Julia The Apostate

Julia The Apostate, by Josephine
Daskam

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Title: Julia The Apostate
Author: Josephine Daskam
Release Date: November 6, 2007 [EBook #23367]
Language: English
Character set encoding: ISO-8859-1
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APOSTATE ***

Produced by David Widger

JULIA THE APOSTATE
By Josephine Daskam
Copyright, 1903, by Charles Scribner's Sons

"You don't think it's too young for me, girls?"
"Young for you--par exemple! I should say not," her niece replied,
perking the quivering aigrette still more obliquely upon her aunt's head.
Carolyn used par exemple as a good cook uses onion--a hint of it in
everything. There were those who said that she interpolated it in the
Litany; but Carolyn, who was born Caroline and a Baptist, was too
much impressed by the liturgy of what she called The Church to insert
even an uncanonized comma.
"Now don't touch it, Aunt Julia, for it's deliciously chic, and if you had
your way you'd flatten it down right straight in the middle--you know
you would."
Miss Trueman pursed her lips quizzically.
"I've always thought, Carrie--lyn," she added hastily, as her niece
scowled, "that they put things askew to make 'em different--for a
change, as you might say. Now, if they're never in the middle, it's about
as tiresome, isn't it?"
Elise, whose napkin-ring bore malignant witness to her loving aunt,
Eliza Judd, laughed irrepressibly: she had more sense of humor than
her sister. It was she who, though she had assisted in polishing the old
copper kettle subsequently utilized as a holder for the tongs and shovel,
had refused to consider the yet older wash-boiler in the light of a
possible coal-scuttle, greatly to the relief of her aunt, who blushed
persistently at any mention of the hearth.
She patted the older woman encouragingly.
"That's right, Aunt Ju-ju, argue it out!" she advised.
Miss Trueman winced. She had never accustomed herself to those
senseless monosyllables that parodied her name; nor could she
understand the frame of mind that found them preferable to the
comfortable "Aunt Jule" of the old days.

"Ju-ju!" Strips of unwholesome flesh-colored paste, sugar-sprinkled,
dear to her childish heart but loathed by a maturer palate, rose to her
mind. There had been another haunting recollection: for months she
had been unable to define it perfectly, though it had always brought a
thrill of disgust with its vague appeal. One day she caught it and told
them.
"It was that dreadful creature Mr. Barnum exhibited," she declared,
"that we didn't allow the children to go to see--Jo-jo, the Dog-faced
Boy! You remember?"
Their cold horror, briefly expressed, had shown her that she had
trespassed too far on their indulgence, and she spoke of it no more, but
the memory rankled.
"It's so strange you don't see how cunning it is," Carolyn complained;
"everybody does it now. The whole Chatworth family have those
names, Aunt Ju, and it is the dearest thing to hear the old doctor call
Captain Arthur 'Ga-ga.' You know that dignified sister with the lovely
silvery hair? Well, they all call her 'Looty.' And nobody thinks of
Hunter Chatworth's real name--he's always 'Toto.'"
"And he has three children!"
Miss Trueman sighed; the constitution of the modern family amazed
her endlessly. Ga-ga, indeed!
"Do the children call him Toto, too?" she demanded, with an attempt at
sarcasm, a conversational form to which she was by nature a stranger.
"Oh, I don't know about that," Carolyn answered carelessly. "I suppose
not. Though plenty of children do, you know. Mrs. Ranger's little girl
always calls her mother Lou."
"Mrs. Ranger--you mean the woman that smokes?"
Miss Trueman's tone brought vividly to the mind a person dangling
from disgusted finger-tips a mouse or beetle.

"For heaven's sake, Aunt Jule"--in moments of intense exasperation
they reverted unconsciously to the old form--"don't speak of her as if
she smoked for a living!"
"I should rather not speak of her at all," said Miss Trueman severely.
They raised their eyebrows helplessly: Carolyn's irritation was so
unfeigned that she omitted a justly famous shrug.
For two years they had devoted an appreciable part of their busy hours
to modifying Aunt Julia's antique prejudices, developing in her the
latent aesthetic sense that their Wednesday art class taught them existed
in every one, cajoling her into a tolerance of certain phases of modern
literature considered seriously and weekly by the Monday Afternoon
Club, and incidentally utilizing her as a chaperon and housekeeper in
their modest up-town apartment.
The