Mogens and Other Stories

Jens Peter Jacobsen
ῪMogens and Other Stories

The Project Gutenberg EBook of Mogens and Other Stories, by Jens Peter Jacobsen Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Mogens and Other Stories
Author: Jens Peter Jacobsen
Release Date: October, 2004 [EBook #6765] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 24, 2003]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK, MOGENS AND OTHER STORIES ***

This eBook was supplied by Eric Eldred.

MOGENS AND OTHER STORIES (1882)
By JENS PETER JACOBSEN (1847-1885)
Translated from the Danish By ANNA GRABOW (1921)
Reprint of the 1921 ed., which was issued as v. 2. of The Sea gull library.
CONTENTS
INTRODUCTION
MOGENS
THE PLAGUE AT BERGAMO
THERE SHOULD HAVE BEEN ROSES
MRS. FONSS

INTRODUCTION
In the decade from 1870 to 1880 a new spirit was stirring in the intellectual and literary world of Denmark. George Brandes was delivering his lectures on the _Main Currents of Nineteenth Century Literature_; from Norway came the deeply probing questionings of the granitic Ibsen; from across the North Sea from England echoes of the evolutionary theory and Darwinism. It was a time of controversy and bitterness, of a conflict joined between the old and the new, both going to extremes, in which nearly every one had a share. How many of the works of that period are already out-worn, and how old-fashioned the theories that were then so violently defended and attacked! Too much logic, too much contention for its own sake, one might say, and too little art.
This was the period when Jens Peter Jacobsen began to write, but he stood aside from the conflict, content to be merely artist, a creator of beauty and a seeker after truth, eager to bring into the realm of literature "the eternal laws of nature, its glories, its riddles, its miracles," as he once put it. That is why his work has retained its living colors until to-day, without the least trace of fading.
There is in his work something of the passion for form and style that one finds in Flaubert and Pater, but where they are often hard, percussive, like a piano, he is soft and strong and intimate like a violin on which he plays his reading of life. Such analogies, however, have little significance, except that they indicate a unique and powerful artistic personality.
Jacobsen is more than a mere stylist. The art of writers who are too consciously that is a sort of decorative representation of life, a formal composition, not a plastic composition. One element particularly characteristic of Jacobsen is his accuracy of observation and minuteness of detail welded with a deep and intimate understanding of the human heart. His characters are not studied tissue by tissue as under a scientist's microscope, rather they are built up living cell by living cell out of the author's experience and imagination. He shows how they are conditioned and modified by their physical being, their inheritance and environment, Through each of his senses he lets impressions from without pour into him. He harmonizes them with a passionate desire for beauty into marvelously plastic figures and moods. A style which grows thus organically from within is style out of richness; the other is style out of poverty.
In a letter he once stated his belief that every book to be of real value must embody the struggle of one or more persons against all those things which try to keep one from existing in one's own way. That is the fundamental ethos which runs through all of Jacobsen's work. It is in Marie Grubbe, Niels Lyhne, Mogens, and the infinitely tender Mrs. Fonss.
They are types of the kind he has described in the following passage: "Know ye not that there is here in this world a secret confraternity, which one might call the Company of Melancholiacs? That people there are who by natural constitution have been given a different nature and disposition than the others; that have a larger heart and a swifter blood, that wish and demand more, have stronger desires and a yearning which is wilder
Continue reading on your phone by scaning this QR Code

 / 38
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.