Mary Powell Deborahs Diary | Page 2

to these two, then Miss Manning has well proved her aptitude for the place. Of Mary Powell she has made a charming creature. The diary of Mary Powell is full of sweet country smells and sights and sounds. Mary Powell herself is as sweet as her flowers, frank, honest, loving and tender. Her diary catches for us all the enchantment of an old garden; we hear Mary Powell's bees buzz in the mignonette and lavender; we see her pleached garden alleys; we loiter with her on the bowling-green, by the fish ponds, in the still-room, the dairy and the pantry. The smell of aromatic box on a hot summer of long ago is in our nostrils. We realise all the personages--the impulsive, hot-headed father; the domineering, indiscreet mother; the cousin, Rose Agnew, and her parson husband; little Kate and Robin of the Royalist household--as well as John Milton and his father, and the two nephews to whom the poet was tutor--and a hard tutor. Miss Manning's delightful humour comes out in the two pragmatical little boys. But Mary herself dominates the picture. She is so much a thing of the country, of gardens and fields, that perforce one is reminded of Sir Thomas Overbury's Fair and Happy Milkmaid:--
"She doth all things with so sweet a grace it seems ignorance will not suffer her to do ill, being her mind is to do well. . . . The garden and bee-hive are all her physic and chirugery, and she lives the longer for it. She dares go alone and unfold sheep in the night and fears no manner of ill because she means none: yet to say truth she is never alone, for she is still accompanied by old songs, honest thoughts and prayers, but short ones. . . . Thus lives she, and all her care is that she may die in the spring-time, to have store of flowers stuck upon her winding-sheet."
The last remnants of Forest Hill, Mary Powell's home, were pulled down in 1854. A visitor to it three years before its demolition tells us:--
"Still the rose, the sweet-brier and the eglantine are reddest beneath its casements; the cock at its barn-door may be seen from any of the windows. . . . In the kitchen, with its vast hearth and overhanging chimney, we discovered tokens of the good living for which the old manor-house was famous in its day. . . . The garden, in its massive wall, ornamental gateway and old sun-dial, retains some traces of its manorial dignities." The house indeed is gone, but the sweet country remains, the verdant slopes and the lanes with their hedges full of sweet-brier that stretch out towards Oxford. And there is the church in which Mary Powell prayed. I should have liked to quote another of Miss Manning's biographers, the Rev. Dr. Hutton, who tells us of old walls partly built into the farmhouse that now stands there, and of the old walnut trees in the farmyard, and in a field hard by the spring of which John Milton may have tasted, and the church on the hill, and the distant Chilterns.
Milton's cottage at Chalfont St. Giles's is happily still in a good state of preservation, although Chalfont and its neighbourhood have suffered a sea-change even since Dr. Hutton wrote, a decade ago. All that quiet corner of the world, for so long green and secluded,--a "deare secret greennesse"--has now had the light of the world let in upon it. Motor-cars whizz through that Quaker country; money-making Londoners hurry away from it of mornings, trudge home of evenings, bag in hand; the jerry-builder is in the land, and the dust of much traffic lies upon the rose and eglantine wherewith Milton's eyes were delighted. The works of our hands often mock us by their durability. Years and ages and centuries after the busy brain and the feeling heart are dust, the houses built with hands stand up to taunt our mortality. Yet the works of the mind remain. Though Forest Hill be only a party-wall, and Chalfont a suburb of London, the Forest Hill of Mary Powell, the Chalfont of Milton, yet live for us in Anne Manning's delightful pages.
Miss Manning did not wish her Life to be written, but we do get some glimpses of her real self from herself in a chance page here and there of her reminiscences.
Here is one such glimpse:--
"I must confess I have never been able to write comfortably when music was going on. I think I have always written to most purpose coming in fresh from a morning walk when the larks were singing and lambs bleating and distant cocks in farmyards crowing, and a distant dog barking to an echo which answered his voice, and when the hedges and banks