Short Stories by Rex Stout 
An Officer and a Lady (1917) The Rope Dance (1916) Warner & Wife 
(1915) Jonathan Stannard's Secret Vice (1915) A Tyrant Abdicates 
(1914) Rose Orchid (1917) The Pay Yeoman (1914) An Agacella Or 
(1914) The Mother of Invention (1914) 
An Officer and a Lady 
Bill Farden had had his eye on the big brick house on the corner for 
some time. 
He had worked one in that block--the white frame with the latticed 
porch farther down toward Madison Street--during the early part of 
March, and had got rather a nice bag. Then, warned off by the scare and 
hullabaloo that followed, he had fought shy of that part of town for a 
full month, confining his operations to one or two minor hauls in the 
Parkdale section. He figured that by now things would have calmed 
down sufficiently in this neighborhood to permit a quiet hour's work 
without undue danger. 
It was a dark night, or would have been but for the street lamp on the 
corner. That mattered little, since the right side of the house was in 
deep shadow anyway. By an oversight I have neglected to place the 
scene of the story in the vicinity of a clock tower, so Bill Farden was 
obliged to take out his watch and look at it in order to call attention to 
the fact that it was an hour past midnight. 
He nodded his head with satisfaction, then advanced across the lawn to 
that side of the house left in deep shadow. 
Two large windows loomed up side by side, then a wide expanse of 
brick, then two more. After a leisurely examination he chose the second 
of the first pair. A ray from his electric flash showed the old- fashioned 
catch snapped to.
Grinning professionally, he took a thin shining instrument from his 
pocket, climbed noiselessly onto the ledge and inserted the steel blade 
in the slit. A quick jerk, a sharp snap, and he leaped down again. He 
cocked his ear. 
No sound. 
The window slid smoothly upward to his push, and the next instant his 
deft accustomed hand had noiselessly raised the inner shade. Again he 
lifted himself onto the ledge, and this time across it, too. He was inside 
the house. 
He stood for a time absolutely motionless, listening. The faintest of 
scratching noises came from the right. 
"Bird," Bill observed mentally, and his experienced ear was 
corroborated a moment later when the light of his electric flash 
revealed a canary blinking through the bars of its cage. 
There was no other sound, and he let the cone of light travel boldly 
about the apartment. It was a well- furnished library and music room, 
with a large shining table, shelves of books along the walls, a grand 
piano at one end, and several comfortable chairs. Bill grunted and 
moved toward a door at the farther corner. 
He passed through, and a glance showed him the dining room. Stepping 
noiselessly to the windows to make sure that the shades were drawn 
tight, he then switched on the electric chandelier. There was promise in 
the array of china and cut glass spread over the buffet and sideboard, 
and with an expectant gleam in his eye he sprang to open the heavy 
drawers. 
The first held linen; he didn't bother to close it again. The second was 
full of silver, dozens, scores of pieces of old falmily silver. In a trice 
Bill flew to the ledge of the window by which he had entered and was 
back again with a suitcase in his hand. 
When the silver, wrapped in napkins, was safely in the suitcase, Bill
straightened and glanced sharply around. Should he leave at once with 
this rare booty so easily gathered? He shook his head with decision and 
returned to place the suitcase on the window ledge in the library; then 
he came back, switched off the light in the dining room, and entered the 
kitchen. 
By unerring instinct he stepped to the refrigerator. A flash of his 
pocket-lamp, and he gave a satisfied grunt. He turned on the light. 
From the recesses of the ice-box he brought forth a dish of peas, some 
sliced beef, half a chicken, some cold potatoes, and part of a strawberry 
shortcake. In a drawer in the kitchen cabinet he found a knife and fork 
and some spoons. 
From a common-sense viewpoint the performance was idiotic. Having 
broken into an inhabited house in the dead of night, rifled the silver 
drawer and deposited the loot on the window sill, I for one would not 
be guilty of the artistic crime of tacking on an anticlimax by returning 
to the kitchen to rob the refrigerator and grossly stuff myself. 
But Bill Farden was an old and experienced hand, thoroughly    
    
		
	
	
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