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On the Art of Writing 
 
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Title: On the Art of Writing Lectures delivered in the University of 
Cambridge 1913-1914 
Author: Arthur Quiller-Couch 
Release Date: January 5, 2006 [EBook #17470] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK ON THE 
ART OF WRITING *** 
 
Produced by James Tenison 
 
ON THE ART OF WRITING
CAMBRIDGE UNIVERSITY PRESS C.F. CLAY, Manager London: 
FETTER LANE, E.C. Edinburgh: 100 PRINCES STREET. 
 
Bombay, Calcutta and Madras: MACMILLAN & CO. LTD. Toronto: 
J.M. DENT AND SONS, LTD. Tokyo: THE 
MARUZEN-KABUSHIKI-KAISHA. 
Copyrighted in the United States of America by G.P. PUTNAM'S 
SONS, 2, 4 AND 6, WEST 45TH STREET, NEW YORK CITY. 
All rights reserved 
 
ON THE ART OF WRITING 
LECTURES DELIVERED IN THE UNIVERSITY OF CAMBRIDGE 
1913-1914 
BY 
SIR ARTHUR QUILLER-COUCH, M.A. Fellow of Jesus College 
King Edward VII Professor of English Literature 
 
Cambridge: at the University Press 1917 
First Edition 1916 Reprinted 1916,1917 
 
TO JOHN HAY LOBBAN 
 
PREFACE 
By recasting these lectures I might with pains have turned them into a 
smooth treatise. But I prefer to leave them (bating a very few
corrections and additions) as they were delivered. If, as the reader will 
all too easily detect, they abound no less in repetitions than in 
arguments dropped and left at loose ends--the whole bewraying a man 
called unexpectedly to a post where in the act of adapting himself, of 
learning that he might teach, he had often to adjourn his main purpose 
and skirmish with difficulties--they will be the truer to life; and so may 
experimentally enforce their preaching, that the Art of Writing is a 
living business. 
Bearing this in mind, the reader will perhaps excuse certain small 
vivacities, sallies that meet fools with their folly, masking the main 
attack. That, we will see, is serious enough; and others will carry it on, 
though my effort come to naught. 
It amounts to this--Literature is not a mere Science, to be studied; but 
an Art, to be practised. Great as is our own literature, we must consider 
it as a legacy to be improved. Any nation that potters with any glory of 
its past, as a thing dead and done for, is to that extent renegade. If that 
be granted, not all our pride in a Shakespeare can excuse the relaxation 
of an effort--however vain and hopeless--to better him, or some part of 
him. If, with all our native exemplars to give us courage, we persist in 
striving to write well, we can easily resign to other nations all the 
secondary fame to be picked up by commentators. 
Recent history has strengthened, with passion and scorn, the faith in 
which I wrote the following pages. 
ARTHUR QUILLER-COUCH November 1915 
 
CONTENTS 
 
LECTURE 
I INAUGURAL
II THE PRACTICE OF WRITING 
III ON THE DIFFERENCE BETWEEN VERSE AND PROSE 
IV ON THE CAPITAL DIFFICULTY OF VERSE 
V INTERLUDE: ON JARGON 
VI ON THE CAPITAL DIFFICULTY OF PROSE 
VII SOME PRINCIPLES REAFFIRMED 
VIII ON THE LINEAGE OF ENGLISH LITERATURE (I) 
IX ON THE LINEAGE OF ENGLISH LITERATURE (II) 
X ENGLISH LITERATURE IN OUR UNIVERSITIES (I) 
XI ENGLISH LITERATURE IN OUR UNIVERSITIES (II) 
XII ON STYLE 
INDEX 
 
LECTURE I. 
INAUGURAL 
Wednesday, January 29, 1913 
In all the long quarrel set between philosophy and poetry I know of 
nothing finer, as of nothing more pathetically hopeless, than Plato's 
return upon himself in his last dialogue 'The Laws.' There are who find 
that dialogue (left unrevised) insufferably dull, as no doubt it is without 
form and garrulous. But I think they will read it with a new tolerance, 
may-be even with a touch of feeling, if upon second thoughts they 
recognise in its twisting and turnings, its prolixities and repetitions, the 
scruples of an old man who, knowing that his time in this world is short,
would not go out of it pretending to know more than he does, and even 
in matters concerning which he was once very sure has come to divine 
that, after all, as Renan says, 'La Verité consiste dans les nuances.' 
Certainly 'the mind's dark cottage battered and decayed' does in that last 
dialogue admit some wonderful flashes, 
From Heaven descended to the low-roofed house Of Socrates, 
or rather to that noble 'banquet-hall deserted' which aforetime had 
entertained Socrates. 
Suffer me, Mr Vice-Chancellor and Gentlemen, before reaching my 
text, to remind you of the    
    
		
	
	
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