Newton Forster, by Frederick 
Marryat 
 
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Title: Newton Forster 
Author: Frederick Marryat 
Release Date: July 20, 2004 [EBook #12959] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK NEWTON 
FORSTER *** 
 
Produced by Ted Garvin, Celsus Clark, Elaine Wilson and PG 
Distributed Proofreaders 
 
NEWTON FORSTER OR, THE MERCHANT SERVICE 
BY CAPTAIN MARRYAT
LONDON J.M. DENT AND CO. BOSTON: LITTLE, BROWN AND 
CO. MDCCCXCV 1832, 1895 
[Illustration] 
Contents 
CHAPTER I 
 
CHAPTER II 
 
CHAPTER III 
 
CHAPTER IV 
 
CHAPTER V 
 
CHAPTER VI 
 
CHAPTER VII 
 
CHAPTER VIII
CHAPTER IX 
 
CHAPTER X 
 
CHAPTER XI 
 
CHAPTER XII 
 
CHAPTER XIII 
 
CHAPTER XIV 
 
CHAPTER XV 
 
CHAPTER XVI 
 
CHAPTER XVII
CHAPTER XVIII 
 
CHAPTER XIX 
 
CHAPTER XX 
 
CHAPTER XXI 
 
CHAPTER XXII 
 
CHAPTER XXIII 
 
CHAPTER XXIV 
 
CHAPTER XXV 
 
CHAPTER XXVI 
 
CHAPTER XXVII
CHAPTER XXVIII 
 
CHAPTER XXIX 
 
CHAPTER XXX 
 
CHAPTER XXXI 
 
CHAPTER XXXII 
 
CHAPTER XXXIII 
 
CHAPTER XXXIV 
 
CHAPTER XXXV 
 
CHAPTER XXXVI
CHAPTER XXXVII 
 
CHAPTER XXXVIII 
 
CHAPTER XXXIX 
 
CHAPTER XL 
 
CHAPTER XLI 
 
CHAPTER XLII 
 
CHAPTER XLIII 
 
CHAPTER XLIV 
 
CHAPTER XLV 
 
CHAPTER XLVI
CHAPTER XLVII 
 
CHAPTER XLVIII 
 
CHAPTER XLIX 
 
CHAPTER L 
 
CHAPTER LI 
 
CHAPTER LII 
 
CHAPTER LIII 
 
Prefatory Note 
Newton Forster, or the Merchant Service, first appeared in the 
Metropolitan Magazine, 1832. It is one of the novels which specially 
suggests a comparison between Marryat and Smollett, both authors 
having described acts of impressment with vigour and indignation. 
Jeffrey, of the Edinburgh Review, wrote to Mrs Marryat, January
1832:---- 
"That I have read it [Newton Forster] all through in the week I have to 
finish the preparation of our Scotch Reform Bill (if you will forgive me 
for mentioning such a thing) is proof enough, I think, that my opinion 
is very favourable. It is certainly very entertaining, which I take to be 
the first virtue of a work of this description; but it is interesting as well 
as entertaining, and not only shows great power of invention, but a very 
amiable nature and a kind heart." 
The Editor quoted on page 23 is presumably Marryat himself. At least 
the footnote occurs in the first edition, and was probably reprinted from 
the magazine, where the identity of editor and author was not so patent. 
It is here printed from the first edition, in three volumes; motto: 
Honesty is the best policy. James Cochrane & Co., 1832.[1] R.B.J. 
[Footnote 1: Thompson has been changed to Johnson and, in another 
place, Robinson to Robertson, in order to let the same characters act 
under one name throughout the book.] 
 
Newton Forster; 
OR, 
The Merchant Service 
* * * * * 
Chapter I 
"And what is this new book the whole world makes such a rout about? 
----Oh! 'tis out of all plumb, my lord,----quite an irregular thing; not 
one of the angles at the four corners was a right angle. I had my rule 
and compasses, my lord, in my pocket----Excellent critic! 
"Grant me patience, just Heaven! Of all the cants which are canted in 
this canting world----though the cant of hypocrites may be the worst,
the cant of criticism is the most tormenting!"----Sterne. 
What authors in general may feel upon the subject I know not, but I 
have discovered, since I so rashly took up my pen, that there are three 
portions of a novel which are extremely difficult to arrange to the 
satisfaction of a fastidious public. 
The first is the beginning, the second the middle, and the third is the 
end. 
The painter who, in times of yore, exposed his canvas to universal 
criticism, and found, to his mortification, that there was not a particle 
of his composition which had not been pronounced defective by one 
pseudo-critic or another, did not receive severer castigation than I have 
experienced from the unsolicited remarks of "d----d good-natured 
friends." 
"I like your first and second volume," said a tall, long-chinned, 
short-sighted blue, dressed in yellow, peering into my face, as if her 
eyes were magnifying glasses, and she was obtaining the true focus of 
vision, "but you fall off in your last, which is all about that nasty 
line-of-battle ship." 
"I don't like your plot, sir," bawls out in a stentorian voice an elderly 
gentleman; "I don't like your plot, sir," repeated he with an air of 
authority, which he had long assumed, from supposing because    
    
		
	
	
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