at a scene compared with
which a funeral would have been jovial, and a hanging, a wild 
dissipation. 
This is the sort of thing that presents itself to our memory as we recall 
the first night of Macbeth. 
A large and elderly audience enters the portals with subdued and 
mournful mien. The ushers, who, in imitation of Mr. BOOTH, do a 
little of the classic brow and curl business themselves, chew tobacco 
with an air of resigned melancholy, and spit upon the carpet, as though 
renouncing the pleasures of the world and the decencies of civilization. 
At the first intermission of the orchestra, the curtain rises upon the 
three Weird Sisters. Mr. HIND is a Weird Sister, and he improves the 
opportunity to howl with a weirdness that draws an involuntary laugh 
from an irreverent young lady. 
Respectable Father. "Laughing in BOOTH'S, my dear! I am astonished 
at you. Sh." 
Respectable Mother. "Ellen, if you can't behave in ch--in the theatre, 
you ought not to come." _Irreverent young lady becomes an object of 
scornful pity to every one in the neighborhood. She never smiles 
again_. 
The play proceeds. An inarticulate person is brought in on a litter, who 
looks like a Tammany man whom some irate young Democrat has "put 
a head on." He indulges in an inarticulate speech, which is warmly 
applauded by the gallery. Then the Weird Sisters meet MACBETH and 
BANQUO on the heath, and Mr. HIND howls at them until the 
Worldly-Minded auditor blesses the memory of the Salem 
witch-burners. Then the King brevets MACBETH. Then Lady 
MACBETH reads a letter from her husband with the demonstrative 
energy of a Chicago Wild Woman reading the decree that divorces her 
from a kind and honorable husband. Then the King arrives, and 
MACBETH and his wife agree to kill him. Then the curtain falls, and 
Mr. MOLLENHAUER repays the Worldly-Minded Person for having 
stayed through the first act. Conversation    
    
		
	
	
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