your play I am 
amazed to find the touch of the professional and experienced 
playwright. Yes, my dear, you have proved that you happen to possess 
the quality--one that is most difficult to acquire--of surrounding a 
situation which is improbable enough to be convincing with that 
absurdly mechanical conversation which the theatre-going public 
demands. As your mother, I am disappointed. I had hoped for 
originality. As your literary well-wisher, I stifle my maternal feelings 
and congratulate you unreservedly." 
I thanked my mother effusively. I think I cried a little. 
She said affectionately that the hour had been one of great interest to 
her, and she added that she would be glad to be consulted with regard 
to the steps I contemplated taking in my literary future. 
She then resumed her book. 
I went to my room and re-read the last letter I had had from James. 
_The Barrel Club, Covent Garden, London._ 
MY DARLING MARGIE,--I am writing this line simply and solely for 
the selfish pleasure I gain from the act of writing to you. I know 
everything will come right some time or other, but at present I am 
suffering from a bad attack of the blues. I am like a general who has 
planned out a brilliant attack, and realises that he must fail for want of 
sufficient troops to carry a position, on the taking of which the whole 
success of the assault depends. Briefly, my position is like this. My 
name is pretty well known in a small sort of way among editors and the 
like as that of a man who can turn out fairly good stuff. Besides this, I 
have many influential friends. You see where this brings me? I am in 
the middle of my attacking movement, and I have not been beaten back; 
but the key to the enemy's position is still uncaptured. You know what 
this key is from my other letters. It's the stage. Ah, Margie, one acting 
play! Only one! It would mean everything. Apart from the actual 
triumph and the direct profits, it would bring so much with it. The 
enemy's flank would be turned, and the rest of the battle would become
a mere rout. I should have an accepted position in the literary world 
which would convert all the other avenues to wealth on which I have 
my eye instantly into royal roads. Obstacles would vanish. The fact that 
I was a successful playwright would make the acceptance of the sort of 
work I am doing now inevitable, and I should get paid ten times as well 
for it. And it would mean--well, you know what it would mean, don't 
you? Darling Margie, tell me again that I have your love, that the 
waiting is not too hard, that you believe in me. Dearest, it will come 
right in the end. Nothing can prevent that. Love and the will of a man 
have always beaten Time and Fate. Write to me, dear. 
_Ever your devoted James._ 
How utterly free from thought of self! His magnificent loyalty forgot 
the dreadful tension of his own great battle, and pictured only the 
tedium of waiting which it was my part to endure. 
I finished my letter to James very late that night. It was a very long and 
explanatory letter, and it enclosed my play. 
The main point I aimed at was not to damp his spirits. He would, I 
knew well, see that the play was suitable for staging. He would, in short, 
see that I, an inexperienced girl, had done what he, a trained 
professional writer, had failed to do. Lest, therefore, his pique should 
kill admiration and pleasure when he received my work, I wrote as one 
begging a favour. "Here," I said, "we have the means to achieve all we 
want. Do not--oh, do not--criticise. I have written down the words. But 
the conception is yours. The play was inspired by you. But for you I 
should never have begun it. Take my play, James; take it as your own. 
For yours it is. Put your name to it, and produce it, if you love me, 
under your own signature. If this hurts your pride, I will word my 
request differently. You alone are able to manage the business side of 
the production. You know the right men to go to. To approach them on 
behalf of a stranger's work is far less likely to lead to success. I have 
assumed, you will see, that the play is certain to be produced. But that 
will only be so if you adopt it as your own. Claim the authorship, and 
all will be well."
Much more I wrote to James in the same strain; and my reward came 
next day in the shape of a telegram: "Accept thankfully.--Cloyster."    
    
		
	
	
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