Poems Chiefly from Manuscript

The Project Gutenberg EBook of Poems Chiefly From Manuscript, by John Clare
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Poems Chiefly From Manuscript
Author: John Clare
Release Date: August, 2005 [EBook #8672]?[This file was first posted on July 31, 2003]
Edition: 10
Language: English
Character set encoding: ISO Latin-1
? START OF THE PROJECT GUTENBERG EBOOK, POEMS CHIEFLY FROM MANUSCRIPT ***
Produced by Jon Ingram, Marc D'Hooghe and the Online Distributed Proofreading Team
[Illustration: JOHN CLARE.
Engraved by E. Scriven, from a Painting by W. Hilton, R.A.]
POEMS CHIEFLY FROM MANUSCRIPT by JOHN CLARE

NOTE
For the present volume over two thousand poems by Clare have been considered and compared; of which over two-thirds have not been published. Of those here given ninety are now first printed, and are distinguished with asterisks in the contents: one or two are gleaned from periodicals: and many of the others have been brought into line with manuscript versions. While poetic value has been the general ground of selection, the development of the poet has seemed of sufficient interest for representation; and some of Clare's juvenilia are accordingly included. The arrangement is chronological, though in many cases the date of a poem can only be conjectured from the handwriting and the style; and it is almost impossible to affix dates to such Asylum Poems as bear none.
Punctuation and orthography have been attempted; Clare left such matters to his editor in his lifetime, conceiving them to be an "awkward squad." In some poems stanzas have been omitted, particularly in the case of first drafts which demand revision; but in others stanzas dropped by previous editors have been restored. Titles have been given to many poems which, doubtless, in copies not available to us were better christened by Clare himself. So regularly does Clare use such forms as "oer," "eer," and the like that he seems to have regarded them not as abbreviations but as originals, and they are given without apostrophe. The text of the Asylum Poems which has been used is a transcript, and one or two difficult passages are probably the fault of the copyist.
For permission to examine and copy many of the poems preserved in the Peterborough Museum, and to have photographs taken, we are indebted to J. W. Bodger, Esq., the President for 1919-1920; without whose co-operation and interest the volume would have been a very different matter. Valuable help, too, has been given by Mr. Samuel Loveman of Cleveland, Ohio, who has placed at our disposal his collection of Clare MSS. To G. C. Druce, Esq., of Oxford, whose pamphlet on Clare's knowledge of flowers cannot but delight the lover of Clare: to the Rev. S. G. Short of Maxey, and formerly of Northborough: to J. Middleton Murry, Esq., the Editor of the Athenaeum: to Edward Liveing, Esq., and E. G. Clayton, Esq.: and to Norman Gale, Esq., who has not wavered from his early faith in Clare, our gratitude is gladly given for assistance and sympathy.
And to Mr. Samuel Sefton of Derby, the grandson of Clare and one of his closest investigators, who has patiently and carefully responded to all our queries in a long correspondence, and who, besides informing us of the Clare tradition as it exists in the family, has supplied many materials of importance in writing the poet's life, special thanks are due. It was a fortunate chance that put us in communication with him.
EDMUND BLUNDEN
ALAN PORTER
INTRODUCTION
And he repuls��d, (a short tale to make),?Fell into a sadness; then into a fast;?Thence to a watch; thence into a weakness;?Thence to a lightness; and by this declension,?Into the madness wherein now he raves.
BIOGRAPHICAL
The life of John Clare, offering as it does so much opportunity for sensational contrast and unbridled distortion, became at one time (like the tragedy of Chatterton) a favourite with the quillmen. Even his serious biographers have made excessive use of light and darkness, poetry and poverty, genius and stupidity: that there should be some uncertainty about dates and incidents is no great matter, but that misrepresentations of character or of habit should be made is the fault of