My Life and My Efforts | Page 4

Karl May
school's files. He writes that before Christmas he had to clean the candlesticks and kept the tallow he scratched off of them, to make small candles from it, to be used as Christmas decorations. He was watched by a fellow student, who reported this theft of what Karl May regarded as garbage to the principal. According to the school's files, it happened like this: In November, Karl May had to clean the candlesticks and to replace the burnt down candles. Two weeks later, two older students found six complete candles in his unlocked suitcase. They turned them over to the student who was in charge of the candles for that week, but agreed not to tell the teachers. Shortly before Christmas, accusations are made that, at two occasions, money had been stolen. The students who had found the candles came forward and were reprimanded by the teachers for having covered the matter up before. The question of the stolen money was never resolved.
Also, everything Karl May tells us about the life of his father's mother before he was even born is very questionable. It would seem that this grandmother was not just a gifted stroy-teller, but might also have invented a more romantic past for herself, which she then passed off as the truth to her family, just as Karl May later also pretended that his fictional novels were true. Karl May writes that this grandmother lost her mother at an early age. She fell in love with his grandfather, but felt obliged to devote all of her energy to taking care of her ailing father. Thus, she kept her faithful lover waiting until her father had died. After giving birth to two children, she lost her husband in a tragic and rather dramatic accident at Christmas. After some hard times, she found a job as a housekeeper, had a near-death experience, lost her job, and married a poor weaver by the name of Vogel, who also died shorty afterwards. Some aspects of this story plainly contradict the few facts from her life which could be pieced together from old church documents. These facts are: On May the 1st, 1803, she married C.F. May, while both of her parents were still alive. Five months later, their daughter was born. In 1810, her son Heinrich, Karl May's father, was born. The records of his baptism state that Heinrich's father was not his mother's husband. He was baptised under his mother's maiden name. On February the 4th, 1818, C.F. May died due to a "disorderly way of life" (whatever this is supposed to mean). In 1820, the mother of Karl May's grandmother died. In 1822, she married C.T. Vogel. In 1825, her father died. In 1826, C.T. Vogel died. Later in the same year, a church document lists her son Heinrich with the surname May.
There are indications that Karl May was not just aware of the fact that some things he wrote about his grandmother were not literally true, but that he had also invented some of it himself. The most striking indication of this is an old book of oriental myths, entitled "Der Hakawati", which May claims had belonged to his grandmother. He claims that the fable of Sitara, which he tells us in the beginning of his autobiography, had been contained in this book. It seems that neither such a book nor the author Christianus Kretzschmann ever existed. The author's name is strangely similar to May's grandmother's maiden name J. Christiane Kretzschmar. The fable of Sitara seems to be Karl May's own creation. In the end of the fifth chapter, he mentions another book, which he claims he had received from a man who had a great impact on his life while he was in prison. This book also never really existed. Apparently, these books are only meant to serve as symbols for abstract concepts and ideas which he got to know through the persons concerned. Thus, not just Karl May's novels, but also his autobiography, would have to be interpreted in a somewhat allegorical way, not necessarily representing literally true facts, but rather symbolising a spiritual truth.
Karl May's grandmother is of particular interest, because he writes that she had inspired the character of the princess Marah Durimeh, whom May regarded as the female counterpart in the Orient to the Indian chief Winnetou in America. Winnetou is the title character of Karl May's most famous novel and also appears in several others of his books. But Karl May never wrote the planned novel about Marah Durimeh, which he had intended to cover three or four volumes, just like "Winnetou". Thus, Marah Durimeh only plays a comparatively smaller role in his existing novels and we can only guess how he planned to develop this character into the central character of his
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