Legends of the Madonna 
 
The Project Gutenberg EBook of Legends of the Madonna, by Mrs. 
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Title: Legends of the Madonna 
Author: Mrs. Jameson 
Release Date: April 15, 2004 [EBook #12047] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK LEGENDS 
OF THE MADONNA *** 
 
Produced by Charles Aldarondo, Keren Vergon, William Flis, and the 
Online Distributed Proofreading Team. 
 
LEGENDS 
OF 
THE MADONNA, 
AS 
REPRESENTED IN THE FINE ARTS. 
BY MRS. JAMESON. 
CORRECTED AND ENLARGED EDITION. 
BOSTON: HOUGHTON, MIFFLIN AND COMPANY. The Riverside 
Press, Cambridge. 1881.
NOTE BY THE PUBLISHERS. 
Some months since Mrs. Jameson kindly consented to prepare for this 
Edition of her writings the series of Sacred and Legendary Art, but 
dying before she had time to fulfil her promise, the arrangement has 
been intrusted to other hands. The text of the whole series will be an 
exact reprint of the last English Edition. 
TICKNOR & FIELDS. 
BOSTON, Oct. 1st, 1860. 
 
CONTENTS. 
PREFACE 
INTRODUCTION-- Origin of the Worship of the Madonna. Earliest 
artistic Representations. Origin of the Group of the Virgin and Child in 
the Fifth Century. The First Council at Ephesus. The Iconoclasts. First 
Appearance of the Effigy of the Virgin on Coins. Period of 
Charlemagne. Period of the Crusades. Revival of Art in the Thirteenth 
Century. The Fourteenth Century. Influence of Dante. The Fifteenth 
Century. The Council of Constance and the Hussite Wars. The 
Sixteenth Century. The Luxury of Church Pictures. The Influence of 
Classical Literature on the Representations of the Virgin. The 
Seventeenth Century. Theological Art. Spanish Art. Influence of 
Jesuitism on Art. Authorities followed by Painters in the earliest Times. 
Legend of St. Luke. Character of the Virgin Mary as drawn in the 
Gospels. Early Descriptions of her Person; how far attended to by the 
Painters. Poetical Extracts descriptive of the Virgin Mary. 
SYMBOLS AND ATTRIBUTES OF THE VIRGIN. Proper Costume 
and Colours. 
DEVOTIONAL SUBJECTS AND HISTORICAL SUBJECTS. 
Altar-pieces. The Life of the Virgin Mary as treated in a Series. The 
Seven Joys and Seven Sorrows as a Series. Titles of the Virgin, as 
expressed in Pictures and Effigies. Churches dedicated to her. 
Conclusion. 
SUPPLEMENTARY NOTES 
DEVOTIONAL SUBJECTS. 
 
PART I.
THE VIRGIN WITHOUT THE CHILD. 
LA VERGINE GLORIOSA. Earliest Figures. The Mosaics. The Virgin 
of San Venanzio. The Virgin of Spoleto. 
The Enthroned Virgin without the Child, as type of heavenly Wisdom. 
Various Examples. 
L'INCORONATA, the Type of the Church triumphant. The Virgin 
crowned by her Son. Examples from the old Mosaics. Examples of the 
Coronation of the Virgin from various Painters. 
The VIRGIN OF MERCY, as she is represented in the Last Judgment. 
The Virgin, as Dispenser of Mercy on Earth. Various Examples. 
The MATER DOLOROSA seated and standing, with the Seven 
Swords. 
The Stabat Mater, the Ideal Pietà. The Votive Pieta by Guido. 
OUR LADY OF THE IMMACULATE CONCEPTION Origin of the 
Subject. History of the Theological Dispute. The First Papal Decree 
touching the Immaculate Conception. The Bull of Paul V. The 
Popularity of the Subject in Spain. Pictures by Guido, by Roelas, 
Velasquez, Murillo. 
The Predestination of the Virgin. Curious Picture by Cotignola. 
 
PART II. 
THE VIRGIN AND CHILD. 
THE VIRGIN AND CHILD ENTHRONED. Virgo Deipara. The 
Virgin in her Maternal Character. Origin of the Group of the Mother 
and Child. Nestorian Controversy.
The Enthroned Virgin in the old Mosaics. In early Italian Art The 
Virgin standing as Regina Coeli. 
La Madre Pia enthroned. _Mater Sapientiæ_ with the Book. 
The Virgin and Child enthroned with attendant Figures; with Angels; 
with Prophets; with Apostles. 
With Saints: John the Baptist; St. Anna; St. Joachim; St. Joseph. 
With Martyrs and Patron Saints. 
Various Examples of Arrangement. With the Fathers of the Church; 
with St. Jerome and St. Catherine; with the Marriage of St. Catherine. 
The Virgin and Child between St. Catherine and St. Barbara; with 
Mary Magdalene; with St. Lucia. 
The Virgin and Child between St. George and St. Nicholas; with St. 
Christopher; with St. Leonard. The Virgin of Charity. 
The Madonnas of Florence; of Siena; of Venice and Lombardy. How 
attended. 
The Virgin attended by the Monastic Saints. Examples from various 
Painters. 
Votive Madonnas. For Mercies accorded; for Victory; for Deliverance 
from Pestilence; against Flood and Fire. 
Family Votive Madonnas, Examples. The Madonna of the Bentivoglio 
Family. The Madonna of the Sforza Family. The Madonna of the 
Moyer Family, The Madonna di Foligno. German Votive Madonna at 
Rouen. Madonna of Réné, Duke of Anjou; of the Pesaro Family at 
Venice. 
Half-length Enthroned Madonnas; first introduced by the Venetians. 
Various Examples. 
The MATER    
    
		
	
	
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