almost dead, I'm so tired." 
Jude looked at her hungrily. The sudden happy ending of his torture 
gave him an unreal, unsafe feeling. 
He wanted to touch her again in the new, thrilling way, but she was 
forbidding even in her sweet yielding. 
"You go to bed," he said vaguely; "I'll go down to the Black Cat, and 
see that your father gets home all right." 
Joyce stepped backward to the chamber door beyond. 
"Thank you," she murmured; "I certainly am dead tired." 
CHAPTER II 
There was only a path leading from the highway to John Gaston's shack. 
A path wide enough for a single traveller, and the dark pointed pines 
guarded it on either side until within ten feet of the house. The house 
itself sat cosily in the clearing. It was a log house built by amateur 
hands, but roughly artistic without, and mannishly comfortable within. 
The broad door opened into the long living room, where a deep 
fireplace (happily the chimney had drawn well from the first, or the 
builder would have been sore perplexed) gave a look of hospitality to
the otherwise severe furnishings. The fireplace and mantel-shelf were 
Gaston's pride and delight. Upon them he had worked his fanciful 
designs, and the result was most satisfactory. There was a low, broad 
couch near the hearth piled with pine cushions covered with odds and 
ends of material that had come into a man's possession from limited 
sources. A table, home-made, and some Hillcrest chairs completed the 
furnishings, except for the china and cooking utensils that ornamented 
shelves and hooks around the room. 
An inner door opened into Gaston's bedchamber and sanctum. No one 
but himself ever entered there. 
There was a broad desk below the one wide window of that room and a 
revolving chair before it. A boxed-in affair, filled with fragrant pine 
boughs, answered for a bed. This was covered with white sheets and a 
pair of fine, handsome, red blankets. An iron-bound chest stood by the 
bed with a padlock strong enough to guard a king's treasure, and around 
the walls of the room there were rows of books, interrupted here and 
there to admit a picture of value and beauty out of all proportion to the 
other possessions. 
Over the window hung a large-faced clock that kept faultless time, and 
announced the fact hourly in a mellow, but convincing, voice. Just 
below the window and over the desk, was a pipe-rack with pipes to fit 
every mood and fancy of a lonely man. There were the short stumpy 
ones, with the small bowls for the brief whiff when one did not choose 
to keep company with himself for long, but was willing to be sociable 
for a moment. There were the comfortable, self-caring pipes that 
obligingly kept lighted between long puffs while the master was 
looking over old papers, or considering future plans. Then there were 
the long-stemmed, deep-bellied friends for hours when Memory would 
have her way and wanted the misty, fragrant setting for her pictures that 
so comforted or tormented the man who wooed them. 
By the rude desk Gaston was sitting on the evening that Jude and Joyce 
were clinging to each other in the house under the maples. His hands 
were plunged deep in the pockets of his corduroy trousers, his long legs 
extended, and his head thrown back; he was smoking one of his
memory-filled pipes, and his eyes were fixed upon the rafters of the 
room. 
He was a good-looking fellow in the neighbourhood of thirty-five; 
browned by an out-of-door life, but marked by a delicacy of feature and 
expression. 
The strength that was in Gaston's face might puzzle a keen reader of 
character as to whether it were native, or the result of years of 
well-fought battles. Once the will was off guard, a certain softness of 
the eyes, and a twitching of the mouth muscles came into play; but the 
will was rarely off guard during Gaston's waking hours. 
An open book lay upon the desk, and the student lamp cast a full light 
upon the words that had caught the reader's thoughts after the events of 
the day and their outcome. 
"In the life of every man there occurs at least one epoch when the spirit 
seems to abandon the body, and elevating itself above mortal affairs 
just so far as to get a comprehensive and general view, makes this an 
estimate of its humanity, as accurate as it is possible, under the 
circumstances, to that particular spirit. The soul here separates itself 
from its own idiosyncrasy, or individuality, and considers its own being, 
not as appertaining solely to itself, but as a portion of the universal Ego. 
All important good resolutions of character are brought about at these 
crises of life; and thus it    
    
		
	
	
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