and sunny spires ablaze, 
And burnished domes half seen through luminous haze. Lo, with what 
opportunity earth teems! How like a fair its ample beauty seems! 
Fluttering with flags its proud pavilions rise: What bright bazaars, what 
marvellous merchandise, Down seething alleys what melodious din, 
What clamor, importuning from every booth: At Earth's great mart 
where Joy is trafficked in Buy while thy purse yet swells with golden 
Youth! 
Into this fair he sallied forth, not as one to the manner born, but with 
the eagerness of a traveller from a far country, who feels as though he 
were living in a dream. His attitude to the whole experience is 
curiously ingenuous, but perfectly sane and straightforward. It is the 
Paris of Murger in which he lives, not the Paris of Baudelaire and the 
Second Empire. He takes his experiences lightly. There is no sign 
either of any struggle of the soul or of any very rending tempest of the 
heart. There is no posing, self-conscious Byronism, nor any of that 
morbid dallying with the idea of "sin" which gives such an unpleasant 
flavor to a good deal of romantic poetry, both French and English.
There are traces of disappointment and disillusion, but they are 
accepted without a murmur as inevitable incidents of a great, absorbing 
experience. All this means, of course, that there is no tragic depth, and 
little analytic subtlety, in these poems. They are the work of a young 
man enamoured of his youth, enthusiastically grateful for the gift of life, 
and entirely at his ease within his own moral code. He had known none 
of what he himself calls "that kind of affliction which alone can unfold 
the profundities of the human spirit." 
It was in Paris that he produced most of the "Juvenilia". He included 
only a few of the pieces which he had written at Harvard and in New 
York. Thus all, or nearly all, the poems ranged under that title, are, as 
he said -- Relics of the time when I too fared Across the sweet fifth 
lustrum of my days. 
Paris, however, did not absorb him entirely during these years. He 
would occasionally set forth on long tramps through the French 
provinces; for he loved every aspect of that gracious country. He once 
spent some weeks with a friend in Switzerland; but this experience 
seems to have left no trace in his work. 
Then came the fateful year 1914. His "Juvenilia" having grown to a 
passable bulk, he brought them in the early summer to London, with a 
view to finding a publisher for them; but it does not appear that he took 
any very active steps to that effect. His days were mainly spent in the 
British Museum, and his evenings with a coterie of friends at the Cafe 
Royal. In the middle of July, his father came to England and spent a 
week with him. Of this meeting Mr. Seeger writes: 
== We passed three days at Canterbury -- three days of such intimacy 
as we had hardly had since he was a boy in Mexico. For four or five 
years I had only seen him a few days at a time, during my hurried visits 
to the United States. We explored the old town together, heard services 
in the Cathedral, and had long talks in the close. After service in the 
Cathedral on a Monday morning, the last of our stay at Canterbury, 
Alan was particularly enthusiastic over the reading of the Psalms, and 
said "Was there ever such English written as that of the Bible?" I said 
good-bye to Alan on July 25th. == 
Two days earlier, the Austrian Ultimatum had been presented to Serbia; 
on that very day the time limit expired, the Serbian reply was rejected, 
and the Austrian Minister left Belgrade. The wheels of fate were
already whirling. 
As soon as it became evident that a European war was inevitable Alan 
returned to Paris. He took Bruges on his way, and there left the 
manuscript of his poems in the keeping of a printer, not foreseeing the 
risks to which he was thus exposing them. 
The war was not three weeks old when, along with forty or fifty of his 
fellow-countrymen, he enlisted in the Foreign Legion of France. Why 
did he take this step? Fundamentally, no doubt, because he felt war to 
be one of the supreme experiences of life, from which, when it offered 
itself, he could not shrink without disloyalty to his ideal. Long before 
the war was anything more than a vague possibility, he had imagined 
the time . . . when courted Death shall claim my limbs and find them 
Laid in some desert place alone, or where the tides Of war's tumultuous 
waves on the wet sands behind them Leave rifts    
    
		
	
	
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