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*END*THE SMALL PRINT! FOR PUBLIC DOMAIN 
ETEXTS*Ver.04.29.93*END* 
 
KENILWORTH. 
by Sir Walter Scott, Bart. 
 
* 
Note: Footnotes and references to the notes at the end of the printed 
book have been inserted in the etext in square brackets ("[]") close to 
the place where they were indicated by a suffix in the original text. The 
notes at the end are now numbered instead of using pages to identify 
them as was done in the printed text. 
Text in italics has been written in capital letters.
* 
 
INTRODUCTION 
A certain degree of success, real or supposed, in the delineation of 
Queen Mary, naturally induced the author to attempt something similar 
respecting "her sister and her foe," the celebrated Elizabeth. He will not, 
however, pretend to have approached the task with the same feelings; 
for the candid Robertson himself confesses having felt the prejudices 
with which a Scottishman is tempted to regard the subject; and what so 
liberal a historian avows, a poor romance-writer dares not disown. But 
he hopes the influence of a prejudice, almost as natural to him as his 
native air, will not be found to have greatly affected the sketch he has 
attempted of England's Elizabeth. I have endeavoured to describe her as 
at once a high-minded sovereign, and a female of passionate feelings, 
hesitating betwixt the sense of her rank and the duty she owed her 
subjects on the one hand, and on the other her attachment to a 
nobleman, who, in external qualifications at least, amply merited her 
favour. The interest of the story is thrown upon that period when the 
sudden death of the first Countess of Leicester seemed to open to the 
ambition of her husband the opportunity of sharing the crown of his 
sovereign. 
It is possible that slander, which very seldom favours the memories of 
persons in exalted stations, may have blackened the character of 
Leicester with darker shades than really belonged to it. But the almost 
general voice of the times attached the most foul suspicions to the death 
of the unfortunate Countess, more especially as it took place so very 
opportunely for the indulgence of her lover's ambition. If we can trust 
Ashmole's Antiquities of Berkshire, there was but too much ground for 
the traditions which charge Leicester with the murder of his wife. In the 
following extract of the passage, the reader will find the authority I had 
for the story of the romance:-- 
"At the west end of the church are the ruins of a manor, anciently 
belonging (as a cell, or place of removal, as some report) to the monks
of Abington. At the Dissolution, the said manor, or lordship, was 
conveyed to one -- Owen (I believe), the possessor of Godstow then. 
"In the hall, over the chimney, I find Abington arms cut in 
stone--namely, a patonee between four martletts; and also another 
escutcheon--namely, a lion rampant, and several mitres cut in stone 
about the house. There is also in the said house a chamber called 
Dudley's chamber, where the Earl of Leicester's wife was murdered, of 
which this is the story following:-- 
"Robert Dudley, Earl of Leicester, a very goodly personage, and 
singularly well featured, being a great favourite to Queen Elizabeth, it 
was thought, and commonly reported, that had he been a bachelor or 
widower, the Queen would have made him her husband; to this end, to 
free himself of all obstacles, he commands, or perhaps, with fair 
flattering entreaties, desires his wife to repose herself here at his 
servant Anthony Forster's house, who then lived in the aforesaid 
manor-house; and also prescribes to Sir Richard Varney (a prompter to 
this design), at his coming hither, that he should first attempt to poison 
her, and if that did not take effect, then by any other way whatsoever to 
dispatch her. This, it seems, was proved by the report of Dr. Walter 
Bayly, sometime fellow of New College, then living in Oxford, and 
professor of    
    
		
	
	
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