Married, by August Strindberg 
 
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Title: Married 
Author: August Strindberg 
Release Date: April, 2005 [EBook #7956] [Yes, we are more than one 
year ahead of schedule] [This file was first posted on June 5, 2003]
Edition: 10 
Language: English 
Character set encoding: iso-8859-1 
*** START OF THE PROJECT GUTENBERG EBOOK MARRIED 
*** 
 
Produced by David Starner, Marc D'Hooghe, Charles Franks and the 
Online Distributed Proofreading Team. 
 
MARRIED 
by 
AUGUST STRINDBERG 
 
CONTENTS 
ASRA 
LOVE AND BREAD 
COMPELLED TO 
COMPENSATION 
FRICTIONS 
UNNATURAL SELECTION 
AN ATTEMPT AT REFORM 
A NATURAL OBSTACLE
A DOLL'S HOUSE 
PHOENIX 
ROMEO AND JULIA 
PROLIFICACY 
AUTUMN 
COMPULSORY MARRIAGE 
CORINNA 
UNMARRIED AND MARRIED 
A DUEL 
HIS SERVANT 
THE BREADWINNER 
 
BIBLIOGRAPHY 
Strindberg's works in English translation: Plays translated by Edwin 
Bjorkman; Master Olof, American Scandinavian Foundation, 1915; 
The Dream Play, The Link, The Dance of Death, New York, Charles 
Scribner's Sons, 1912; Swanwhite, Simoon, Debit and Credit, Advent, 
The Thunderstorm, After the Fire, the same, 1913; There Are Crimes 
and Crimes, Miss Julia, The Stronger, Creditors, Pariah, the same, 
1913; Bridal Crown, The Spook Sonata, The First Warning, Gustavus 
Vasa, the same, 1916. Plays translated by Edith and Warner Oland, 
Boston Luce & Co., Vol. I (1912), The Father, Countess Julie, The 
Stronger, The Outlaw; Vol. II (1912), Facing Death, Easter, Pariah, 
Comrades; Vol. III (1914), Swanwhite, Advent, The Storm, Lucky Pehr, 
tr. by Velma Swanston Howard, Cincinnati, Stewart & Kidd Co., 1912. 
The Red Room, tr. by Ellie Schleussner, New York, Putnam's, 1913;
Confession of a Fool, tr. by S. Swift, London, F. Palmer, 1912; The 
German Lieutenant and Other Stories, Chicago, A. C. McClurg & Co., 
1915; In Midsummer Days and Other Tales, tr. by Ellie Schleussner, 
London, H. Latimer, 1913; Motherlove, tr. by Francis J. Ziegler, 
Philadelphia, Brown Bros., 2nd ed., 1916, On the Seaboard, tr. by 
Elizabeth Clarke Westergren, Cincinnati, Stewart & Kidd Co., 1913; 
The Son of a Servant, tr. by. Claud Field, introduction by Henry 
Vacher-Burch, New York, Putnam's, 1913; The Growth of a Soul, tr. by 
Claud Field, London, W. Rider & Co., 1913; The Inferno, tr. by Claud 
Field, New York, Putnam's, 1913; Legends, Autobiographical Sketches, 
London, A. Melrose, 1912; Zones of the Spirit, tr. by Claud Field, 
introduction by Arthur Babillotte, London, G. Allen & Co. 
 
INTRODUCTION 
These stories originally appeared in two volumes, the first in 1884, the 
second in 1886. The latter part of the present edition is thus separated 
from the first part by a lapse of two years. 
Strindberg's views were continually undergoing changes. Constancy 
was never a trait of his. He himself tells us that opinions are but the 
reflection of a man's experiences, changing as his experiences change. 
In the two years following the publication of the first volume, 
Strindberg's experiences were such as to exercise a decisive influence 
on his views on the woman question and to transmute his early 
predisposition to woman-hating from a passive tendency to a positive, 
active force in his character and writing. 
Strindberg's art in Married is of the propagandist, of the fighter for a 
cause. He has a lesson to convey and he makes frankly for his goal 
without attempting to conceal his purpose under the gloss of "pure" art. 
He chooses the story form in preference to the treatise as a more 
powerful medium to drive home his ideas. That the result has proved 
successful is due to the happy admixture in Strindberg of thinker and 
artist. His artist's sense never permitted him to distort or misrepresent 
the truth for the sake of proving his theories. In fact, he arrived at his
theories not as a scholar through the study of books, but as an artist 
through the experience of life. When life had impressed upon him what 
seemed to him a truth, he then applied his intellect to it to bolster up 
that truth. Hence it is    
    
		
	
	
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