him cast 
the first stone who did not believe in the Russian army that passed 
through England in August, 1914, did not accept any tale of atrocities 
without direct proof, and never saw a plot, a traitor, or a spy where 
there was none. Let him cast a stone who never passed on as the real 
inside truth what he had heard someone say who knew no more than he 
did. 
In all these instances we must note particularly one common factor. It 
is the insertion between man and his environment of a 
pseudo-environment. To that pseudo-environment his behavior is a 
response. But because it is behavior, the consequences, if they are acts, 
operate not in the pseudo-environment where the behavior is stimulated,
but in the real environment where action eventuates. If the behavior is 
not a practical act, but what we call roughly thought and emotion, it 
may be a long time before there is any noticeable break in the texture of 
the fictitious world. But when the stimulus of the pseudo-fact results in 
action on things or other people, contradiction soon develops. Then 
comes the sensation of butting one's head against a stone wall, of 
learning by experience, and witnessing Herbert Spencer's tragedy of the 
murder of a Beautiful Theory by a Gang of Brutal Facts, the discomfort 
in short of a maladjustment. For certainly, at the level of social life, 
what is called the adjustment of man to his environment takes place 
through the medium of fictions. 
By fictions I do not mean lies. I mean a representation of the 
environment which is in lesser or greater degree made by man himself. 
The range of fiction extends all the way from complete hallucination to 
the scientists' perfectly self-conscious use of a schematic model, or his 
decision that for his particular problem accuracy beyond a certain 
number of decimal places is not important. A work of fiction may have 
almost any degree of fidelity, and so long as the degree of fidelity can 
be taken into account, fiction is not misleading. In fact, human culture 
is very largely the selection, the rearrangement, the tracing of patterns 
upon, and the stylizing of, what William James called "the random 
irradiations and resettlements of our ideas." [Footnote: James, 
Principles of Psychology, Vol. II, p. 638] The alternative to the use of 
fictions is direct exposure to the ebb and flow of sensation. That is not 
a real alternative, for however refreshing it is to see at times with a 
perfectly innocent eye, innocence itself is not wisdom, though a source 
and corrective of wisdom. For the real environment is altogether too 
big, too complex, and too fleeting for direct acquaintance. We are not 
equipped to deal with so much subtlety, so much variety, so many 
permutations and combinations. And although we have to act in that 
environment, we have to reconstruct it on a simpler model before we 
can manage with it. To traverse the world men must have maps of the 
world. Their persistent difficulty is to secure maps on which their own 
need, or someone else's need, has not sketched in the coast of Bohemia. 
4 
The analyst of public opinion must begin then, by recognizing the 
triangular relationship between the scene of action, the human picture
of that scene, and the human response to that picture working itself out 
upon the scene of action. It is like a play suggested to the actors by 
their own experience, in which the plot is transacted in the real lives of 
the actors, and not merely in their stage parts. The moving picture often 
emphasizes with great skill this double drama of interior motive and 
external behavior. Two men are quarreling, ostensibly about some 
money, but their passion is inexplicable. Then the picture fades out and 
what one or the other of the two men sees with his mind's eye is 
reënacted. Across the table they were quarreling about money. In 
memory they are back in their youth when the girl jilted him for the 
other man. The exterior drama is explained: the hero is not greedy; the 
hero is in love. 
A scene not so different was played in the United States Senate. At 
breakfast on the morning of September 29, 1919, some of the Senators 
read a news dispatch in the Washington Post about the landing of 
American marines on the Dalmatian coast. The newspaper said: 
FACTS NOW ESTABLISHED 
"The following important facts appear already established. The orders 
to Rear Admiral Andrews commanding the American naval forces in 
the Adriatic, came from the British Admiralty via the War Council and 
Rear Admiral Knapps in London. The approval or disapproval of the 
American Navy Department was not asked.... 
WITHOUT DANIELS' KNOWLEDGE 
"Mr. Daniels was admittedly placed in a peculiar position when cables    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.