to 
'insolent Greece or haughty Rome,' that passed current among 
us--'Peter Wilkins,' the 'Adventures of the Hon. Captain Robert Boyle,' 
the 'Fortunate Blue-Coat Boy,' and the like." But nobody loved the old 
romance with such devotion as Leigh Hunt. He was never tired of 
discoursing about its beauties, and he wrote with such thorough 
appreciation of his subject that he left little or nothing for another to 
add. "It is interesting," he writes in one place, "to fancy R. P., or 'Mr. 
Robert Paltock of Clement's Inn,' a gentle lover of books, not 
successful enough, perhaps, as a barrister to lead a public or profitable
life, but eking out a little employment or a bit of a patrimony with 
literature congenial to him, and looking oftener to 'Purchase Pilgrims' 
on his shelves than to 'Coke on Littleton.' We picture him to ourselves 
with 'Robinson Crusoe' on one side of him and 'Gaudentio di Lucca' on 
the other, hearing the pen go over his paper in one of those quiet rooms 
in Clement's Inn that look out of its old-fashioned buildings into the 
little garden with the dial in it held by the negro: one of the prettiest 
corners in London, and extremely fit for a sequestered fancy that 
cannot get any further. There he sits, the unknown, ingenious, and 
amiable Mr. Robert Paltock, thinking of an imaginary beauty for want 
of a better, and creating her for the delight of posterity, though his 
contemporaries were to know little or nothing of her. We shall never go 
through the place again without regarding him as its crowning 
interest.... Now a sweeter creature [than Youwarkee] is not to be found 
in books; and she does him immortal honour. She is all tenderness and 
vivacity; all born good taste and blessed companionship. Her pleasure 
consists but in his; she prevents all his wishes; has neither prudery nor 
immodesty; sheds not a tear but from right feeling; is the good of his 
home and the grace of his fancy. It has been well observed that the 
author has not made his flying women in general light and airy 
enough... And it may be said, on the other hand, that the kind of wing, 
the graundee, or elastic drapery which opens and shuts at pleasure, 
however ingeniously and even beautifully contrived, would necessitate 
creatures whose modifications of humanity, bodily and mental, though 
never so good after their kind, might have startled the inventor had he 
been more of a naturalist; might have developed a being very different 
from the feminine, sympathising, and lovely Youwarkee. Muscles and 
nerves not human must have been associated with inhuman wants and 
feelings; probably have necessitated talons and a beak! At best the 
woman would have been wilder, more elvish, capricious, and 
unaccountable. She would have ruffled her whalebones when angry; 
been horribly intimate, perhaps, with birds' nests and fights with eagles; 
and frightened Wilkins out of his wits with dashing betwixt rocks and 
pulling the noses of seals and gulls. ("Book for a Corner," 1868, i. 68, 
&c.) Could criticism be more delightful? But in the "London Journal," 
November 5, 1834, the genial essayist's fancy dallied even more 
daintily with the theme: "A peacock with his plumage displayed, full of
'rainbows and starry eyes,' is a fine object, but think of a lovely woman 
set in front of an ethereal shell and wafted about like a Venus.... We are 
to picture to ourselves a nymph in a vest of the finest texture and most 
delicate carnation. On a sudden this drapery parts in two and flies back, 
stretched from head to foot like an oval fan or an umbrella; and the lady 
is in front of it, preparing to sweep blushing away from us and 'winnow 
the buxom air.'" 
For many of us the conduct of life is becoming evermore a thing of 
greater perplexity. It is wearisome to be rudely jostling one another for 
the world's prizes, while myriads are toiling round us in an Egyptian 
bondage unlit by one ray of sunshine from the cradle to the grave. 
Some have attained to Lucretian heights of philosophy, whence they 
look with indifference over the tossing world-wide sea of human 
misery; but others are fain to avert their eyes, to clean forget for a 
season the actual world and lose themselves in the mazes of romance. 
In moments of despondency there is no greater relief to a fretted spirit 
than to turn to the "Odyssey" or Mr. Payne's exquisite translation of the 
"Arabian Nights." Great should be our gratitude to Mr. Morris for 
teaching us in golden verse that "Love is Enough," and for spreading 
wide the gates of his "Earthly Paradise." Lucian's "True History," that 
carries us over unknown seas beyond the Atlantic bounds to enchanted 
islands in the west,    
    
		
	
	
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