Jesse shrugged.  ‘You look like you’ve slept under a bridge.’  
He gave her a mocking half-smile and pointed toward s the Old Bridge. 
She  was  shocked  but  tried  to  conceal  it.  Studying  h er  surreptitiously,  he  wondered 
exactly how old she was. With such an expressive fa ce it was hard to tell. She wouldn’t 
make  a  good  liar:  that  smile  would  give  her  away,  t hose  eyes.  There  was  something 
about her . . . 
Just before they passed under the bridge, Sarah sto pped and gazed up at the stone 
parapets.  ‘Not a good place to sleep,’ she said.  
‘There’s worse,’ Jesse said. 
‘I don’t like it.’ 
‘Why? It’s a handsome structure. Look at the curved  coping stones above the span-
drels  and  wing  walls.  And  the  projecting  courses  at   road  level.  All  good  solid  features 
typical of the period.’  Sarah was astonished. ‘You know a lot about it.’  
‘Not really. Just from my reading.’  
She  indicated  the  stone  dogs  guarding  both  ends  of  the  parapets  with  bared  teeth. 
‘They scare me.’  ‘They’re only statues.’  
‘Maybe . . .’ She shook her head. ‘There are too ma ny legends about this bridge. It’s 
supposed to be unlucky. That’s why a lot of people  won’t use it. You wouldn’t get me to 
spend a night here, alone, for anything.’  Jesse teased her. ‘How do you know I was alone?’ 
She  blushed  easily.  ‘Sorry.  I  didn’t  mean . . .  I  m ean,  I  didn’t  mean  to . . .’  A  futile 
attempt  to  hold back  a peal  of  amusement.  ‘I’m gett ing myself  all  twisted  up  over  noth-
ing, aren’t I?’  He liked her willingness to laugh at herself. ‘I wa s alone.’ 
‘All the more reason to find someplace else to slee p.’ 
‘I can look after myself.’ 
Her  eyes  took  him  in  from  head  to  foot,  not  missing   much.  ‘Listen,  it’s  really  not  a 
good  place  to  hang  out—not  alone,  and  especially  no t  at  night.  There’ve  been  several 
murders underneath the bridge. Just last year someo ne found the body of a man who’d 
been beaten to death and left on the bank.’ 
‘All old buildings—or bridges—have their history.’  
‘Not  like  this  one,’  she  persisted.  ‘My  mother  says   some  places  are  imbued  with 
spiritual energy.’  ‘Ghosts?’ he scoffed. 
‘No . . .  no, nothing like that. More like a fingerprint, a kin d of emotional charge be-
cause  a  person—or  maybe  an  animal—burnt  so  strongly   that  everything,  even  stone, 
remembers.’
Mortal Ghost 
 7 
Her  clear  gaze  unsettled  him,  as  if  she  understood  a  secret  about  him.  Her  scent 
sprang  out  at  him,  clawing  at  the  base  of  his  throa t.  His  grandmother  had  hung  large 
bunches  of  lavender  in  the  kitchen  to  dry,  but  he’d   never  met  a girl  who  liked  it,  a  girl 
like  this,  and  that  unsettled  him even more.  Go,  he   told  himself.  Just  turn  around  and 
leave.  There  are  worse  things  than  hunger.  His  stom ach  growled  in  disagreement,  loud 
enough for her to hear. He hitched his rucksack hig her on his shoulder and rubbed his 
midriff;  caught  her  grin.  He  could  never  resist  the   absurdity  of  a  situation,  even  his 
own. His lips twitched, then turned up at the corne rs. 
On the other side of the bridge the dog plunged int o the river, paddled in exuberant 
circles for a few minutes, then    
    
		
	
	
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