Piano Tuning 
 
The Project Gutenberg EBook of Piano Tuning, by J. Cree Fischer This 
eBook is for the use of anyone anywhere at no cost and with almost no 
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Title: Piano Tuning A Simple and Accurate Method for Amateurs 
Author: J. Cree Fischer 
Release Date: January 22, 2006 [EBook #17571] 
Language: English 
Character set encoding: ASCII 
*** START OF THIS PROJECT GUTENBERG EBOOK PIANO 
TUNING *** 
 
Produced by Mark C. Orton, L.N. Yaddanapudi and the Online 
Distributed Proofreading Team at http://www.pgdp.net 
 
J. CREE FISCHER 
PIANO TUNING 
A SIMPLE AND ACCURATE METHOD FOR AMATEURS
DOVER PUBLICATIONS, INC. NEW YORK 
 
Copyright (c) 1907 by Theo. Presser. 
All rights reserved under Pan American and International Copyright 
Conventions. 
Published in Canada by General Publishing Company, Ltd., 30 Lesmill 
Road, Don Mills, Toronto, Ontario. 
Published in the United Kingdom by Constable and Company, Ltd., 10 
Orange Street, London WC 2. 
This Dover edition, first published in 1975, is a republication of the 
work originally published in Philadelphia in 1907. The following 
sections have been omitted from the present edition because they were 
out-of-date: Practical Application of Piano Tuning as a Profession, 
Business Hints, Ideas in Advertising, and Charges for Services. This 
edition is reprinted by special arrangement with Theodore Presser 
Company, Presser Place, Bryn Mawr, Pennsylvania, publisher of the 
original edition. 
International Standard Book Number: 0-486-23267-0 
Library of Congress Catalog Card Number: 75-14759 
Manufactured in the United States of America 
Dover Publications, Inc. 
180 Varick Street 
New York, N.Y. 10014
PREFACE. 
For some years past a lack of competent men in the profession of Piano 
Tuning has been generally acknowledged. This may be accounted for 
as follows: The immense popularity of the piano and the assiduous 
efforts of factories and salesmen have led to the result that nearly every 
well-to-do household is furnished with an instrument. To supply this 
demand the annual production and sale for the year 1906 is estimated at 
three hundred thousand pianos in the United States. These pianos must 
be tuned many times in the factory before they are shipped to the 
salesroom; there they must be kept in tune until sold. When, finally, 
they take up their permanent abode in the homes of the purchasers, they 
should be given the attention of the tuner at least twice a year. This 
means work for the tuner. But this is not all. Presuming that the average 
life of the piano is about fifty years, it is evident that there exists in this 
country an accumulation of instruments variously estimated at from 
four to five millions. This means _more work for tuners_. 
While production and accumulation have been increasing, there has 
been little, if any, effort made to provide tuners to look after the needs 
of this ever-increasing number of instruments, no provision for the 
thorough instruction of the learner of Piano Tuning, outside the walls of 
the factories, and of the few musical colleges where the art is taught. 
Doubtless there are many persons who are by nature well adapted to 
this agreeable and profitable occupation--persons who would make 
earnest effort to acquire the necessary skill and its honest application if 
they had a favorable opportunity. Musical colleges in which tuning is 
taught are few and far between; piano factories are built for the purpose 
of producing pianos and not tuners, for mechanics and laborers and not 
for teachers and pupils; furthermore, very little fine tuning is done in 
the factory; rough tuning is the bulk of the work there, and a long 
apprenticeship in the factory, with its meager advantages, is rarely 
sufficient to meet the demands of the would-be-thorough tuner. This 
may account, in part, for the fact that many who are incompetent are 
following this profession, and that there is an increasing demand for 
tuners of skill.
In view of these facts the author came to the opinion that if a course of 
instruction were prepared which would demonstrate clearly the many 
abstruse details of the art in an interesting and comprehensible way, it 
would be appreciated by those who are desirous to learn. Acting upon 
this impulse, he began the preparation of such a course. 
The present book is the outgrowth of a course of instruction, used 
successfully with pupils from various parts of the United States and 
Canada, conducted partly by correspondence; partly at the school 
directed by the author. Although it has been necessary to revise the 
course somewhat for publication in the present form, no essential 
matter has been omitted and much has been added. 
In preparing this course of study the utmost effort has been made to 
present the various topics in the clearest, most    
    
		
	
	
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