as an innovation in a romance, but we hope 
that it will be found such a manifest convenience as to be its own 
sufficient excuse. 
In this place it seems to be a duty, also, to call attention to the 
sympathizing and intelligent interest that has been so freely shown by 
the noble band of workers, artists, printers, engravers, etc., who have 
assisted us upon this work. To Mr. Henry Sandham, Mr. George 
Wharton Edwards, Mr. Harry Fenn, Mr. William Hamilton Gibson, Mr. 
W. H. Drake, Mr. Irving R. Wiles, Mr. George E. Graves, Mr. Charles 
Copeland, Mr. Harper Pennington, Mrs. Margaret MacDonald Pullman, 
Miss Harriet Thayer Durgin, Mr. A. V. S. Anthony, Mr. George T. 
Andrew, Goupil & Co. of Paris, Mr. Kurtz, The Wright Gravure Co., 
Mr. Fillebrown, Mr. William J. Dana, and our very able printers, 
Messrs. Fleming, Brewster & Alley-to them all we therefore extend our 
cordial acknowledgment of our indebtedness for their services. The fine 
map is the work of Messrs. Matthews, Northrup & Co.
Very respectfully, 
The Burrows Brothers Co. 
[Illustration: xii.jpg Tailpiece] 
 
PREFACE BY MISS KATHARINE HILLARD 
Author Of "The Doones Of Exmoor," In "Harper's Magazine," Vol. 
LXV. Page 835. 
A novel that has stood the test of time so well as Mr. Blackmore's 
charming story of "Lorna Doone" scarcely needs a preface. Certainly 
no word of introduction is necessary to testify to its exquisite humor, its 
dramatic force, its under-current of poetic feeling, its fine touches of 
landscape-painting, and the novelty and interest of its subject. Since it 
first appeared in 1869 all these have become as household words, only, 
perhaps, all the admirers of "Lorna Doone" have not had the good 
fortune to wander through the romantic and picturesque region where 
the scene of the story is laid. To travel in North Devon, and over its 
border into Somerset ("the Summerland," as the old Northmen call it), 
is to be confronted with the scenes of the novel at every turn; for Mr. 
Blackmore has so successfully woven the legends of the whole 
countryside into his story that one grows to believe it a veritable history, 
and is as disappointed to find traces of the romancer's own hand here 
and there as to find the hills and valleys laid bare of the forests which 
adorned them in the time of the Doones. 
It is a singular country, this Devonshire coast, made up as it is of a 
series of rocky headlands jutting far out into the sea, and holding 
between their stretching arms deep fertile wooded valleys called 
combes (pronounced _coomes_), watered by trout and salmon streams, 
and filled with an Italian profusion of vegetation, myrtles and fuchsias, 
growing in the open air, and the walls hidden with a luxuriant tapestry 
of ferns and ivies and blossoming vines. Even the roofs are covered 
with flowers; every cranny bears a blossom or a tuft of green. Then
above, long stretches of barren heath (with a few twisted and 
wind-tortured trees), where the sheep pasture and the sky-lark sings, 
and in and out of the red-fronted cliffs the querulous sea-gulls flash in 
the sunshine, and make their plaintive moan. Near Lynton there is the 
famous Valley of Rocks, where the wise woman, Mother Melldrum, 
had her winter quarters under the Devil's Cheese-wring. 
[Illustration: xiv.jpg Cheese-wring] 
The irregular pile of rocks that goes by this name is wrongly called 
Cheese-ring (or _scoop_) in some editions of "Lorna Doone," instead 
of Cheese-wring or (_press_), which it somewhat resembles in shape. 
Southey began the fortune of Lynton as a watering-place, and wrote a 
glowing description of the village and the Valley of Rocks. Of the latter 
he says: "A palace of the pre-Adamite kings, a city of the Anakim must 
have appeared so shapeless and yet so like the ruins of what had been 
shaped after the waters of the flood subsided." Great bowlders, half 
hidden by the bracken, lie about in wildest confusion; the remains of 
what seem to be Druidic circles can be traced here and there, and it is 
hard to persuade one's self that the ragged towers and picturesque piles 
of rock are not the work of Cyclopean architects. 
"Our home-folk always call it the 'Danes,' or the 'Denes,' which is no 
more, they tell me, than a hollow place, even as the word 'den' is," says 
John Ridd. "It is a pretty place," he adds, "though nothing to frighten 
any body, unless he hath lived in a gallipot." The valley is well 
protected from the wind, and "there is shelter and dry fern-bedding and 
folk to be seen in the distance from a bank whereon the sun shines." 
Here John Ridd came to consult the wise woman toward the end of 
March, while the weather was still cold and piercing. In the warm    
    
		
	
	
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