declares her choice. 
Happy years follow, and the birth of children. Then the scene changes 
to exile and desertion. Through it all moves the heroine, sharing her 
one garment with her unworthy lord, "thin and pale and travel-stained, 
with hair covered in dust," yet never faltering until her husband, sane 
and repentant, is restored to home and children and throne. 
So the ancient folk-lore goes on, in epic and in drama, with the woman 
ever the heroine of the tale. True it is that her virtues are limited; 
obedience, chastity, and an unlimited capacity for suffering largely sum 
them up. They would scarcely satisfy the ambitions of the new woman 
of to-day; yet some among us might do well to pay them reverence. 
Those were the high days of Indian womanhood. Then, as the centuries 
passed, there came slow eclipse. Lawgivers like Manu[6] proclaimed 
the essential impurity of a woman's heart; codes and customs began to 
bind her with chains easy to forge and hard to break. Later followed the 
catastrophe that completed the change. The Himalayan gateways 
opened once more and through them swarmed a new race of invaders, 
passing out of those barren plains of Central Asia that have been ever 
the breeding grounds of nations and swooping upon India's treasures. In 
one hand the green flag of the Prophet, in the other the sword, these 
followers of Muhammad sealed for a millennium the end of woman's 
high estate.
All was not lost without a mighty struggle.[7] From those days come 
the tales of Rajput chivalry--tales that might have been sung by the 
troubadours of France. Rajput maidens of noble blood scorned the 
throne of Muslim conquerors. Litters supposed to carry captive women 
poured out warriors armed to the teeth. Men and women in saffron 
robes and bridal garments mounted the great funeral pyre, and when the 
conquering Allah-ud-din entered the silent city of Chitore he found no 
resistance and no captives, for no one living was left from the great 
Sacrifice of Honorable Death. 
After that came an end. Everywhere the Muhammadan conqueror 
desired many wives; in a far and alien land his own womankind were 
few. Again and again the ordinary Hindu householder, lacking the 
desperate courage of the Rajput, stood by helpless, like the Armenian 
of to-day, while his wife and daughter were carried off from before his 
eyes, to increase the harem of his ruler. Small wonder that seclusion 
became the order of the day--a woman would better spend her life 
behind the purdah of her own home than be added to the zenana of her 
conqueror. Later when the throes of conquest were over and Hindu 
women once more ventured forth to a wedding or a festival, small 
wonder that they copied the manners of their masters, and to escape 
familiarity and insult became as like as possible to women of the 
conquering race. Thus the use of the veil began. 
At that beginning we do not wonder; what makes us marvel is that a 
repressing custom became so strong that, even after a century and a half 
of British rule, all over North India and among some conservative 
families of the South seclusion and the veil still persist. Walk the 
streets of a great commercial town like Calcutta, and you find it a city 
of men. An occasional Parsee lady, now and then an Indian Christian, 
here and there women of the cooly class whose lowly station has saved 
their freedom--otherwise womankind seems not to exist. 
The high hour of Indian womanhood had passed, not to return until 
brought back by the power of Christ, in whose kingdom there is 
"neither male nor female, but all are one." Yet as the afterglow flames 
up with a transient glory after the swift sunset, so in the gathering
darkness of Muhammadan domination we see the brightness of two 
remarkable women. 
There was Nur Jahan, the "Light of the World," wife of the dissolute 
Jahangir. Never forgetful, it would seem, of a childish adventure when 
the little Nur Jahan in temper and pride set free his two pet doves, 
twenty years later the Mughal Emperor won her from her soldier 
husband by those same swift methods that David employed to gain the 
wife of Uriah, the Hittite. 
And when Nur Jahan became queen she was ruler indeed, "the one 
overmastering influence in his life."[8] From that time on we see her, 
restraining her husband from his self-indulgent habits, improving his 
administration, crossing flooded rivers and leading attacks on elephants 
to save him from captivity; "a beautiful queen, beautifully dressed, 
clever beyond compare, contriving and scheming, plotting, planning, 
shielding and saving, doing all things for the man hidden in the 
pampered, drink-sodden carcass of the king; the man who, for her at 
any rate, always had a heart."    
    
		
	
	
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