Light O' The Morning 
 
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Meade #4 in our series by L. T. Meade 
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**Welcome To The World of Free Plain Vanilla Electronic Texts** 
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Title: Light O' The Morning 
Author: L. T. Meade 
Release Date: January, 2005 [EBook #7231] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on March 29, 
2003] 
Edition: 10
Language: English 
Character set encoding: ISO-Latin-1 
*** START OF THE PROJECT GUTENBERG EBOOK LIGHT O' 
THE MORNING *** 
 
Produced by Anne Folland, Tiffany Vergon,Charles Franks and the 
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LIGHT O' THE MORNING 
The Story of an Irish Girl BY 
L. T. MEADE 
 
CONTENTS. 
 
CHAPTER 
I. NORA 
II. "SOME MORE OF THE LAND MUST GO" 
III. THE WILD MURPHYS 
IV. THE INVITATION 
V. "I AM ASHAMED OF YOU" 
VI. THE CAVE OF THE BANSHEE 
VII. THE MURPHYS 
VIII. THE SQUIRE'S TROUBLE 
IX. EDUCATION AND OTHER THINGS
X. THE INVITATION 
XI. THE DIAMOND CROSS 
XII. A FEATHER-BED HOUSE 
XIII. "THERE'S MOLLY" 
XIV. BITS OF SLANG 
XV. TWO LETTERS 
XVI. A CHEEKY IRISH GIRL 
XVII. TWO DESCRIPTIONS 
XVIII. A COMPACT 
XIX. "SHE WILL SOON TAME DOWN" 
XX. STEPHANOTIE 
XXI. THE ROSE-COLORED DRESS 
XXII. LETTERS 
XXIII. THE BOX OF BON-BONS 
XXIV. THE TELEGRAM 
XXV. THE BLOW 
XXVI. TEN POUNDS 
XXVII. ADVENTURES--AND HOME AGAIN 
XXVIII. THE WILD IRISH 
XXIX. ALTERATIONS
XXX. THE LION IN His CAGE 
XXXI. RELEASE OF THE CAPTIVE 
XXXII. ANDY 
XXXIII. THE CABIN ON THE MOUNTAIN 
XXXIV. A DARING DEED 
XXXV. THE COT WHERE HE WAS BORN 
XXXVI. "I'M A HAPPY MAN" 
 
CHAPTER I 
. 
NORA. 
"Why, then, Miss Nora--" 
"Yes, Hannah?" 
"You didn't see the masther going this way, miss?" 
"What do you mean, Hannah? Father is never at home at this hour." 
"I thought maybe--" said Hannah. She spoke in a dubious voice, 
backing a little away. 
Hannah was a small, squat woman, of a truly Irish type. Her nose was 
celestial, her mouth wide, her eyes dark, and sparkling with fun. She 
was dressed in a short, coarse serge petticoat, with what is called a 
bedgown over it; the bedgown was made of striped calico, yellow and 
red, and was tied in at the waist with a broad band of the same. 
Hannah's hair was strongly inclined to gray, and her humorous face was 
covered with a perfect network of wrinkles. She showed a gleam of 
snowy teeth now, as she looked full at the young girl whom she was 
addressing. 
"Ah, then, Miss Nora," she said, "it's I that am sorry for yez." 
Before Nora O'Shanaghgan could utter a word Hannah had turned on 
her heel.
"Come back, Hannah," said Nora in an imperious voice. 
"Presently, darlint; it's the childer I hear calling me. Coming, Mike 
asthore, coming." 
The squat little figure flew down a side walk which led to a paddock: 
beyond the paddock was a turnstile, and at the farther end of an 
adjacent field a cabin made of mud, with one tiny window and a 
thatched roof. Hannah was making for the cabin with rapid, waddling 
strides. Nora stood in the middle of the broad sweep which led up to 
the front door of the old house. 
Castle O'Shanaghgan was a typical Irish home of the ancient régime. 
The house, a great square pile, was roomy and spacious; it had 
innumerable staircases, and long passages through which the wind 
shrieked on stormy nights, and a great castellated tower at its north end. 
This tower was in ruins, and had been given up a long time ago to the 
exclusive tenancy of the bats, the owls, and rats so large and fierce that 
the very dogs were afraid of them. In the tower at night the neighbors 
affirmed that they heard shrieks and ghostly noises; and Nora, whose 
bedroom was nearest to it, rejoiced much in the distinction of having 
twice heard the O'Shanaghgan Banshee keening outside her window. 
Nora was a slender, tall, and very graceful    
    
		
	
	
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