London Films

London Films, by W.D. Howells

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Title: London Films
Author: W.D. Howells
Release Date: December, 2004 [EBook #7130] [Yes, we are more than
one year ahead of schedule] [This file was first posted on March 14,

2003]
Edition: 10
Language: English
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FILMS ***

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LONDON FILMS
BY W. D. HOWELLS

[Illustration: HOUSES OF PARLIAMENT]

CONTENTS
I. METEOROLOGICAL EMOTIONS
II. CIVIC AND SOCIAL COMPARISONS, MOSTLY ODIOUS
III. SHOWS AND SIDE-SHOWS OF STATE
IV. THE DUN YEAR'S BRILLIANT FLOWER
V. THE SIGHTS AND SOUNDS OF THE STREETS
VI. SOME MISGIVINGS AS TO THE AMERICAN INVASION

VII. IN THE GALLERY OF THE COMMONS
VIII. THE MEANS OF SOJOURN
IX. CERTAIN TRAITS OF THE LONDON SPRINGTIME
X. SOME VOLUNTARY AND INVOLUNTARY SIGHTSEEING
XI. GLIMPSES OF THE LOWLY AND THE LOWLIER
XII. TWICE-SEEN SIGHTS AND HALF-FANCIED FACTS
XIII. AN AFTERNOON AT HAMPTON COURT
XIV. A SUNDAY MORNING IN THE COUNTRY
XV. FISHING FOR WHITEBAIT
XVI. HENLEY DAY
XVII. AMERICAN ORIGINS--MOSTLY NORTHERN
XVIII. AMERICAN ORIGINS--MOSTLY SOUTHERN
XIX. ASPECTS AND INTIMATIONS
XX. PARTING GUESTS

ILLUSTRATIONS
HOUSES OF PARLIAMENT
FLEET STREET AND ST. DUNSTAN'S CHURCH
THE CARRIAGES DRAWN UP BESIDE THE SACRED CLOSE
SUNDAY AFTERNOON, HYDE PARK

ROTTEN ROW
A BLOCK IN THE STRAND
ST. PAUL'S CATHEDRAL
WESTMINSTER ABBEY
THE HORSE GUARDS, WHITEHALL
WESTMINSTER BRIDGE AND CLOCK TOWER
A HOUSE-BOAT ON THE THAMES AT HENLEY
THE CROWD OF SIGHT-SEERS AT HENLEY
THE TOWER OF LONDON
ST. OLAVE'S, TOOLEY STREET
LONDON BRIDGE
THE ANCIENT CHURCH OF ST. MAGNUS
THE EAST INDIA HOUSE OF CHARLES LAMB'S TIME
CHURCH OF THE DUTCH REFUGEES
BOW-BELLS (ST. MARY-LE-BOW, CHEAPSIDE)
STAPLE INN, HOLBORN
CLIFFORD'S INN HALL
ANCIENT CHURCH OF ST. MARTINS-IN-THE-FIELDS
HYDE PARK IN OCTOBER
THAMES EMBANKMENT

I
METEOROLOGICAL EMOTIONS
Whoever carries a mental kodak with him (as I suspect I was in the
habit of doing long before I knew it) must be aware of the uncertain
value of the different exposures. This can be determined only by the
process of developing, which requires a dark room and other apparatus
not always at hand; and so much depends upon the process that it might
be well if it could always be left to some one who makes a specialty of
it, as in the case of the real amateur photographer. Then one's faulty
impressions might be so treated as to yield a pictorial result of interest,
or frankly thrown away if they showed hopeless to the instructed eye.
Otherwise, one must do one's own developing, and trust the result,
whatever it is, to the imaginative kindness of the reader, who will
surely, if he is the right sort of reader, be able to sharpen the blurred
details, to soften the harsh lights, and blend the shadows in a
subordination giving due relief to the best meaning of the print. This is
what I fancy myself to be doing now, and if any one shall say that my
little pictures are superficial, I shall not be able to gainsay him. I can
only answer that most pictures represent the surfaces of things; but at
the same time I can fully share the disappointment of those who would
prefer some such result as the employment of the Roentgen rays would
have given, if applied to certain aspects of the London world.
Of a world so vast, only small parts can be known to a life-long dweller.
To the sojourner scarcely more will vouchsafe itself than to the passing
stranger, and it is chiefly to home-keeping folk who have never broken
their ignorance of London that one can venture to speak with
confidence from the cumulative misgiving which seems to sum the
impressions of many sojourns of differing lengths and dates. One could
have used the authority of a profound observer after