Nostrum (Our Sea), by Vicente 
Blasco Ibañez 
 
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Ibañez This eBook is for the use of anyone anywhere at no cost and 
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Title: Mare Nostrum (Our Sea) A Novel 
Author: Vicente Blasco Ibañez 
Release Date: March 24, 2004 [EBook #11697] 
Language: English 
Character set encoding: ISO-8859-1 
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NOSTRUM (OUR SEA) *** 
 
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Mare Nostrum 
(OUR SEA)
A Novel 
By 
Vicente Blasco Ibanez 
 
AUTHOR OF 
"The Four Horsemen of the Apocalypse," "The Shadow of the 
Cathedral," "Blood and Sand," "La Bodega," etc. 
 
Authorized translation from the Spanish by Charlotte Brewster Jordan 
Translator of "The Four Horsemen of the Apocalypse" 
 
1919 
 
CONTENTS 
CHAPTER I 
CAPTAIN ULYSSES FERRAGUT 
CHAPTER II 
MATER AMPHITRITE 
CHAPTER III 
PATER OCEANUS
CHAPTER IV 
FREYA 
CHAPTER V 
THE AQUARIUM OF NAPLES 
CHAPTER VI 
THE WILES OF CIRCE 
CHAPTER VII 
THE SIN OF ULYSSES 
CHAPTER VIII 
THE YOUNG TELEMACHUS 
CHAPTER IX 
THE ENCOUNTER AT MARSEILLES 
CHAPTER X 
IN BARCELONA 
CHAPTER XI 
"FAREWELL, I AM GOING TO DIE" 
CHAPTER XII 
AHPHITRITE!... AMPHITRITE!
Mare Nostrum 
CHAPTER I 
CAPTAIN ULYSSES FERRAGUT 
His first gallantries were with an empress. He was ten years old, and 
the empress six hundred. 
His father, Don Esteban Ferragut--third quota of the College of 
Notaries--had always had a great admiration for the things of the past. 
He lived near the cathedral, and on Sundays and holy days, instead of 
following the faithful to witness the pompous ceremonials presided 
over by the cardinal-archbishop, used to betake himself with his wife 
and son to hear mass in San Juan del Hospital,--a little church sparsely 
attended the rest of the week. 
The notary, who had read Walter Scott in his youth, used to gaze on the 
old and turreted walls surrounding the church, and feel something of 
the bard's thrills about his own, his native land. The Middle Ages was 
the period in which he would have liked to have lived. And as he trod 
the flagging of the Hospitolarios, good Don Esteban, little, chubby, and 
near-sighted, used to feel within him the soul of a hero born too late. 
The other churches, huge and rich, appeared to him with their blaze of 
gleaming gold, their alabaster convolutions and their jasper columns, 
mere monuments of insipid vulgarity. This one had been erected by the 
Knights of Saint John, who, united with the Templars, had aided King 
James in the conquest of Valencia. 
Upon crossing the covered passageway leading from the street to the 
inner court, he was accustomed to salute the Virgin of the Conquest, an 
image of rough stone in faded colors and dull gold, seated on a bench, 
brought thither by the knights of the military order. Some sour orange 
trees spread their branching verdure over the walls of the church,--a 
blackened, rough stone edifice perforated with long, narrow, 
window-like niches now closed with mud plaster. From the salient 
buttresses of its reinforcements jutted forth, in the highest parts, great 
fabled monsters of weather-beaten, crumbling stone.
In its only nave was now left very little of this romantic exterior. The 
baroque taste of the seventeenth century had hidden the Gothic arch 
under another semi-circular one, besides covering the walls with a coat 
of whitewash. But the medieval reredos, the nobiliary coats of arms, 
and the tombs of the Knights of Saint John with their Gothic 
inscriptions still survived the profane restoration, and that in itself was 
enough to keep up the notary's enthusiasm. 
Moreover the quality of the faithful who attended its services had to be 
taken into consideration. They were few but select, always the same. 
Some of them would drop into their places, gouty and relaxed, 
supported by an old servant wearing a shabby lace mantilla as though 
she were the housekeeper. Others would remain standing during the 
service holding up proudly their emaciated heads that presented the 
profile of a fighting cock, and crossing upon the breast their gloved 
hands,--always in black wool in the winter and in thread in the summer 
time. Ferragut knew all their names, having read them in the Trovas of 
Mosen Febrer, a metrical composition in Provençal, about the warriors 
that came to the neighborhood of Valencia from Aragon, Catalunia, the 
South of France, England and remote Germany. 
At the conclusion of the mass, the imposing personages would nod 
their heads, saluting the faithful nearest them. "Good day!" To these, it 
was as if the sun had just arisen: the hours before did not count. And 
the notary with meek voice would enlarge his    
    
		
	
	
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