in Paris.] 
(Paris, Beginning of the 30th year.) 
It would give us great pleasure, my dear M. Brot, if you would come 
and dine with us without ceremony tomorrow, Monday, about 6 o'clock; 
I do not promise you a good dinner,--that is not the business of us poor 
artists; but the good company you will meet will, I trust, make up for 
that. Monsieur Hugo [the poet] and Edgard Quinet [French writer and 
philosopher] have promised to come. So do try not to disappoint us, for 
we should miss you much. My good mother told me to press you to 
come, for she is very fond of you. Till tomorrow then! Kind regards 
and thanks. 
F. Liszt 
I have been at least six times to you without having the pleasure of 
seeing you. 
61, Rue de Provence. 
 
5. Monsieur Pierre Wolff (Junior), Rue de la Tertasse, Geneva, 
Switzerland 
[Autograph in the possession of M. Gaston Calmann-Levy in Paris.] 
Nous disons: "Il est temps. Executons, c'est l'heure." Alors nous 
retournons les yeux--La Mort est la! Ainsi de mes projets.--Quand vous 
verrai-je, Espagne, Et Venise et son golfe, et Rome et sa campagne,
Toi, Sicile, que ronge un volcan souterrain, Grece qu'on connait trop, 
Sardaigne qu'on ignore, Cites de l'Aquilon, du Couchant, de l'Aurore, 
Pyramides du Nil, Cathedrales du Rhin! Qui sait?-- jamais peut-etre! 
[We say: "Now it is time. Let's act, for 'tis the hour." Then turn we but 
our eyes--lo! death is there! Thus with my plans. When shall I see thee, 
Espagna, And Venice with her gulf, and Rome with her Campagna; 
Thou, Sicily, whom volcanoes undermine; Greece, whom we know too 
well, Sardinia, unknown one, Lands of the north, the west, the rising 
sun, Pyramids of the Nile, Cathedrals of the Rhine! Who knows? Never 
perchance!] 
Earthly life is but a malady of the soul, an excitement which is kept up 
by the passions. The natural state of the soul is rest! 
Paris, May 2nd [1832] 
Here is a whole fortnight that my mind and fingers have been working 
like two lost spirits, Homer, the Bible, Plato, Locke, Byron, Hugo, 
Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber, 
are all around me. I study them, meditate on them, devour them with 
fury; besides this I practice four to five hours of exercises (3rds, 6ths, 
8ths, tremolos, repetition of notes, cadences, etc., etc.). Ah! provided I 
don't go mad, you will find an artist in me! Yes, an artist such as you 
desire, such as is required nowadays! 
"And I too am a painter!" cried Michael Angelo the first time he beheld 
a chef d'oeuvre...Though insignificant and poor, your friend cannot 
leave off repeating those words of the great man ever since Paganini's 
last performance. Rene, what a man, what a violin, what an artist! 
Heavens! what sufferings, what misery, what tortures in those four 
strings! 
Here are a few of his characteristics:-- 
[Figure: Liszt here writes down several tiny excerpts from musical 
scores of Paganini's violin music, such as his famous "Caprices"] 
As to his expression, his manner of phrasing, his very soul in fact!---- 
May 8th [1832] 
My good friend, it was in a paroxysm of madness that I wrote you the 
above lines; a strain of work, wakefulness, and those violent desires 
(for which you know me) had set my poor head aflame; I went from 
right to left, then from left to right (like a sentinel in the winter, 
freezing), singing, declaiming, gesticulating, crying out; in a word, I
was delirious. Today the spiritual and the animal (to use the witty 
language of M. de Maistre) are a little more evenly balanced; for the 
volcano of the heart is not extinguished, but is working silently.--Until 
when?-- 
Address your letters to Monsieur Reidet, the receiver-general at the port 
of Rouen. 
A thousand kind messages to the ladies Boissier. I will tell you some 
day the reasons which prevented me from starting for Geneva. On this 
subject I shall call you in evidence. 
Bertini is in London; Madame Malibran is making her round of 
Germany; Messemaecker (how is he getting on?) is resting on his 
laurels at Brussels; Aguado has the illustrious maestro Rossini in 
tow.--Ah--Hi--Oh--Hu!!! 
 
6. To Ferdinand Hiller 
[This letter, published by F. Niecks ("F. Chopin, Man and Musician," 
Vol. 1. German by Langhans. Leipzig, Leuckart, 1890), was written by 
Liszt and Chopin jointly, and was also signed by Chopin's friend 
Franchomme, the violoncellist. The part written by Chopin is indicated 
here by parentheses ().--Addressed to the well-known composer and 
author, afterwards Director of the Conservatorium and Concert Society 
at Cologne (1811-1885).] 
This is the twentieth time, at least, that we have tried to meet, first at 
my house, then here, with the intention of writing to you, and always 
some visit, or some other unforeseen    
    
		
	
	
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