Other Peoples Business | Page 4

Harriet L. Smith
sign of resenting her friend's assumption. "And while I'm turning it over in my mind, let Thad alone, and don't wear yourself out worrying." The injunction probably had a figurative import though Mrs. West interpreted it literally.
"Wear myself out. I can't so much as wear off a pound. I've been too upset to eat or sleep for the last two months, and I've been gaining right along. Most folks can reduce by going without breakfast, but seems as if it don't make any difference with me whether I touch victuals or not."
She was rising ponderously when Persis checked her. "Your serge, Mis' West. We were going to see if 'twas worth making over."
"It's time to get supper, Persis, and there ain't a mite of hurry about that serge. Truth is," explained Mrs. West, lowering her voice to a confidential murmur, "'twasn't altogether the dress that brought me over. I sort of hankered for a talk with you. There never was such a hand as you be, Persis, to hearten a body up."
Persis found no time that evening for grappling with the problem for which she had voluntarily made herself responsible. The preparation of Joel's supper was a task demanding time and prayerful consideration, for as is the case with most chronic invalids, his fastidiousness concerning his food approached the proportions of a mania. Her efforts to gratify her brother's insatiable curiosity on points of history and literature, had put her several hours behind with her sewing, and as she owned to a most unprofessional pride in keeping her word to the letter, midnight found her still at work. A few minutes later she folded away the finished garment and picked from the rag carpet the usual litter of scraps and basting threads, after which she was at liberty to attend to that mysterious rite known to the housekeeper as "shutting up for the night," a rite never to be omitted even in the village of Clematis where a locked door is held to indicate that somebody is putting on airs.
Candle in hand, Persis paused before a photograph, framed in blue plush and occupying a prominent position on the mantel. "Good night, Justin," she said in as matter-of-fact a tone as if she were exchanging farewells with some chance caller. As the candle flickered, a wave of expression seemed to cross the face in the plush frame, almost as if it had smiled.
It was a pleasant young face with a good forehead and frank eyes. The indeterminate sweetness of the mouth and chin hinted that this was a man in the making, his strength to be wrought out, his weakness to be mastered. Like the blue plush the photograph was faded, as were alas, the roses in Persis' cheeks. It was twenty years since they had kissed each other good-by in that very room, boy and girl, sure of themselves and of the future. Justin was going away to make a home for her, and Persis would wait for him, if need be, till her hair was gray.
He had been unfortunate from the start. Up in the garret, spicy with the fragrance of dried herbs and of camphor, were his letters, locked away in a small horse-hair trunk. Twice a year Persis opened the trunk to dust the letters, and sometimes she drew out the contents of a yellowing envelope and read a line here and there. These were the letters over which she had wept long, long before,--blurred in places by youth's hot tears, the letters she had carried on her heart. They were full of the excuses in which failure is invariably fertile, breathing from every page the fatal certainty that luck would soon turn.
The letters became infrequent after old Mr. Ware's "stroke." Persis understood. For them there could be no thought of marrying nor giving in marriage while the old man lay helpless. All that Justin could spare from his scant earnings, little enough, she knew, must be sent home. And meanwhile Joel having discovered in a three months' illness his fitness to play the part of invalid, had apparently decided to make the r?le permanent. Like many another, Persis had found in work and responsibility, a mysterious solace for the incessant dull ache at her heart.
That was twenty years before. Persis Dale, climbing the stairs as nimbly as if it were early morning and she herself just turned sixteen, seemed a woman eminently practical. Yet in the changes of those twenty years, though trouble had been a frequent guest under the sloping roof of the old-fashioned house and death had entered more than once, there had never been a time when Persis had gone to her bed without a good night to the photograph in the blue plush frame, never a morning when she had begun the
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