in foreign methods.
'Not so good as last year,' he was remarking to himself. 'Vulgar 
drawing, vulgar composition, hasty work everywhere. It is success 
spoils all these men--success and the amount of money there is going. 
The man who painted this didn't get any pleasure out of it. But it's the 
same all round. It is money and luxury and the struggle to live which 
are driving us all on and killing the artist's natural joy in his work. And 
presently, as that odd little Frenchman said to me last year, we shall 
have dropped irretrievably into the "lowest depth of mediocrity."' 
'Kendal!' said an eager voice close to his ear, while a hand was laid on 
his arm, 'do you know that girl?' 
Kendal turned in astonishment and saw a short oldish man, in whom he 
recognised a famous artist, standing by, his keen mobile face wearing 
an expression of strong interest and inquiry. 
'What girl?' he asked, with a smile, shaking his questioner by the hand. 
'That girl in black, standing by Orchardson's picture. Why, you must 
know her by sight! It's Miss Bretherton, the actress. Did you ever see 
such beauty? I must get somebody to introduce me to her. There's 
nothing worth looking at since she came in. But, by ill luck, nobody 
here seems to know her.' 
Eustace Kendal, to whom the warm artist's temperament of his friend 
was well known, turned with some amusement towards the picture 
named, and noticed that flutter in the room which shows that something 
or some one of interest is present. People trying to look unconcerned, 
and catalogue in hand, were edging towards the spot where the lady in 
black stood, glancing alternately at her and at the pictures, in the 
manner of those equally determined to satisfy their curiosity and their 
sense of politeness. The lady in question, meanwhile, conscious that 
she was being looked at, but not apparently disturbed by it, was talking 
to another lady, the only person with her, a tall, gaunt woman, also 
dressed in black and gifted abundantly with the forbidding aspect 
which beauty requires in its duenna. 
Kendal could see nothing more at first than a tall, slender figure, a
beautiful head, and a delicate white profile, in flashing contrast with its 
black surroundings, and with lines of golden brown hair. But in profile 
and figure there was an extraordinary distinction and grace which 
reconciled him to his friend's eagerness and made him wish for the 
beauty's next movement. Presently she turned and caught the gaze of 
the two men full upon her. Her eyes dropped a little, but there was 
nothing ill-bred or excessive in her self-consciousness. She took her 
companion's arm with a quiet movement, and drew her towards one of 
the striking pictures of the year, some little way off. The two men also 
turned and walked away. 
'I never saw such beauty as that before,' said the artist, with emphasis. 'I 
must find some one who knows her, and get the chance of seeing that 
face light up, else I shall go home--one may as well. These daubs are 
not worth the trouble of considering now!' 
'See what it is to be an "ideal painter,"' said Kendal, laughing. 'At home 
one paints river goddesses, and tree-nymphs, and such like remote 
creatures, and abroad one falls a victim to the first well-dressed, 
healthy-looking girl--chaperone, bonnet, and all.' 
'Show me another like her,' said his friend warmly. 'I tell you they're 
not to be met with like that every day. Je me connais en beauté, my 
dear fellow, and I never saw such perfection, both of line and colour, as 
that. It is extraordinary; it excites one as an artist. Look, is that Wallace 
now going up to her?' 
Kendal turned and saw a short fair man, with a dry keen American face, 
walk up to the beauty and speak to her. She greeted him cordially, with 
a beaming smile and bright emphatic movements of the head, and the 
three strolled on. 
'Yes, that is Edward Wallace,--very much in it, apparently. That is the 
way Americans have. They always know everybody it's desirable to 
know. But now's your chance, Forbes. Stroll carelessly past them, catch 
Wallace's eye, and the thing is done.' 
Mr. Forbes had already dropped Kendal's arm, and was sauntering
across the room towards the chatting trio. Kendal watched the scene 
from a distance with some amusement; saw his friend brush carelessly 
past the American, look back, smile, stop, and hold out his hand; 
evidently a whisper passed between them, for the next moment Mr. 
Forbes was making a low bow to the beauty, and immediately 
afterwards Kendal saw his fine gray head and stooping shoulders 
disappear into the next room, side by side with Miss Bretherton's erect 
and graceful figure.    
    
		
	
	
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