she was going to be altogether cut out and put in 
the background? Alice had a kind of uneasy foreboding that Herbert 
Pryce would think a title "interesting." 
Meanwhile Nora, having looked through an essay on "Piers Plowman," 
which she was to take to her English Literature tutor on the following
day, went aimlessly upstairs and put her head into Connie's room. The 
old house was panelled, and its guest-room, though small and shabby, 
had yet absorbed from its oaken walls, and its outlook on the garden 
and St. Cyprian's, a certain measure of the Oxford charm. The furniture 
was extremely simple--a large hanging cupboard made by curtaining 
one of the panelled recesses of the wall, a chest of drawers, a bed, a 
small dressing-table and glass, a carpet that was the remains of one 
which had originally covered the drawing-room for many years, an 
armchair, a writing-table, and curtains which having once been blue 
had now been dyed a serviceable though ugly dark red. In Nora's eyes it 
was all comfortable and nice. She herself had insisted on having the 
carpet and curtains redipped, so that they really looked almost new, and 
the one mattress on the bed "made over"; she had brought up the 
armchair, and she had gathered the cherry-blossoms, which stood on 
the mantelpiece shining against the darkness of the walls. She had also 
hung above it a photograph of Watts "Love and Death." Nora looked at 
the picture and the flowers with a throb of pleasure. Alice never noticed 
such things. 
And now what about the maid? Fancy bringing a maid! Nora's 
sentiments on the subject were extremely scornful. However Connie 
had simply taken it for granted, and she had been housed somehow. 
Nora climbed up an attic stair and looked into a room which had a 
dormer window in the roof, two strips of carpet on the boards, a bed, a 
washing-stand, a painted chest of drawers, a table, with an old 
looking-glass, and two chairs. "Well, that's all I have!" thought Nora 
defiantly. But a certain hospitable or democratic instinct made her go 
downstairs again and bring up a small vase of flowers like those in 
Connie's room, and put it on the maid's table. The maid was English, 
but she had lived a long time abroad with the Risboroughs. 
Sounds! Yes, that was the fly stopping at the front door! Nora flew 
downstairs, in a flush of excitement. Alice too had come out into the 
hall, looking shy and uncomfortable. Dr. Hooper emerged from his 
study. He was a big, loosely built man, with a shock of grizzled hair, 
spectacles, and a cheerful expression.
A tall, slim girl, in a grey dust-cloak and a large hat, entered the dark 
panelled hall, looking round her. "Welcome, my dear Connie!" said Dr. 
Hooper, cordially, taking her hand and kissing her. "Your train must 
have been a little late." 
"Twenty minutes!" said Mrs. Hooper, who had followed her niece into 
the hall. "And the draughts in the station, Ewen, were something 
appalling." 
The tone was fretful. It had even a touch of indignation as though the 
speaker charged her husband with the draughts. Mrs. Hooper was a 
woman between forty and fifty, small and plain, except for a pair of 
rather fine eyes, which, in her youth, while her cheeks were still pink, 
and the obstinate lines of her thin slit mouth and prominent chin were 
less marked, had beguiled several lovers, Ewen Hooper at their head. 
Dr. Hooper took no notice of her complaints. He was saying to his 
niece--"This is Alice, Constance--and Nora! You'll hardly remember 
each other again, after all these years." 
"Oh, yes, I remember quite well," said a clear, high-pitched voice. 
"How do you do!--how do you do?" 
And the girl held a hand out to each cousin in turn. She did not offer to 
kiss either Alice or Nora. But she looked at them steadily, and suddenly 
Nora was aware of that expression of which she had so vivid although 
so childish a recollection--as though a satiric spirit sat hidden and 
laughing in the eyes, while the rest of the face was quite grave. 
"Come in and have some tea. It's quite ready," said Alice, throwing 
open the drawing-room door. Her face had cleared suddenly. It did not 
seem to her, at least in the shadows of the hall, that her cousin 
Constance was anything of a beauty. 
"I'm afraid I must look after Annette first. She's much more important 
than I am!" 
And the girl ran back to where a woman in a blue serge coat and skirt
was superintending the carrying in of the luggage. There was a great 
deal of luggage, and Annette, who wore a rather cross, flushed air, 
turned round every now and then to look frowningly    
    
		
	
	
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