Life of John Milton | Page 9

particular, allying it with a king who in 1632 had governed three years without a Parliament. The mere thought that he must call this hierarch his Father in God, the mere foresight that he might probably come into collision with him, and that if he did his must be the fate of the earthen vessel, would alone have sufficed to deter Milton from entering the Church.
Even so resolute a spirit as Milton's could hardly contemplate the relinquishment of every definite calling in life without misgiving, and his friends could hardly let it pass without remonstrance. There exists in his hand the draft of a letter of reply to the verbal admonition of some well-wisher, to whom he evidently feels that he owes deference. His friend seems to have thought that he was yielding to the allurements of aimless study, neglecting to return as service what he had absorbed as knowledge. Milton pleads that his motive must be higher than the love of lettered ease, for that alone could never overcome the incentives that urge him to action. "Why should not all the hopes that forward youth and vanity are afledge with, together with gain, pride, and ambition, call me forward more powerfully than a poor, regardless, and unprofitable sin of curiosity should be able to withhold?" And what of the "desire of honour and repute and immortal fame seated in the breast of every true scholar?" That his correspondent may the better understand him, he encloses a "Petrarchean sonnet," recently composed, on his twenty-third birthday, not one of his best, but precious as the first of his frequent reckonings with himself:--
"How soon hath Time, the subtle thief of youth, Stolen on his wing my three-and-twentieth year! My hasting days fly on with full career; But my late spring no bud or blossom shew'th. Perhaps my semblance might deceive the truth, That I to manhood am arrived so near; And inward ripeness doth much less appear, Than some more timely-happy spirits indu'th. Yet be it less or more, or soon or slow, It shall be still in strictest measure even To that same lot, however mean or high, Towards which Time leads me, and the Will of Heaven. All is, if I have grace to use it so, As ever in my great Taskmaster's eye."
The poetical temperament is especially liable to misgiving and despondency, and from this Milton evidently was not exempt. Yet he is the same Milton who proclaimed a quarter of a century afterwards--
"I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope; but still bear up and steer Right onward."
There is something very fine in the steady resolution with which, after so fully admitting to himself that his promise is yet unfulfilled, and that appearances are against him, he recurs to his purpose, frankly owning the while that the gift he craves is Heaven's, and his only the application. He had received a lesson against over-confidence in the failure of his solitary effort up to this time to achieve a work on a large scale. To the eighth and last stanza of his poem, "The Passion of Christ," is appended the note: "This subject the author finding to be above the years he had when he wrote it, and nothing satisfied with what was begun, left it unfinished." It nevertheless begins nobly, but soon deviates into conceits, bespeaking a fatigued imagination. The "Hymn on the Nativity," on the other hand, begins with two stanzas of far-fetched prettiness, and goes on ringing and thundering through strophes of ever-increasing grandeur, until the sweetness of Virgin and Child seem in danger of being swallowed up in the glory of Christianity; when suddenly, by an exquisite turn, the poet sinks back into his original key, and finally harmonizes his strain by the divine repose of concluding picture worthy of Correggio:--
"But see, the Virgin blest Hath laid the Babe to rest; Time is our tedious song should here have ending; Heaven's youngest-teemed star Hath fixed her polished car, Her sleeping Lord with handmaid lamp attending; And all about the courtly stable Bright harnessed Angels sit in order serviceable."
In some degree this magnificent composition loses force in our day from its discordance with modern sentiment. We look upon religions as members of the same family, and are more interested in their resemblances than their antagonisms. Moloch and Dagon themselves appear no longer as incarnate fiends, but as the spiritual counterparts of antediluvian monsters; and Milton's treatment of the Olympian deities jars upon us who remember his obligations to them. If the most Hebrew of modern poets, he still owed more to Greece than to Palestine. How living a thing Greek mythology was to him from his earliest years appears from his college vacation exercise of 1628, where there