titles, 
catch-words, rubrics, names of Apep and his fiends, and a few other 
words, are written in red ink. There are two colophons; in the one we
have a date, namely, the "first day of the fourth month of the twelfth 
year of Pharaoh Alexander, the son of Alexander," i.e., B.C. 311, and in 
the other the name of the priest who either had the papyrus written, or 
appropriated it, namely, Nes-Menu, or Nes-Amsu. 
The Legend of the Creation is found in the third work which is given in 
the papyrus, and which is called the "Book of overthrowing Apep, the 
Enemy of Ra, the Enemy of Un-Nefer" (i.e., Osiris). This work 
contained a series of spells which were recited during the performance 
of certain prescribed ceremonies, with the object of preventing storms, 
and dispersing rain-clouds, and removing any obstacle, animate or 
inanimate, which could prevent the rising of the sun in the morning, or 
obscure his light during the day. The Leader-in Chief of the hosts of 
darkness was a fiend called Apep who appeared in the sky in the form 
of a monster serpent, and, marshalling all the fiends of the Tuat, 
attempted to keep the Sun-god imprisoned in the kingdom of darkness. 
Right in the midst of the spells which were directed against Apep we 
find inserted the legend of the Creation, which occurs in no other 
known Egyptian document (Col. XXVI., l. 21, to Col. XXVII., l. 6). 
Curiously enough a longer version of the legend is given a little farther 
on (Col. XXVIII., l. 20, to Col. XXIX., l. 6). Whether the scribe had 
two copies to work from, and simply inserted both, or whether he 
copied the short version and added to it as he went along, cannot be 
said. The legend is entitled: Book of knowing the evolutions of Ra [and 
of] overthrowing Apep. 
This curious "Book" describes the origin not only of heaven, and earth, 
and all therein, but also of God Himself. In it the name of Apep is not 
even mentioned, and it is impossible to explain its appearance in the 
Apep Ritual unless we assume that the whole "Book" was regarded as a 
spell of the most potent character, the mere recital of which was fraught 
with deadly effect for Apep and his friends. 
The story of the Creation is supposed to be told by the god Neb-er- 
tcher. This name means the "Lord to the uttermost limit," and the 
character of the god suggests that the word "limit" refers to time and 
space, and that he was, in fact, the Everlasting God of the Universe.
This god's name occurs in Coptic texts, and then he appears as one who 
possesses all the attributes which are associated by modern nations with 
God Almighty. Where and how Neb-er-tcher existed is not said, but it 
seems as if he was believed to have been an almighty and invisible 
power which filled all space. It seems also that a desire arose in him to 
create the world, and in order to do this he took upon himself the form 
of the god Khepera, who from first to last was regarded as the Creator, 
par excellence, among all the gods known to the Egyptians. When this 
transformation of Neb-er-tcher into Khepera took place the heavens and 
the earth had not been created, but there seems to have existed a vast 
mass of water, or world-ocean, called Nu, and it must have been in this 
that the transformation took place. In this celestial ocean were the 
germs of all the living things which afterwards took form in heaven and 
on earth, but they existed in a state of inertness and helplessness. Out of 
this ocean Khepera raised himself, and so passed from a state of 
passiveness and inertness into one of activity. When Khepera raised 
himself out of the ocean Nu, he found himself in vast empty space, 
wherein was nothing on which he could stand. The second version of 
the legend says that Khepera gave being to himself by uttering his own 
name, and the first version states that he made use of words in 
providing himself with a place on which to stand. In other words, when 
Khepera was still a portion of the being of Neb-er-tcher, he spake the 
word "Khepera," and Khepera came into being. Similarly, when he 
needed a place whereon to stand, he uttered the name of the thing, or 
place, on which he wanted to stand, and that thing, or place, came into 
being. This spell he seems to have addressed to his heart, or as we 
should say, will, so that Khepera willed this standing-place to appear, 
and it did so forthwith. The first version only mentions a heart, but the 
second also speaks of a heart-soul as    
    
		
	
	
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